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"Sevastopol Waltz" is a Soviet song written in 1955 by composer Konstantin Listov and poet Georgy Rublev. The song became widely popular, often characterized in the media as an unofficial anthem of the Crimea. For the first time, the song "Sevastopol Waltz" was performed in Odessa, February 22, 1955 during the tour of the Eddie Rosner Orchestra in Ukraine. In 1961, Konstantin Listov wrote the eponymous operetta, the leitmotif of which is the melody of the Sevastopol Waltz. History. Composer Konstantin Listov told how he created the "Sevastopol Waltz" for the 10th anniversary of Victory Day and the centenary of the First Defense of Sevastopol. When I wrote this song, I saw in front of me a picture of the evening Sevastopol, illuminated by the rays of the setting sun...Coolness comes, a fresh breeze blows from the sea. Sailors in snow-white ironed uniforms gather on Primorsky Boulevard, where many are waiting for their beloved girls. Jokes, laughter, dancing-in everything you can feel the young joy of life. And the next morning the ships go to sea. The melody was ready in 1954, for poems Listov turned to his friend, the poet Georgy Rublev. Despite a serious illness, the poet enthusiastically took up the composition of the text and came up with the name of the song: "Sevastopol Waltz". Four lines of the chorus were composed by Listov himself. Rublev wrote the lyrics in just a few days, but did not have time to hear the professional performance of his song. In 2016, the great-granddaughter of the composer, Russian TV journalist E. L. Listova, shot (for display on the NTV channel on May 9) a documentary film "Sevastopol Waltz", dedicated to the second defense of Sevastopol (1941-1942). According to Listova, "impressions of Sevastopol, its stubborn dignity, its special neatness-both on the streets and in relationships, about only there a possible combination of luxury and severity-these impressions resulted in the well-known waltz. And nothing but a waltz could not get this music from my great-grandfather. In this film, I had only to decipher his notes.
"Sevastopol Waltz" is a heroic-romantic operetta, which was written in 1961 by composer Konstantin Listov, the authors of the libretto: Elena Galperina and Yuli Annenkov. The leitmotif of the operetta is the melody of the Sevastopol Waltz, which appeared in 1955. Plot. The first act. In 1942. A company of marines defends the Inkerman Heights near Sevastopol. The company commander, Lieutenant Dmitry Averin, remembers his beloved wife Nina, from whom there were no letters for three months. A transport ship breaks through to the sailors, brings mail and with it a long-awaited letter to Averin from his wife. Nina reports that she decided to link her fate with another person. In order not to upset friends before the fight, Averin tells them that everything is fine, his wife loves and waits. The battle for Inkerman, the last line of defense of Sevastopol, begins. Nurse Lyubasha, secretly in love with Averin, refuses to leave the front, but Averin sends her to the rear. The second act. The first post-war years, spring on Primorsky Boulevard of Sevastopol. Lyubasha appears, surrounded by a group of young lieutenants who vie to care for the girl, inviting her to the ball in the House of Naval Officers. Lyubasha jokingly gets rid of the cavaliers, and then from the former fellow soldier Genki the Immortal. Along the boulevard passes Nina, a young singer from Leningrad, the ex-wife of Averin. Now she is very sorry that she made a fatal mistake and broke up with Averin. Lyubasha knows that Averin is now serving in the Baltic, but suddenly he appears in front of her-it turns out that he was transferred again to the Black Sea Fleet. Dmitry reminds Lyubasha of his promise to invite the girl to a peaceful Sevastopol waltz as a joke. Lyubasha runs away happy. Excited Averin expresses his feelings in an aria that ends with the Sevastopol Waltz. Nina appears again, Dmitry pretends that they are strangers. Festive evening in the House of Naval Officers. Again the music of the "Sevastopol Waltz" sounds. Nina approaches Averin, and he has to invite her to the dance, not Lyubasha. Upset Lyubasha calms fellow soldier Rahmet. To Nina's attempts to restore the former relationship, Averin replies that he does not forgive betrayal. When the Immortal proclaims a toast to love, an irritated Averin makes a bitter remark about women who are all, as one, looking for a quiet life and hiding from dangers and anxieties. These cruel and unjust words cause a sharp rebuke from Lyubasha who heard them. She sings about girl fighters who knew how to fight and love. The third act. Rakhmet decides to help Lyubasha and Dmitry and arranges their meeting. Averin apologizes for his rude and evil words about women. The conversation is interrupted by the Immortal, who arrived at the commander with an assignment from the "Leningrad singer". Averin leaves, explains himself to Nina and says goodbye forever. After that, Dmitry returns to Lyubasha, and also forever.
In 1969, the film-performance "Sevastopol Waltz" directed by Alexander Zaks and Anna Giedroyc appeared, based on the production of the Moscow Operetta Theater.
Song stories. Sevastopol waltz, Vladimir Kalabukhov. 1. Georgy Lvovich Rublev (1916 - 1955) - songwriter, playwright. The author of the words of "The Sevastopol Waltz" (1955) 2. Konstantin Yakovlevich Listov (1900 - 1983) - composer, author of more than 800 songs, operettas, music for performances. Author of the melody "Sevastopol Waltz" (1954) Performers of this song: 3. Georg Karlovich Ots (1920 - 1975) - Soviet, Estonian pop, opera and operetta singer (lyric baritone). People's Artist of the USSR 4. Sergei Vladimirovich Mazaev (born 1959) - film actor, musician, singer, songwriter, composer and music producer, Honored Artist of Russia and Ekaterina Konstantinovna Guseva (born 1976) - theater, film, television, musical actress, Honored Artist of the Russian Federation with the Song and Dance Ensemble of the Black Sea Fleet 5. Oleg Evgenievich Pogudin - (born 1968) - singer, teacher. People's Artist of the Russian Federation. SEVASTOPOL WALTZ, The wave quietly splashes, The moon shines brightly; We walk along the seashore. And we sing, and we sing, And the garden rustles overhead with autumn foliage. Chorus: Sevastopol waltz, Golden days; I shone on the way more than once your eyes lights. Sevastopol waltz. All sailors remember. Is it possible for me to forget you, Golden days On Malakhov Kurgan The fog descended. That night you came to the pier to see the ships off. And since then, in any region, I remembered a sweet home. Chorus We returned home In Sevastopol native. Again, as before, chestnuts are in bloom, And again I'm waiting for you...Along the boulevards we go And, as in youth, we sing. Chorus…Sevastopol is a city that, with its entire history, rightfully deserved the name given to it at birth: "A city worthy of worship." Therefore, it is not surprising that the word "Sevastopol" has become a household word all over the world, denoting pride, valor and glory. The song "Sevastopol Waltz" has become popular, and is often characterized in the media as the unofficial anthem of the Crimea. Composer Listov told how he created the "Sevastopol Waltz" for the 10th anniversary of Victory Day and the centenary of the First Defense of Sevastopol:“When I wrote this song, I saw in front of me a picture of the evening Sevastopol, illuminated by the rays of the setting sun ... Coolness is coming, a fresh breeze is blowing from the sea. Sailors in snow-white ironed uniforms gather on Primorsky Boulevard, where beloved girls are waiting for many. Jokes, laughter, dances - you can feel the young joy of life in everything. And in the morning the ships go to sea. The melody was ready already in 1954, for the verses Listov turned to his friend, the poet Rublev. Despite a serious illness, the poet enthusiastically took up writing the text and came up with the name of the song: “Sevastopol Waltz”. Four lines of the chorus were composed by Listov himself. Rublev wrote the lyrics of the song in just a few days, but did not have time to hear a professional performance of his song. For the first time this song was performed in Odessa on February 22, 1955 during the tour of the Eddie Rosner Orchestra in Ukraine. The first performer was Emil Gorovets, at that time the soloist of this orchestra. Subsequently, the song was performed by Georg Ots and Vladimir Bunchikov, later "Sevastopol Waltz" included such famous singers as Yuri Bogatikov, Leonid Kostritsa, Renat Ibragimov, Alexander Rozum, Oleg Pogudin, Vladimir Samsonov in their repertoire. In 1961, Listov wrote an operetta of the same name, the leitmotif of which is the melody of the Sevastopol Waltz. There are video clips with the "Sevastopol Waltz" on the Internet: - Georg Ost (1967): http://www.youtube.com/watch?v=K18iNjr85Mg; - Ekaterina Guseva and Sergey Mazaev, accompanied by the Song and Dance Ensemble of the Black Sea Fleet: http://www.youtube.com/watch?v=HRzdx405qbw; - Ekaterina Guseva (accordion): http://www.youtube.com/watch?v=Pb5BhRel1t8; - Oleg Pogudin: http://www.youtube.com/watch?v=QAX4_xW-Ks4. The poet Georgy Rublev was born in the family of Lev Yakovlevich, a native of the city of Nikolaev, and his wife Sofya Izrailevna. Father worked as an assistant to the head of the sales department in the Main Directorate of the Energy Industry of the People's Commissariat of Heavy Industry of the USSR, was arrested and shot on August 3, 1937. Therefore, there are not so many details of the life of his son George. He is the author of patriotic works, including “Songs about the Chekists”, “Songs about the native country”, “Songs of the French docker”, “Glory to the brave”, “Songs about heroes”, “The commander's wife”, “Victorious”. He wrote three plays and one script. Composer Konstantin Listov was born in Odessa in a family of circus performers. From the age of five he studied music (on the mandolin) and performed in the arena himself. From childhood he fell in love with the sea; later he devoted many songs to the sea and sailors. In 1917 he graduated from the music school in Tsaritsyn. In 1918 - 1919 he served in the machine-gun regiment of the Red Army, participated in battles on the Tsaritsyn Front; at the same time, his father was the military commissar of this regiment, and his mother was the military commissar of the hospital. In 1922 Konstantin graduated from the Saratov Conservatory. He worked as a pianist and conductor at the Saratov Theater of Miniatures. Then he worked in Moscow theaters. Since the 1930s, Listov's fame as a first-class songwriter began. He was also an excellent pianist and gave concerts. Since 1938 he was a conductor at the Moscow Operetta Theatre, during the war years - a musical consultant to the Main Political Directorate of the Navy. Awarded with orders and medals. Singer Georg Ots was born in Petrograd. He graduated from the French Lyceum in Tallinn and became an officer after military school. In 1941, after graduating from the first course at the Tallinn Technical Institute, he was mobilized into the Red Army and was appointed commander of an anti-tank platoon. He started singing professionally. In 1946 he graduated from the Tallinn Music College, and in 1951 from the Tallinn Conservatory. Since 1944 he has been a choir artist, and since 1945 he has been a soloist with the Estonian Opera and Ballet Theatre. He performed as a chamber and pop singer. He performed arias from operas, songs of Soviet and Western composers. During his life he sang over 500 songs. He toured in many cities of the USSR and abroad. He was a deputy of the Supreme Soviet of the USSR of the ninth convocation. Received state awards and awards. Singer Sergey Mazaev was born in Moscow. Graduated from the Musical College, clarinet class, and the Faculty of Economics of the Moscow State University. He served in the ranks of the Soviet Army (VVIA named after N.E. Zhukovsky, orchestra), a participant in three parades on Red Square. Worked in musical groups. Artistic director of the pop orchestra. Singer Ekaterina Guseva was born in Moscow. In 1997 she graduated from the Higher Theater School named after B.V. Shchukin and, having played the main role in the film "Snake Spring", received an offer to become an actress of the theater "At the Nikitsky Gates". Then she moved on to the musical Nord-Ost, starting to take professional vocal and musical literacy lessons. In the spring of 2002, together with her partner in Nord-Ost and the authors of the play, Guseva conquered the North Pole, hoisting a flag on it with the autographs of the musical group. During this expedition, she sang at a temperature of minus 40 ° C, this fact was entered in the Russian Book of Records. Works in the troupe of the Mossovet Theatre. She recorded several songs as a solo singer, performs Russian romances. Singer Oleg Pogudin was born in Leningrad in a family of scientists. Several generations of the Pogudins sang along the male line. Oleg began studying music at the age of seven in the children's choir of the Leningrad Radio and Television, becoming one of the soloists. Together with the choir, he went on foreign tours. In 1985 he became a student of the acting department of the Leningrad State Institute of Theater, Music and Cinematography. N.K. Cherkasov. Here Pogudin continued to seriously engage in vocals. In 1990 he graduated from the St. Petersburg State Academy of Theater Arts with a diploma with honors. In 1992 he made two concert tours in Sweden, performing Russian romances and folk songs with great success. Since 1993, he has devoted himself exclusively to concert activity - both in Russia and abroad, constantly working at regional radio and television studios, giving more than 70 concerts a year. The artist's repertoire includes over 500 songs and romances in 15 languages. Based on Internet sites. Return to the content of the collection "History of hymns and songs about the Motherland" - http://proza.ru/2020/12/06/1444. 2020. © Copyright: Vladimir Kalabukhov , 2020 Certificate of Publication No. 220121101345
https://web.archive.org/web/20141107151548/http://promtime.com.ua/index.php/culture/sovremenniki/item/143-sevastopolskij-vals/143-sevastopolskij-vals///The statement that all sailors know the "Sevastopol Waltz" is true both for the residents of the city and for its many guests. As evidenced by the tour of the Navy Song and Dance Ensemble, the Dance Theater of Vadim Elizarov, this song serves as a visiting card in the far abroad. More than half a century of popularity of the "Sevastopol Waltz", once nicknamed an operetta, and today it is a musical, has no boundaries.Who is the author of such a long-lived creation? And it turns out that not all inveterate theatergoers can answer a simple question. When I was in Moscow recently, I called one of the creators of Sevastopol Waltz. A chiseled, confident voice replied: "Yuli Annenkov, I am listening to you!" He is the author of the libretto of an unfading musical.The writer lives in an old house in Staropimenovsky Lane, not far from Pushkin Square. His apartment is both a unique library and a music lounge. Here the "Sevastopol Waltz" was composed by the composer Konstantin Listov, writers Yuli Annenkov and Elena Galperina - the wife and associate of the writer.A long evening conversation, saturated with Memories of Yuli Lazarevich Annenkov about the war, the Navy, reflections on today's realities, is presented as a writer's monologue dedicated to the 225th anniversary of Sevastopol.Says the author of the play "Sevastopol Waltz" writer Yuli Annenkov:- Speaking about his favorite cities, it is very difficult to name the most beloved, as well as it is not easy for a man in a frank conversation to pronounce the name of the one that is the only one for him.So it's not easy for me to make an unequivocal choice. I will first name my hometown, where I lived until the age of 17, on a bend of the Southern Bug, which, from my point of view, is the best river in the world. I saw the Rhine, the Seine, the Ob, the Guadalquivir and, of course, the Volga. But the Southern Bug is the best of all.The word "homeland" is so shabby and worn out in our country that it is already difficult to use it in fiction. I won't find any synonyms for it now. I confess that the homeland for me is the edge of the earth that you saw in infancy for the first time or that you have associated with something very expensive. And this is my native Vinnitsa in Ukraine. Two other cities are as close to me as if I were born there: Leningrad and Sevastopol. For me, the city on the Neva River remains with its former name, as it was when I had the opportunity to serve and work there. And with Sevastopol I am connected by preserved deep emotional experiences. I will try to talk about Sevastopol in verse:///To posterity as an example///Have you seen how the memoryis sawn with an ordinary saw And thewhite stone under the hands Dustswith orange ash?Have you seen how from the ruins,From the dust of the raised earthPalaces and piers rose And receivedships?///All this can be seen onlyon the verge of the sea and the earth,Which, as an example to descendantswas called the Capital of Glory.///Another poem, "Fraternal Cemetery", written not so long ago, was offered to two Sevastopol newspapers, whose editorial offices praised it, but did not print it. Here's an excerpt.... Go there alone, look and listen:///The foliage will rustle around you,But this is not foliage at all, but soulsn Carry eternal words through time...Fighters of half-forgotten times,Mekenziev Mountains, Balaklava,Malakhov Kurgan, Chersonesos Cape...Breathe deeper into this naval glory,Rise to the third defense!///The first time I came to Sevastopol as a child. In that old town, I especially remember the Maritime Library and the single-track tram. He walked along Nakhimov Avenue, Bolshaya Morskaya, around the city center and returned along Lenin Street past the Naval Museum.And then, as a six-year-old boy, I thought, "What happy people live here. They breathe the sea and sail on ships (I didn't know then that they "walk" on the sea), and, returning from hikes, tell friends about wondrous distant countries. "When my parents and I went on vacation to Yalta, every morning, going out on the veranda, I saw the sea without a single ship and, upset, went to paint them either under sails or with iron masts. This is how my love for Sevastopol manifested itself.I did not have a chance to fight for Sevastopol. But my military fate since August 1941 is connected with the fleet, with the 1st Moscow detachment of sailors, formed to defend the capital. Then the People's Commissar of the Navy, Admiral N.G. Kuznetsov, truly the favorite of all fleets, handed us the battle flag of the deceased ship of the Black Sea Fleet.Since then, the Navy, and later Sevastopol, have occupied a huge place in my life. I went through the whole war in combat formation and did not even perform my duty, but my duties regardless of the conditions: under crossfire, under bombing, in front of attacking tanks, I fought like my comrades-in-arms, not considering that we should be rewarded for this. This was not heroism, it was a characteristic feature of the youth of that time. I came to Sevastopol when the war was already over, in the 50s. It was a tough time. And for many it was imprinted in the memory of the death of the battleship "Novorossiysk". Even compared to what we experienced in the war, I saw how cities collapsed, how people burned alive ... Especially terrible was the fact that the warship died in peacetime, that hundreds of sailors (then we did not know how many) went to the bottom near the shore. It's an unceasing pain in my heart. And the fact that the "Novorossians" are buried in the Fraternal Cemetery next to the heroes of the first defense of Sevastopol is quite fair. My service in post-war Sevastopol was going well and with a sense of spiritual elation. True, often physical exertion piled up outside the ship's schedule. The Black Sea knows how to give out its cool character. And in the 50s and 60s, the fleet already went to the Mediterranean Sea for combat service, and you could feel what it was like to serve on ships in peacetime.Once on the destroyer "Impeccable" we went to the Feodosia training ground and there unexpectedly lost a training torpedo. Such an incident could then entail more than severe punishment. The search for this product went on for a week, another, a third. In vain. As an artilleryman, I wasn't directly involved with that. And I was lucky. The commander granted me a leave of absence to Sevastopol. It was there that my new purpose was determined: the cruiser "Molotov". Soon it was called "Glory". The sailors laughed: the surname was replaced by a name, because Molotov's name was Vyacheslav. On the cruiser, I commanded a battery of automatic anti-aircraft guns. All my further literary activity is most closely connected with the naval period of my life. I consider my main work to be the novel "The Flag of the Destroyer", which absorbed both the first days of the war in the Black Sea and the actions of sailors on the land front. I wrote what I saw, what I felt, and the way I wanted to. I hardly idealized anything. This novel has been reprinted many times. And in subsequent prose things, I wrote about Sevastopol, where I happened to visit quite often: both on an internship and with writers' delegations. And once I was sent to the Navy on a business trip by the newspaper "Pravda", where the military department was headed by Timur Gaidar in the rank of rear admiral. I visited the Marines in Cossack Bay and wrote about them.I always remember Sevastopol. This city gave rise to a desire in my heart to make, in addition to a novel, also a play. Touching upon the war, to show the post-war fate of officers, and still young, 25-year-olds. We had only this specialty that the war gave, we did not know anything else and could not do anything. And then came Khrushchev's reduction: a million two hundred. We had some uncertainty, uncertainty. Don't get me wrong: war, for all its tragedy, is still the best time of my life in the sense that we lived according to our conscience, exposed to danger every day, did what the country needed, fought for a just cause.That's when I thought about the play, which later became known as the Sevastopol Waltz. It is inspired not only by impressions of Sevastopol. Pushed to this and the feeling of disappointment that possessed the young officer environment. It's not about the fact that we were supposedly opened the way to awards and positions. We were worried about everyday questions: what to do, where to direct your feet? Most of us came out with honor from these difficulties. My work on civil navy vessels helped me with this. Then I wrote a poem "The Ballad of the Sold Overcoat": in a dream my friend came to me – a sailor who died in battle and forever remained nineteen years old. He was going to sell his navy coat and said to me, clenching his teeth, "I'm selling my soul." And I wrote about how to preserve your soul, how to find yourself a real, worthy place in the post-war world. In the sixties, I was back in Sevastopol. Here I immediately felt young again. Sevastopol took off the years I had lived, I threw off twenty years! I was accepted back on the ship. I went out to sea and met some of my co-workers. I walked around the city, breathing it in the air and thinking, why is it so beautiful? When Sevastopol lived in a "closed" mode, housewives left keys under door mats, and first-graders were calmly released to their girlfriends on the other side of the city, knowing that no one would offend them. Order here was provided by naval patrols. I regretted the time when the ship moored after the cruise to Minnoy and sailors in white uniforms filled the streets and boulevards. This happens to an aged man who saw a young woman, and she charmed him, amazed him: what words should she say? I wanted to wander today in Balaclava, tomorrow – on Belbek, where ships were parked on the roadstead. And then I realized that in my imagination the pictures of post-war Sevastopol are moving, the play is maturing, and I must write how at such a time sailors are inspired for creative work. Let me remind you that the first act is a battle on the last frontiers, the Inkerman Heights. Those who survived also act in the second act. After the war, they rebuild Sevastopol. The protagonist - the former commander of the company on the Inkerman Heights (then Senior Lieutenant) Averin - was transferred to Sevastopol after serving in the Northern Fleet. He is already a captain of the 2nd rank, enters the command of the ship. He meets a new love in Sevastopol. The former, which Averin sent from Sevastopol to the Big Land, has already found its fate. The chief petty officer recalls his current lover: "If a desperate girl had not made her way to us with disks and grenades, there would have been a full khan for us, Dmitry Nikolaevich." At that time, the concept of "musical" was not used in the USSR, it was considered "a spiritual weapon of bourgeois influence." Meanwhile, the musical is a wonderful genre, which is now recognized in our country. We were infiltrated by "West Side Story" and "Porgy and Bess", and "Kiss Me, Kat"... My co-author Elena Galperina, by the way, my wife, enthusiastically took up the musical, prepared poems and musical numbers. The composer was also invited by a naval man - Konstantin Listov, who visited the besieged Sevastopol. We worked passionately, argued passionately and passionately. We remembered the streets of Sevastopol, episodes. The city always stood before our eyes: the Mine Wall, the House of Officers, Nakhimov Square. This is how the "Sevastopol Waltz" was born. The genre of the musical justified itself. The play was staged by Boris Ryabikin, an excellent director, with whom we created several more productions, including "The Polar Star" - about the submariners-North Seamen and "Southern Cross" - about the Pacific. All of them went to Leningrad. Konstantin Listov was imbued with music and navy through and through. He once had a song "Sevastopol Waltz", and Elena wrote a new text. The play was a completely unexpected success. In total, it took place on more than 100 stages of the Soviet Union and socialist countries. In particular, in Leningrad it was held 600 times, in Sevastopol - more than 100. We owe the great success of this play to another co-author – the city of Sevastopol, which gave strength to me, Listov, and Elena. We imagined the city of that time, Kostya played the piano, and the lines came by themselves. For my life, which I consider more or less prosperous and even successful, for my literary work in prose, dramaturgy, and in poems, I want to bow to the city of Sevastopol three times low and say to it: "Thank you very much!"///Boris Gelman///Posted in "Promotion Time" on 7 (23) 2007///Rate the material12345(1 Vote)///Posted in Our Contemporaries.
https://www-belcanto-ru.translate.goog/operetta_sevastopol.html?_x_tr_sl=ru&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc/// Listov's operetta "Sevastopol Waltz"///Sevastopol waltz///Composer///Konstantin Listov///Year of creation///1961///Genre///operettas and musicals///Country USSR///Listov's operetta "Sevastopol Waltz" / Sevastopol waltz///Operetta by Konstantin Listov in three acts, five scenes.///Libretto by E. Galperina and Yu. Annenkov.///The premiere took place in 1961 in Volgograd.///Characters: Dmitry Averin (baritone); Genka the Immortal (tenor); Fedor Kuzmich Garbuz; Lyubasha Tolmacheva (soprano); aunt Dina; Nina Biryuzova (soprano); Rakhmet; Sergeev; Zinochka; Tolya; Pavlo; Glory; Manya; Masha; Musya; Marusya; sailors, officers, cadets, girls, the public on Primorsky Boulevard and at a ball in the House of Fleet Officers.///The first action takes place in 1942 during the days of the heroic defense of Sevastopol, the second and third - shortly after the end of the Great Patriotic War.///The Sevastopol Waltz operetta is K. Listov's best and most popular operetta. The theme of the Great Patriotic War gave the work a heroic-romantic coloring. The vital authenticity of characters and situations, the combination of pathos and humor, the melodic brightness of many musical numbers made the Sevastopol Waltz one of the best Soviet operettas.///First action///Hot June 1942. Inkerman heights near Sevastopol. A company of marines under the command of Lieutenant Averin rests in defensive positions between battles. From here, from the rocks, the soldiers can see Sevastopol, over which the smoke of fires floats. Averin and Genka the Deathless thoughtfully sing "The Sevastopol Waltz". A young nurse, Lyubasha, originally from Sevastopol, peers with pain into the wounded features of her native city. Averin asks the Chief Sergeant of the Immortal to cheer up tired people, and the merry joker Genk sings a cheerful song about the “Cossack sailor”, who can’t figure out whether he is a Don sailor or a sea Cossack. This is a joke at your own expense - Immortal grew up on the Don. In the distance, at sea, a fight ensues. The transport ship breaks through enemy fire to help the defenders of Sevastopol. Soldiers rejoice: the ship broke through, which means there will be cartridges, bread, fresh water, letters from the mainland. Lieutenant Averin is waiting for the mail with particular impatience. For three months now he had not heard from his wife. His thoughts always turn to her, to Nina.///A flash of memory arises: Averin and Nina say goodbye on the Mine Wall in Sevastopol at the very beginning of the war. Hot love, and the bitterness of parting, and faith in the future happiness sound in the music of their duet.///So the war began for Dmitry Averin. And now he, a sailor, is defending Sevastopol on land, surrounded on all sides by enemies.///The sailors went ashore from the ships, To fight for the sea and the city, So that the Lights of the Inkerman alignment again shone on this land ... -///Averin and his sailors sing, and this harsh march song becomes the personification of the courage and patriotism of the defenders of Sevastopol.///Boatswain appears. The command is to have lunch. The sailors leave, Averin delays Lyubasha. Before the decisive battles, he is going to send the girl to the city: it is still not so dangerous there. The fearless Lyubasha is outraged by this decision of the commander, but the lieutenant sharply suppresses her objections. He does not suspect that the nurse loves him. This is a secret that Lyubasha can only admit to herself.///More than one Lyubasha is tormented by an unrequited feeling. The “sea Cossack” Immortal is not indifferent to her. Alive, impatient, accustomed to success, he tries to subdue the girl in a frontal attack, but retreats, having received a heavy slap in the face.///Everyone perks up when Aunt Dina appears at the location of the company - a heavy woman, no longer her first youth. At the risk of her life, she made her way to combat positions to deliver to the sailors ... a huge bottle of homemade kvass. The fighters are tormented by thirst, they drink with pleasure the "Black Sea kvass" of Aunt Dina, and the boatswain Fyodor Kuzmich, having become emotional, kisses the woman "on behalf of the service."///Finally the long-awaited mail arrives. Most of the letters came, of course, to the heartthrob Immortal. An unexpected blow awaits Averin. Nina writes that the separation turned out to be an unbearable test for her feelings. Her life is now connected with another person. People around notice that the commander is excited by the letter, but Averin hides the reason for the excitement. He says that his wife loves him and is waiting. Suddenly, an artillery barrage begins. The arrived battalion commander reports that the enemy has broken through the defenses and the battle will have to be accepted here, on the Inkerman heights. This is the last line of fortifications before Sevastopol. The sailors, led by Averin, say goodbye to Lyubasha and go to the defensive line. In the growing music of the battle, the melody of the song about the lights of the Inkerman alignment sounds.///Second act///First picture. The war years have passed, and in the peaceful, rebuilding Sevastopol, the heroes of the operetta meet again.///Spring. On Primorsky Boulevard, young people stroll under blossoming chestnut trees. Aunt Dina sells ice cream and commands a whole platoon of sales girls. Former boatswain Fyodor Kuzmich is now her husband. After retiring, he spends almost all the time next to her on the boulevard, eating ice cream and jealous of Aunt Dina for young sailors. Lyubasha Tolmacheva approaches in the company of young lieutenants, who vying with each other take care of the girl, inviting her to a ball at the House of Fleet Officers. A quartet appears: Lyubasha jokingly gets rid of her cavaliers.///The young flower girl Zinochka confides her heart affairs to Aunt Dina: she is passionately in love with the hero of the Sevastopol defense, Senior Lieutenant Bessmertny. But Genka the Immortal is no longer the heartthrob he once was. He doesn't need anyone but Lyubasha. And Zinochka’s love clearly prevents her from preparing for admission to a technical school - this is what she sings in her aria “All science perishes”.///The boatswain was jealous of Aunt Dina for another buyer. Spouses "find out the relationship" in a comic duet with dance. Aunt Dina recklessly stomps on her husband. This attracts the attention of Rakhmet, a former sailor from the Averin company. Now he is a projectionist in the House of Officers and, in addition, an organizer of amateur performances. Aunt Dina's "stomping" made a strong impression on him, and he includes her dance in the program of the next concert, despite the protests of the indignant Fyodor Kuzmich.///An anxious Lyubasha appears. At the construction site where she works and is the secretary of the Komsomol organization, there are not enough workers. Fyodor Kuzmich and Aunt Dina announce a "hands on call": he will bring retirees to the construction site, she will "mobilize" saleswomen and housewives. Another unsuccessful explanation occurs between Lyubasha and the Immortal. The scene turns into a perky duet and ends with a dance.///Lyubasha meets a young singer from Leningrad on the boulevard. This is Nina, Averin's ex-wife, which Lyubasha, of course, does not know. Nina is tormented by the consciousness of the irreparable mistake she made by cheating on Dmitry. Her aria is imbued with suffering and longing for former happiness. Nina confesses to the girl that she herself once ruined her love. Parting, she invites Lyuba to a concert at the House of Fleet Officers. Nina's story stirred up her own pain in Lyubasha's soul. Her heart is still owned by Averin, whom she has not seen since the war and who, according to information, serves somewhere in the North. The aria of Lyubasha is dedicated to the dream of a loved one.///Quite unexpectedly, Averin himself, transferred to Sevastopol, appears before Lyubasha. The duo of heroes will be filled with delight and joy of the meeting. Dmitry reminds Lyubasha of his once joking promise to invite a girl to a peaceful Sevastopol waltz. Lyubasha runs away happy. An agitated Averin expresses his feelings in an aria that ends with the "Sevastopol Waltz".///Many unexpected meetings await Averin on the very first day of his arrival in Sevastopol. He joyfully greets his former boatswain and aunt Dina, Genk the Immortal and Rakhmet. But the most striking thing for him is the meeting with Nina. However, Dmitry pretends that they are unfamiliar. Overwhelmed by memories, Averin and his friends sing the song “The Lights of the Inkerman Range”. Nina is alone. The farewell duet melody from the first act reveals her experiences.///Second picture. Festive evening at the House of Fleet Officers. Rakhmet performs with a fervent song. Aunt Dina is rehearsing, overcoming the fierce resistance of her husband, and does it with such fire that she drags the former boatswain with her. Surrounded by sailors, Nina comes out. The concert was a success, and at the request of the sailors, she repeats a song about a girl waiting for a sailor. The music of the "Sevastopol Waltz" sounds. Nina approaches Averin, and he is forced to invite her to the dance, and not Lyubasha. The distressed Lyubasha is calmed down by Rakhmet. Nina is trying to awaken in Averin the memory of past love, but he cannot forgive her betrayal. When the Immortal proclaims a toast to love, an irritated Averin throws a sarcastic remark about women who, according to him, all, as one, are looking for a quiet life and hiding from dangers and anxieties. These cruel and unfair words evoke a sharp rebuff from Lyubasha, who heard them. Bitterness and dignity are imbued with her song about girl fighters who knew how to fight and love.///Third act///Third picture. Day off. On Primorsky Boulevard, retired boatswain Fyodor Kuzmich forms a team of volunteers to help Lyubasha's construction site. Aunt Dina brought a large group of girls, who today - alas! - you will have to miss a date with your sailor friends. The sailors who arrived on shore leave are disappointed. Lyubasha finds a way out: to go to the construction site together. However, the commander of the ship, Averin, does not like this. He adheres to the letter of the charter: the order to rest means that you need to rest. “Do not delay the commander,” Lyubasha ironically remarks, “he is not up to the construction site, the commander is in a hurry for the waltz tour ...” Annoyed Averin leaves and ... returns. He will also participate in the restoration of Sevastopol dear to him. Lyubasha and the boatswain happily accept him into the brigade of volunteer builders.///Fourth picture. The same boulevard in the evening. Rakhmet, who has long noticed that Lyubasha is not indifferent to Averin, decides to help them explain themselves to each other. His help comes in handy. Averin himself is looking for an opportunity to talk with Lyubasha.///Left alone with her, he asks for forgiveness for his rude and angry words about women. The conversation is interrupted by the Immortal, who arrived at the commander with an order from the "Leningrad singer". Nina urgently wants to talk to Averin. He leaves Lyubasha, promising to tell her something important. Lyubasha confesses to Genka that she loves the commander. The Immortal is stunned. His gloomy thoughts are dispelled by a meeting with Zinochka, in love with the "sea Cossack". Gennady buys a basket of flowers from Zinochka and immediately gives them to her "from the victim of the accident." Averin explains with Nina. They say goodbye, and this time for good. Now he can tell everything to Lyubasha, whom he managed to appreciate and love passionately. From now on, their destinies are inseparable. To the sounds of the Sevastopol Waltz, the heroes dream of the future. Fireworks are thundering, colored rockets are taking off. Sevastopol celebrates the Day of the Navy.///L. Mikheeva, A. Orelovich
https://www-9maya-ru.translate.goog/2015/09/08/pesnya-sevastopolskiy-vals-istoriya-sozdaniya-slushat-i-skachat.html?_x_tr_sch=http&_x_tr_sl=ru&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc///SONG SEVASTOPOL WALTZ - HISTORY OF CREATION, LISTEN AND DOWNLOAD///Section: Military songs Published: 8 September 2015///"Sevastopol Waltz" is a post-war Soviet song by Konstantin Listov (music) and Georgy Rublev (text), dedicated to the 10th anniversary of the end of the Second World War and the 100th anniversary of the defense of the city during the Crimean campaign of 1954-55. The popular composition, which was first performed in 1955, through the efforts of newspapermen, acquired the status of the unofficial anthem of the Crimea.///The history of the creation of the song "Sevastopol Waltz"///From the memoirs of Konstantin Listov: - When writing this song, I had a picture of the evening Sevastopol in front of me. Illuminated by the rays of the setting sun, the city is immersed in the cool of the evening... Sailors in snow-white ironed uniforms cluster on Primorsky Boulevard, many of them are already waiting for their beloved girls there. Laughter, jokes, dancing - the young joy of life is felt literally in everything. And in the morning the ships set sail...///Listov asked his friend Georgy Rublev to create poems to a melody ready in 1954. A serious illness did not prevent him from taking up writing the text. By the way, the name "Sevastopol Waltz" was invented by the poet, who presented the finished text to his friend in 4 days. The lines of the chorus "Sevastopol waltz / Golden days / I shone on the way more than once" friends came up with together.///The first performers of the "Sevastopol Waltz" were Vladimir Bunchikov and Georg Ots. Subsequently, the song "registered" in the repertoire of Renat Ibragimov, Yuri Bogatikov, Leonid Kostritsa, Oleg Pogudin, Alexander Rozum, Vladimir Samsonov and others. Dina Garipova also performed.///In 1961, the author of the music for the Sevastopol Waltz wrote an operetta of the same name.///Rublev did not have a chance to hear his text in a professional song performance ...Text and lyrics of the song "Sevastopol Waltz" Quietly splashing wave The moon shines bright; We are walking along the sea And we'll eat, and we'll eat And buzzes overhead Garden with autumn leaves. Chorus: Sevastopol waltz, Golden days; I was shone on the way more than once Your eyes are lights. Sevastopol waltz All sailors remember. Can I forget you Golden days! On Malakhov Kurgan The fog descended. That night you came to the pier Navigate the ships. And since then in any land I remember sweet home. Chorus. We're back home In Sevastopol native. Again, as before, chestnuts are in bloom, And I'm waiting for you again...Along the boulevards we go And, as in youth, we sing. Chorus.
https://krymology-info.translate.goog/index.php/%D0%A1%D0%B5%D0%B2%D0%B0%D1%81%D1%82%D0%BE%D0%BF%D0%BE%D0%BB%D1%8C%D1%81%D0%BA%D0%B8%D0%B9_%D0%B2%D0%B0%D0%BB%D1%8C%D1%81_(%D0%BF%D0%B5%D1%81%D0%BD%D1%8F)?_x_tr_sch=http&_x_tr_sl=ru&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc///Sevastopol waltz (song)///"Sevastopol Waltz" - a song by composer Konstantin Listov to the words of G. Rublev.///History of creation///Different sources give a different date of birth of this song. Some say that it was written in 1955, on the 10th anniversary of the Victory. Others claim that the song appeared in 1956 on the centenary of the First Defense of Sevastopol .The first performers of the song were Vladimir Bunchikov and Georg Ots.
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