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<1899> For almost a century, the author of the text of this popular romance was M.P. Poygin, on whose poems the composer Nikolai zubov in 1898-1903 created seven romances, including "Don't go, don't leave". Only at the end of the twentieth century it turned out that among more than sixty romances of zubov (of them ten-to leave his own words) there is a romance with a very similar name. In the future, he dedicated Vyaltseva to twenty more romances, including "Silence!", "Under the enchanting caress of yours," "Let it be a dream," "Let's sleep," "The thirst for a date," "Guess yourself" and others who were part of her permanent repertoire. performed other bovical romances. Lines "Don't go, stay with me" Alexander Block took the epigraph to his poem "Smoke from the fire with a jet of blue..." (1909). Romance is also known under the title "Stay with me" or "Don't leave!". Used in the film "The Trakter on Pyatnitskaya" (behind the scenes it was performed by Jeanne Bichevskaya). There is an answer to romance-"The most gentle words have no strength". Nikolai zubov (1867-1906?)
Anastasia Dmitrievna Vyaltseva (Анастаси′я Дми′триевна Вя′льцева, 1871-1913) was a renowned Russian mezzo-soprano, specializing in Gypsy art songs. Enjoying the cult following and supported by the popular press (which called her The Incomparable, Nesravnennaya), she toured regularly and was engaged in numerous operettas. The biggest star of the Russian popular music scene of the 1900s, Vyaltseva had more than 300 songs to her repertoire. In 1904, Vyaltseva became romantically linked with Vasily Biskupsky, a Russian National Guard officer. As the Russo-Japanese War had broken out, he was sent to the Far-Eastern front and was severely injured. In July, Vyaltseva cancelled all concerts and went to the Far Eastern location of the Russian army in a medical convoy she financed herself. There she gave several charity concerts in support of the families of fallen soldiers and raised tens of thousands of rubles for improving the conditions Russian army officers and soldiers were living in. Then, as a sister of mercy, she joined the hospital where Biskupsky was recuperating. In November 1904, Vyaltseva returned to Saint Petersburg. Profoundly shaken by her experience, she still opted against changing her repertoire. "The people are depressed anyway and if they come to hear Vyaltseva, it is obviously with the view to leave all their troubles behind at least for a while," she explained in an interview. In the spring of 1905 Vyaltseva embarked upon her second trip to Manchuria. After the war Biskupsky secretly married Vyaltseva and, when this became known, was forced to retire: a National Guard marrying a peasant daughter was considered a violation of the unwritten code of conduct. Vyaltseva continued to give charity concerts in support of the Russian Army and the Red Cross. In 1911 she financed the raising of the monument to the former 148th Infantry Caspian regiment in Novy Petergof. In the mid-1900s Vyaltseva became known as the Queen of Gramophone in Russia. Touring continuously, two or three times a year the singer regularly returned to the capital to perform at the Gentry assembly (Blagorodnoye sobranye), receiving up to 20 thousand rubles per show. She became one of the two highest-paid artists in Russia, alongside Fyodor Chaliapin. Vyaltseva's status as the leading female singer in Russia was unquestionable. The popular press supported the singer unanimously, calling her Nesravnennaya, "the Seagull of the Russian popular music", and the "Russian Cinderella". By the mid-1900s Vyaltseva had become a rich woman, and philanthropy now was her major preoccupation. The singer gave her first charity concert long before she became a star; in December 1900 she performed at the Russian Technical society's college in Petersburg, in support of the struggling workers' families. In the Vilno region two villages destroyed by fires were built up from scratch on the money donated by Vyaltseva, who arrived at the building site to control the whole process of restoration personally. Later she did the same in the Perm governorate. In her native Altukhovo she built a maternity hospital and herself bought for it all the necessary medical equipment. Vyaltseva provided financial support for gifted students in Petersburg on the regular basis and apportioned grants among the best. An official letter of gratitude came from Warsaw University where her helping students from poor families was especially appreciated. The feeling was reciprocated: Vyaltseva said that of all the cities she's visited, there was the one she fell deeply in love with, and that was Warsaw. Vyaltseva supported provincial theatres and helped actors who were destitute. Several debutants were always touring with her as a support group, getting spotlight they'd otherwise never have got. In 1907 she saved the Tsaritsyn theatre from bankruptcy, and since then theatres from all over Russia started apply for help. In July 1907 The Russian Society for Helping the victims of emergencies elected her its honorary member. In 1912 along with Fyodor Chalyapin and Leonid Sobinov, Vyaltseva financed Captain Georgy Sedov's expedition to the North Pole. Anastasiya Vyaltseva was a superstitious and impressionable woman. When she was a choirgirl in Kiev, a seer predicted she would become famous but fall seriously ill in her prime, mentioning mysteriously "a black cloud dissected by a red thread." In mid-1912 before embarking upon what would be her final national tour, the singer, coming out of the house, was frightened by a huge black cloud above her; from then on she was often heard saying these concerts were going to be her swan song. On January 19, 1913, Vyaltseva made a will, according to which all of her real estate and personal belonging should be sold after her death. 40 thousand rubles from the sum raised would have to go to her adopted son Yevgeny who'd get it by piecemeal percentages. As for the rest of the sum, the municipal authorities in the course of four years were to decide what it needed more, a maternity hospital bearing her name, or a hostel for orphans who were born illegitimately. In case of the city's failing to make an option, the sum should go to charities, supporting children from peasant families. By this time Vyaltseva has been already seriously ill. In the summer of 1911 a doctor in Yalta diagnosed the singer with pleuritis and urged her to cancel the remaining shows. She ignored his demand and went on with touring. In the spring of 1912 on her return from her Volga tour Vyaltseva felt so bad, some of her shows in the Bouffe Theatre had to be cancelled. After several months’ rest in Kamenka, she went on tour again, first across the North-Western Russia, then going South. Vocally the singer was in fine form, but her physical condition worsened. In Kursk she fainted on stage. The doctor arrived, brought her to her senses and advised immediate hospitalization. Instead she returned to the stage and finished the show. After that, Vyaltseva gave 14 more concerts. The one in Voronezh had to be cancelled, after all: she managed a short address to the audience and was promptly transported to Saint Petersburg. On December 28, 1912, the first reports of the singer's illness appeared in the Russian press. From then on, on a daily basis, the papers informed the public about the deteriorating condition of the singer, now diagnosed with leukemia, too. Traditional medicine experts arrived from Mongolia and Tibet but the singer’s relatives refused their help, opting for an Austrian specialist. Doctor Enderlen prescribed blood transfusion with Vasily Biskupsky as a donor, despite protests from two Petersburg surgeons, E. Pavlov and S. Fyodorov. The operation was performed by professor Plesch from Germany, to catastrophic effect: it turned out, husband and wife had different blood types. The second transfusion, now with another officer as a donor, proved fruitless. Several medical interventions (involving the so-called "phosphoricide therapy") only worsened the singer's condition. On 4 February Anastasya Vyaltseva died. In the course of the next several days articles started to appear in the Russian press accusing doctors of bringing about the singer's demise. General-Lieutenant N.A.Rodnoy who'd just returned from London, told Novoye Vremya how his friends, professors from Britain and France couldn't believe their ears when he related to them the history of Vyaltseva's 'treatment'. Ilya Repin in his book of memoirs Distant Closeness (Dalyokoye blizkoye) described the medical manipulations with the dying singer as "naive experiments which would make even provincial interns blush." The whole Russia seemed to bemoan the passing of the queen of Russian romance. As one of the papers, Ranneye Utro poised the question: "Why is Vyaltseva so important? When Anton Pavlovich Chekhov was dying, Russia wasn't following closely daily reports on his declining condition," another one, Peterburgskaya Gazeta retorted: "Chekhov lived and wrote for a minority. Vyaltseva was giving her talent to all of us." She was buried at the Nikolskoe Cemetery of the Alexander Nevsky Lavra. Vyaltseva loved children and easily developed strong bonds with them; she and six-year-old Vera Taskina, the daughter of Vyaltseva's pianist, became close friends and the singer carried with her Vera's photograph, considering it a lucky token. Vyaltseva adopted a boy, Yevgeny Kovsharov (whom she found, aged two months, in a basket under the bouquet of flowers, after one concert) and did everything to give him good care and education. Yevgeny committed suicide in 1914, two years after his stepmother's death. Vasily Biskupsky outlived his wife by 32 years.
"Don't Go, Be With Me" is a popular romance by the composer Nikolai zubov on his own poems, created in 1899 and dedicated to the singer Anastasia Vyaltseva. This romance is also known under shorter titles "Stay With Me!", "Stay With Me"and "Don't go". The romance "Don't Go, Stay With Me" was created by Nikolai zubov in 1889 Sometimes 1901 is cited as the date of creation, perhaps referring to the date of the first publication. It was the first of a series of romances that the author dedicated to his muse, the singer Anastasia Vyaltseva, in which he was irresponsibly in love. In total, he devoted more than 20 romances to her. Some of them have become part of her permanent repertoire-"With You Two," "Silence!", "Under your enchanting caress," "Guess yourself" and others. She also performed the romance "Don't Go, Stay With Me", but nevertheless it gained more popularity in the performance of another singer-the singer of gypsy songs Varia Pnina.
Nikolai Zubov the composer. In early publications, this romance of Zubov was called "Stay With Me!" and the author of the words was listed as "N. N." In most of the 20th-century publications in which this novel was published, the poet Mikhail Poygin was mistakenly mentioned as the author of the words, a misconception that stretched for almost a century. In total, Zubov created about 60 romances, ten of them for his words and seven for Poygin's poems. Apparently, the confusion arose because one of the romances in Poygin's words had a similar name: "Don't leave, don't leave. In 1909, Alexander Blok used the first two lines of the novel "Don't Go, Stay With Me" as an epigraph to his poem "Smoke from the fire with a jet of blue..." In addition, in November 1920, Blok rewrote the full text of this novel to his diary, along with a number of other romances from the repertoire of Anastasia Vyaltseva, Vari Panina and Maria Karinskaya. Subsequently, this also caused misunderstandings: in some publications the authorship of romance poems began to be attributed to Alexander Blok. As a musical response to "Don't Go, Stay With Me," the composer Paul Delme created a romance with the words of Vladimir Myatlev, which was called "The most gentle words have no strength". The popularity of the romance "Don't Go, Stay With Me" was so great that fragments from it were used as a musical theme by other composers. For example, Mikhail Steinberg, who first made a professional piano arrangement of the romance for his first edition, then wrote a waltz on its subject and in "Romance" by Georgi Sviridov from the musical illustrations to Alexander Pushkin's novel "The Blizzard", the first two phrases are considered as "a direct quote from the popular 19th century city romance: "Don't go away."
"Don't go, stay with me"-the story of the romance and the fate of its performer. This poem Nikolai Zubov the composer and poet dedicated to the famous singer, queen of Russian romance Anastasia Vyaltseva. The daughter of an Eagle peasant, in her youth she worked as a junior maid in a hotel on Kreshchatika. One day the famous opera house Serafima Belskaya stopped there. Hearing the singing of the girl who cleaned her number, she was amazed by her talent and made protection in theatrical circles. Vyaltseva's first solo performance took place in Moscow in 1897. She was twenty-six years old. Even then her famous creative manner was determined: she sang brightly, easily, freely. She was called "the singer of the joys of life" because the songs in her repertoire Anastasia Dmitrievna picks up herself, rejecting those in which there were the words "death," "separation," "sadness," "mountain," "longing." "That's what true talent means! This is where the soul of genius is illuminated by divine reflection," I.E. Repin said admiringly. Nights are insane, nights sleepless, souly rooms, singing gypsy; Passionate speeches, eyes tired! Crumpled roses in glasses of champagne! This romance glorified Vyaltseva. Among the blinded by the talent of the ascendant prima was a thirty-year-old official, the son of the provincial secretary (one of the lower ranks in the rankings of the Russian Empire) Nikolai Vladimirovich zubov. From childhood he was drawn to music, to which his music lover-uncle, often collected in his House of Music choir, which he directed himself. Since the family lived in great poverty, Nikolai Vladimirovich could not get a music education and did not even know the notes. At the same time he was amazingly talented, had an excellent memory and all he heard, could immediately play "by ear", sing any melody from many operas, and his compositions performed on piano by heart, and his comrades recorded them with music signs. Ingenious self-taught, he composed vocal works and piano miniatures, dedicating their family and friends with his characteristic generosity. First it was salon musical presentations, then serious classical romances for soloists of imperial theaters. Two romances on his own poems "Kamama here" ("I love you") and "I'm thirsty for a date" Nikolai Vladimirovich dedicated to the singer Raisa Raisova. The name of zubov became extremely popular at the turn of the 19th and 20th centuries, notes with his works were published in giant editions, 5-10 times higher than the circulation of classical music. The meeting with Anastasia Vyaltseva opened a new page in the young composer's work, the feeling that erupted inspired him to create dozens of romances, most of which were devoted to his muse and performed by it. Among them are the most famous and popular romances "With you two", "Under the enchanting affection of yours" and "Don't go away", which still certainly include in their programs almost all performers of this genre. Don't go, stay with me, here it is so gratifying, so light, I will cover my mouth with kisses, and eyes, and brows. Nikolai Wrote his most famous romance in 1899, the year he met Vyaltseva. For a long time the poet M.P. Poygin was considered the author of the poems, but later it was found that they were not written by that poet. In addition to "Don't Go," about ten romances were written by the composer and poet Nikolai Vladimirovich on his own poems. In response to "Don't Go Away" the composer P. Delme created his romance "The most gentle words have no strength...": "Do not go, stay with me, I am so pleased and light, the most gentle words have no strength to retell how I loved, the idol is lovely". Unfortunately, the feeling of Nikolai Vladimirovich was left without reciprocity...Anastasia Vyaltseva's heart was given to the brilliant Guards officer Biskutsky. Vasily Biskuvsky came from the family of a secret adviser, Viktor Biskutsky, a former governor of Tomsk. His mother, Elena Vasilyevna, was her maiden name Roman-Korsakova. Biskutsky, who was seven years younger than his girlfriend, loved the singer and married her. His parents, aristocrats, treated the peasant origin of daughter-in-law's daughter-in-law quietly and without hesitation blessed the young. However, this marriage was kept secret for a long time, as such a mezalyans could damage the military career of Vasily Viktorovich. Only a few close friends knew their secret. For six years, Nikolay zubov, who adored Anastasia Dmitrievna and devoted all his works to her, only recognized her when the Russo-Japanese War broke out...In 1904, Vyaltseva broke the contract for a huge sum of 26 thousand rubles at that time and went to the front as an ordinary sister of mercy. Vasily was seriously wounded and, flatly refusing to evacuate to the rear, lay in the hospital. "Sister Anastasia" nursed him and the other wounded, working tirelessly and hiding his real name. However, for a long time to keep incognito did not work, the famous singer learned and asked to give a concert in the Harbin Summer Theatre "in favor of the mutilated and families of the murdered lower ranks of the saamur district", which had a great success. The marriage of Vyaltseva and Biskupcsky became public. As you would expect, the Konogwardian authorities did not approve of the mesalians, and Vasily Viktorovich had to leave the regiment. When Anastasia Dmitrievna went to the Far East, Nikolay zubov dedicated his last romance with the saying title "I wanted to forget you..." It is not known how the fate of the nugget composer happened next. After 1906, traces of it are lost. Maybe Nikolai Vladimirovich, who generously gave his soul, investing it in the created works, just exhausted himself, finished his songs and fell silent, maybe did not meet a muse equal to Vyaltseva, which would have inspired him to new masterpieces, and perhaps the early death took away the composer in the heyday of years...It was not long before Vyaltseva reigned. Her fame was unparalleled, as were her royalties. Among the artists there was a common expression "Vyaltsev fee." In Sobinov's memoirs one can meet the phrase that for one of the concerts he received a "Vyaltsev fee". Anastasia Dmitrievna toured all over Russia in her own comfortable car, which had a dining room, bedroom, dressing room, rehearsal room. Vyaltseva was repeatedly invited abroad, but the singer refused: "They go there to look for fame, and I found her in Russia." Her famous car has traveled almost 200,000 miles...Later in it during his time as the Supreme ruler of Russia went Admiral Kolchak, and after it-Marshal Blucher. The "Vyalyevsky wagon" finished its journey with a hotel for the commanding staff of the military units of the Eastern section during the construction of the Baikal-Amur highway. During one of the trips she, remembering her hungry childhood, Vyaltseva picked up and adopted a poor orphan. Unfortunately, the girl soon fell ill and died. In addition to her, Vyaltseva took care of a boy from a poor family, to whom she bequeathed a large sum of money. In 1912, doctors discovered Vyaltseva had blood cancer. Treatment did not give results, and only transfusion of healthy blood, which was taken from Vasily Viktorovich, temporarily improved the condition of the singer. Despite her best efforts, she passed away a year later. Biskutsky could not be at his wife's funeral. His grief was so great that he was in a fever: the wound received in Manchuria opened. He was destined to survive Anastasia Dmitrievna for 32 years. In the First World War he rose to the general and commanded a division. His fellow soldier, the future white chief Baron P.N. Wrangel remembered him as a dashing and desperately brave officer. The revolution, initially supported by Vasily Viktorovich, expelled him from the Borders. In Europe, the general acted as commissioner for Russian refugees. He never remarried, faithful to his only love, and died in 1945 away from his homeland...
N. V. Zubov, Stay with me. My video romances 5. Pavlova Vera Kalinovna. My video romances 5. N.V. Zubov, Stay with me .Little is known about the creator of this romance, not only to amateurs, but also to musicologists. It is known that he is the author of 165 salon and gypsy romances and other musical works. Great-great-granddaughter N.V. Zubova Nina Vladimirovna Lukina in 1995 fell into the hands of the family archive, where this romance turned out to be based on poems, as it was believed, by M. Poigin, in fact, by N.V. Zubov and dedicated to the singer Anastasia Vyaltseva. In some collections of romances, the authorship of the words of the romance is mistakenly attributed to A. Blok, apparently because he took the first two lines of the romance by N.V. Zubov. Nikolai Vladimirovich Zubov was born on July 22, 1867 in the family of the provincial secretary V. A. Zubov. He spent his childhood in the Vologda region in the estate of his grandfather A.A. Zubov. The author of the mentioned romance graduated from the Alexandria Cadet Corps. However, from childhood he was drawn to music, to which his uncle, a music lover, was addicted, who often gathered a choir in his Vologda house, which he led himself, and his cousin Mikhail Zubov, who performed for 7 years at stage at La Scala. Since the Zubov family lived in great poverty, Nikolai Vladimirovich could not get a musical education and did not even know the notes. At the same time, he was surprisingly talented, had an excellent memory and could immediately play everything he heard “by ear”, sing any melody from many operas, and performed his compositions on the piano by heart, and his comrades wrote them down while playing with musical notation. Richly gifted with musicality by nature, he, nevertheless, did not receive any special education, playing music at home, as was customary in noble families. Romances Zubov N.V. wrote on the verses of Russian poets and his own. Among the romances he wrote: Sing, sing to me, gypsies (N. Zubov), I can’t live without love (N. Murzich), Perhaps (N. Zubov) You must love me ((NN(, Not the stars at the hour of the magical night (M. Brodsky), Guess for yourself (N. Lokhvitskaya-Buchinskaya), And I can’t, and I love everything (A. Mattizen), I I would like to forget you (N. Zubov) and many others. Closes the list of Zubov's "cry of the soul" - the romance "I love you endlessly" (V. Myatlev) .N.V. Lukina also managed to establish that he wrote the first romance in 1893, the last in 1906. Further traces of him are lost. In the late 1890s, Anastasia Vyaltseva became a popular singer. According to her contemporaries, the singer was a dazzlingly beautiful and charming woman. A. Vyaltseva possessed not only a beautiful voice, but also a brilliant theatrical skill, expressed in the fusion of melody, words, precise acting intonation and phrasing. In 1899, N.V. Zubov, fascinated by A. Vyaltseva, creates and dedicates his romances to her . It was at this time, in 1899, that he created the most famous romance "Don't go away, stay with me ...". Over the course of six years, from 1899 to 1905, almost all the romances of N.V. Zubov are exclusively intimate in nature and are dedicated to A. Vyaltseva. N.V. Lukina suggests that the composer created and dedicated 22 romances to A. Vyaltseva, the subject of his long-standing unrequited love and adoration. Don't go away, stay with me, It's so gratifying here, so light, I'll cover my lips with kisses, and my eyes, and my forehead. I will cover my lips with kisses, and my eyes, and my forehead. Stay with me, stay with me! Don't leave, stay with me, I love you for so long. I will burn you with a caress of fire, and I will tire youI will burn you with a caress of fire. and I will tire you. Stay with me, stay with me! Don't leave, stay with me, Passion burns in my chest. The delight of love awaits us with you, Don't go, don't go! The delight of love awaits us with you, Don't go, don't go. Stay with me, stay with me! 20 bars of romance music initiate us into a diverse, surprisingly subtle tie of personal feelings and experiences, expressed in verse and embodied in the intimate intonations and melody of the romance against the backdrop of a simple piano accompaniment, harmoniously supporting, sometimes dramatically emphasizing the ascending passionate melodic moves. The small scale of the work, within only one musical period and three stanzas of a poetic text, is unusually rich in expressive means: constantly changing dynamics, tempo deviations, agogic moments - everything speaks of the sincerity, excitement and depth of personal experiences of the author of the romance. Therefore, this romance has been a repertoire for singers of different generations and performing styles for more than a century: home and salon music making, amateur amateur performances, variety art, classical performance. Romance can be heard. It is in the list of concert numbers under the photo, below the "favorites" list. Through the emerging intermediate link, we get to the Youtube.January 20, 2013 Pavlova Vera Kalinovna ©Copyright: Pavlova Vera Kalinovna , 2013Certificate of Publication No. 213032101221
Stay with me. N. Zubov and A. Vyaltseva. Elena Vladimirovna Semyonova Dedicated to L. Serebrennikov, in whose program "Romance of Romance" the author first heard the name of Nikolai Zubov ... In that land, silence is lifeless, Only in the thick of intertwined branches Your marvelous voice, low and strange Praises the storm of gypsy passions. This is a poem by A.A. Blok dedicated the famous singer, queen of Russian romance Anastasia Vyaltseva. The daughter of an Oryol peasant woman, in her youth she worked as a junior maid in a hotel on Khreshchatyk. Once the famous opera prima Serafima Belskaya stopped there. Hearing the singing of the girl who cleaned her room, she was amazed by her talent and made patronage in theatrical circles. Vyaltseva's first solo performance took place in Moscow in 1897. She was twenty six years old. Even then, her famous creative style was determined: she sang brightly, easily, freely. She was called the "singer of the joys of life", because Anastasia Dmitrievna meticulously selected the songs in her repertoire herself, rejecting those that contained the words "death", "separation", "sadness", "grief", "longing". “This is what true talent means! This is where the soul of a genius is, illuminated by a divine reflection,” I.E. said admiringly. Repin. Crazy nights, sleepless nights, Stuffy rooms, gypsy singing; Passionate speeches, weary eyes! Crumpled roses in champagne glasses! This romance glorified Vyaltseva. She recalled her triumph: “There was applause, shouts of “encore” ... Student caps flew onto the stage ... When I left the theater, I was surrounded by female students, grabbed my hands and began to kiss ... I arrived home drunk with success, and all night I dreamed only these flowers, student caps. An unknown admirer presented the singer with a huge basket of roses with the inscription: "Moscow recognizes you as its own." Among those blinded by the talent of the rising prima was a thirty-year-old official, the son of the provincial secretary (one of the lowest ranks in the table of ranks of the Russian Empire) Nikolai Vladimirovich Zubov. From childhood, he was drawn to music, to which his uncle, a music lover, often gathered a choir in his Vologda house, which he himself led. Since the Zubov family lived in great poverty, Nikolai Vladimirovich could not get a musical education and did not even know the notes. At the same time, he was surprisingly talented, had an excellent memory and could immediately play everything he heard "by ear", sing any melody from many operas, and performed his compositions on the piano by heart, and his comrades wrote them down with musical notation. A self-taught genius, Zubov composed vocal works and piano miniatures, dedicating them to family and friends with his characteristic spiritual generosity. First, these were salon musical presentations, then serious classical romances for soloists of the Imperial Theaters. Nikolai Vladimirovich dedicated two romances to his own poems "Kamama tut" ("I love you") and "I'm thirsty for a date" to the singer Raisa Raisova. The name of Zubov became extremely popular at the turn of the 19th-20th centuries, the notes with his works were published in gigantic circulations, 5-10 times higher than the circulations of classical music. The meeting with Anastasia Vyaltseva opened a new page in the work of the young composer, the feeling that flared up inspired him to create dozens of romances, most of which were dedicated to his muse and performed by her. Among them, the most famous and popular are the romances “Together with You”, “Under Your Charming Caress” and “Don't Leave”, which almost all performers of this genre still certainly include in their programs. Don't go away, stay with me, It's so gratifying here, so light, I'll cover my lips with kisses , and my eyes, and my forehead. I will cover my lips with kisses , and my eyes, and my forehead. Stay with me, stay with me! Don't leave, stay with me, I love you for so long. I will burn you with a caress of fire , and I will tire you. I will burn you with a caress of fire , and I will tire you. Stay with me, stay with me! Don't leave, stay with me, Passion burns in my chest. The delight of love awaits us with you, Don't go, don't go! The delight of love awaits us with you, Don't go, don't go. Stay with me, Nikolai Vladimirovich wrote his most famous romance in 1899, the year he met Vyaltseva. For a long time, the poet M.P. Poigin, but later it was found that they were written by Zubov himself. In addition to "Don't Leave", about ten romances were written by Nikolai Vladimirovich on his own poems. In response to "Don't go away", the composer P. Delme created the romance "The most tender words have no strength ...": Don't leave, stay with me, It's so gratifying and bright for me, The most gentle words have no strength To retell how I loved, Idol is charming. How many speeches I spent, To kindle in the darkness of nights the Fire of heaven. Another dream of mine is To kiss you on the mouth, Barely touching. In the chest for another passion is melting, Imagine that it's me, Caressing him. Reproach is worth nothing When you carry it with you In solitude. Do you remember how yesterday we kissed passionately to comfort me. Goodbye! The hour of separation has struck, The fire of love in you has gone out, You are whimsical. Another will press you to his chest, Forget your vows, go And be happy! Unfortunately, Nikolai Vladimirovich's feelings were not reciprocated... Anastasia Vyaltseva's heart was given to the brilliant Guards officer Biskupsky. Vasily Viktorovich Biskupsky came from the family of Privy Councilor Viktor Ksaverievich Biskupsky, ex-governor of Tomsk. His mother, Elena Vasilievna, bore the surname Rimskaya-Korsakova as a girl. Biskupsky, who was seven years younger than his chosen one, devotedly loved the singer and married her. His parents, aristocrats, reacted to the peasant origin of the daughter-in-law calmly and without hesitation blessed the young. However, this marriage was kept secret for a long time, since such a misalliance could damage the military career of Vasily Viktorovich. Only a few close friends knew their secret. Nikolai Zubov, who for six years tremblingly adored Anastasia Dmitrievna and dedicated all his works to her, recognized her only when the Russo-Japanese War broke out ... In 1904, Vyaltseva broke the contract for a huge amount of 26 thousand rubles at that time and went to the front as an ordinary sister of mercy. Vasily Viktorovich was seriously wounded and, flatly refusing to be evacuated to the rear, was in the hospital. "Sister Anastasia" nursed him and other wounded, working tirelessly and hiding her real name. However, it was not possible to remain incognito for a long time, the famous singer was recognized and begged to give a concert at the Harbin Summer Theater "in favor of the crippled and the families of the murdered lower ranks of the Zaamur district", which was a tremendous success. The marriage of Vyaltseva and Biskupsky became public knowledge. As expected, the Horse Guards authorities did not approve of the misalliance, and Vasily Viktorovich had to leave the regiment. When Anastasia Dmitrievna went to the Far East, Nikolai Zubov dedicated his last romance to her with the telling title "I wanted to forget you ...". How the fate of the nugget composer developed further is unknown. After 1906, traces of him are lost. Maybe Nikolai Vladimirovich, who generously gave his soul, investing it in the works he created, simply exhausted himself, finished his songs and fell silent, maybe he didn’t meet a muse equal to Vyaltseva, who would inspire him to new masterpieces, and, perhaps, an early death claimed the composer in his prime...Not long remained to reign and Vyaltseva. Her fame was unmatched, as were her fees. Among the artists there was a common expression "Vyaltsevsky fee". In the memoirs of Sobinov, you can find the phrase that for one of the concerts he received a "Vyaltsevo fee." Anastasia Dmitrievna toured all over Russia in her own comfortable carriage, which had a dining room, a bedroom, a dressing room, and a rehearsal room. The car was kept on sidings and hitched to passenger trains at the request of the mother of the singer Maria Tikhonovna, who accompanied her daughter on all trips, helping in everything, providing rest, protecting her from too zealous fans. Vyaltseva was invited abroad more than once, but the singer refused: “They go there to seek fame, but I found it in Russia.” Her famous carriage traveled almost 200 thousand miles... Later, when he was the Supreme Ruler of Russia, Admiral Kolchak traveled in it, and after him - Marshal Blucher. The Vyaltsevsky carriage ended its journey as a hotel for the command staff of the military units of the Eastern Section during the construction of the Baikal-Amur Mainline. Despite the busy tour schedule, Anastasia Dmitrievna was a wonderful wife and hostess. She had no children. During one of the trips, remembering her hungry childhood, she picked up and adopted a poor orphan. Unfortunately, the girl soon fell ill and died. In addition to her, Vyaltseva took care of a boy from a poor family, to whom she bequeathed a large sum of money. In 1912, doctors discovered Vyaltseva had blood cancer. The treatment did not give results, and only a transfusion of healthy blood, which was taken from Vasily Viktorovich, temporarily improved the singer's condition. Despite her best efforts, she died a year later. Biskupsky could not be at his wife's funeral. His grief was so great that he fell ill with a fever: the wound received in Manchuria was opened. He was destined to outlive Anastasia Dmitrievna by 32 years. During the First World War, he rose to the rank of general and commanded a division. His fellow soldier, the future white leader Baron P.N. Wrangel recalled him as a dashing and desperately brave officer. The revolution, initially supported by Vasily Viktorovich, expelled him from the Fatherland. In Europe, the general acted as a commissioner for Russian refugees. He never remarried, remaining faithful to his only love, © Copyright: Elena Vladimirovna Semyonova , 2009 Certificate of Publication No. 209071100328
http://a-pesni.org/romans/zubov/neuhodi.htm///DO NOT GO AWAY, STAY WITH ME///Words and music of Nikolai Zubov Do not go away, stay with me,///Here it is so gratifying, so bright, I will cover the Mouth with kisses, and the eyes, and the forehead. I will cover the Mouth, and the eyes, and the forehead with kisses. Stay with me, Stay with me! Don't go away, stay with me, I've loved you for so long. I will burn you and burn you, and I will tire you. I will burn you and burn you, and I will tire you. Stay with me, Stay with me! Don't go away, stay with me, Passion burns in my chest. The delight of love awaits us with you, Do not go away, do not leave! The delight of love awaits us with you, Do not go away, do not go away. Stay with me, Stay with me! <1899>///For almost a century, the author of the text of this popular romance was considered to be M. P. Poigin, on whose poems the composer Nikolai Zubov in 1898-1903 created seven romances, including "Do not leave, do not leave".. Only at the end of the twentieth century it became clear that among more than sixty romances by Zubov himself (of which ten - on his own words) there is a romance with a very similar title "Do not leave, be with me", created in 1899 and dedicated to Anastasia Vyaltseva. In the future, Zubov dedicated twenty more romances to Vyaltseva, including "Be silent!", "Under the enchanting caress of your caress", "Let it be a dream", "Thirst for a date", "Guess for yourself" and others, which were part of her permanent repertoire. But the first romance became the crowning number not of Vyaltseva, but of VariaPanina, who performed other Zubov romances. The lines "Don't go away, stay with me" Alexander Blok took as an epigraph to his poem "Smoke from the fire streaming with a siz..." (1909).///Anthology of Russian Romance. SerebryanyVek. / Sost., predisl. ikomment. V. Kalugina. - M.: Izd-voEksmo, 2005///Romance is also known under the titles "Stay with me" or "Do not go away!". It was used in the film "Tavern on Pyatnitskaya" (it was performed behind the scenes by Zhanna Bichevskaya). There is an answer to romance - "The most tender words have no strength."///Nikolai Zubov/// (1867-1906?)DON'T GO AWAY, DON'T LEAVE!///Music by N. Zubov Words by M. Poigin///Don't go away, don't leave! After all, my life, like night, is dark And at least caress a little-You see, I am all alone. Chorus: Oh, come back to me, my dear, Give me happiness back. And, as before, in the kiss give Me bliss! There is no one who would pity, Dispel the darkness of my soul And with a word of affection warmed, Scared off the longing of hard days.///Refrain.///Only you alone loved me And called me your dream, Minutes of happiness gave me, It was gratifying to be so with you///Refrain./// But the passion has passed – and you are a stranger, You are tormented by my love. You have fallen out of love – but still you are mine, As I am always forever yours!///Refrain.///SHUT UP! Lyrics and music by N. Zubov Romance dedicated to A. Vyaltseva///O, be quiet! Words of cooling Magic dreams do not destroy, In a moment of caress dark doubts In me again do not awaken. Be silent, be silent, let me forget, Revel in your affection, Enjoy your fleeting happiness, Dream of believing in your own. Let me sometimes read in your eyes, That the feeling is gone: In a moment of affection, I forget that time has taken away. Be silent, be silent...So keep quiet about what you fell out of love with...Don't tell!.. And days of love And affection with the same power And return, and revive. Be silent, be silent...///From the repertoire of Anastasia Vyaltseva (1871-1913). Recording on the record - firm "Pathe", Petersburg, 1903, 24096///Eyes black: Old Russian romance. - M.: Izd-voEksmo, 2004./// Sometimes the author of the words is indicated by A. Mattiesen. There is a response romance "I will not shut up!" (lyrics and music by J. Feldman).///UNDER THE ENCHANTING CARESSES OF YOUR WORDS AND MUSIC NIKOLAI ZUBOV///Under your enchanting caress I revive with my heart again, I cherish the old dreams again, Again I want to love and suffer. Oh! With a kiss give oblivion, Heart pangs heal, Let him rush away from doubt, In a kiss take life. Let my mind tell me sternly, That you will fall out of love, you will cheat on me, Your charm will not throw off my shackles: I am at the mercy of your beauty. Oh! With a kiss, give oblivion...And I want to enjoy passionately, The cup to drink, poured to the bottom, If even in a moment that beautiful grave is now destined for me. Oh! With a kiss, give oblivion...///From the repertoire of Anastasia Vyaltseva (1871-1913). Recording on the record - the company "Internationale Zonofon", St. Petersburg, 1901, 147 Eyes black: Old Russian romance. - M.: Izd-voEksmo, 2004. Romance dedicated to Anastasia Vyaltseva. In some sources, the author of the words indicates Nikoglay Zubov (1867-1906?), in others - A. Mattiesen.///Anastasia Vyaltseva Anastasia Vyaltseva/// (1871-1813)From Irina Kononova and Nina Samsonadze "A Woman and Her Dress. Russia. Century XX". - M.: Fashion Agency "ATELIER", "INCOMBUC", 2000///VARIANT///Under the enchanting caress of yours I revive with my heart again, I cherish the old dreams again, I want to love and suffer again, ah! With a kiss give oblivion, Heart pangs heal, Let him rush away from doubt, In a kiss take life. Let my mind tell me sternly, That you will fall out of love, you will betray me, Your charm will not throw off my shackles, I am at the mercy of your beauty, ah! With a kiss, give oblivion...How I dream with you I passionately drink a cup of bliss to the bottom, If even in a moment that beautiful Grave is destined for me, ah! With a kiss, give oblivion…///The chorus is sung twice///Words and music are written no later than 1903.///Shadows of the Past: Starnye Romansy. Dlyagolosigitary / Sost. A. P. Pavlinov, T. P. Orlova. - SPb.: Kompozitor•Sankt-Peterburg, 2007…///SHUT UP!///Lyrics and music by N. Zubov Romance dedicated to A. Vyaltseva///O, be quiet! Words of cooling Magic dreams do not destroy, In a moment of caress dark doubts In me again do not awaken. Be silent, be silent, let me forget, Revel in your affection, Enjoy your fleeting happiness, Dream of believing in your own. Let me sometimes read in your eyes, That the feeling is gone: In a moment of affection, I forget that time has taken away. Be silent, be silent... So keep quiet about what you fell out of love with...Don't tell!.. And days of love And affection with the same power And return, and revive. Be silent, be silent...///From the repertoire of Anastasia Vyaltseva (1871-1913). Recording on the record - firm "Pathe", Petersburg, 1903, 24096 Eyes black: Old Russian romance. - M.: Izd-voEksmo, 2004. Sometimes the author of the words is indicated by A. Mattiesen. There is a response romance "I will not shut up!" (lyrics and music by J. Feldman).///GUESS WHAT?///Music by N. Zubov Words by N. Lokhvitskaya///I am silent, I dare not put into words, Why I am pale, I do not sleep at night. Guess for yourself, guess for yourself, Guess for yourself that I love you! If I am embarrassed with timid eyes Every gaze of your greedily, tremblingly catch...Guess for yourself, guess for yourself, Guess for yourself that I love you! If I am in oblivion with your mouth In a hot kiss my mouth with salt...Guess for yourself, guess for yourself, Guess for yourself that I love you!///From the repertoire of Anastasia Vyaltseva (1871-1913). Recording on a record - firms "Gramophone" and "Zonofon", St. Petersburg, 1905, 23449, 63543///Eyes black: Old Russian romance. - M.: Izd-voEksmo, 2004.///SMOKE FROM THE FIRE STREAMING SIZO...///Music by V. Shcherbachev Words by A. Blok///Don't go away. Stay with me, I've loved you for so long (1).Smoke from the fire streams into the twilight, into the gloom of the day. Only velvet scarlet scarlet robe, Only the light of dawn - covered me. Everything, all deception, gray fog Creeps the sadness of gloomy places. And the spruce cross, the crimson cross Puts an air cross in the distance...Girlfriend, at the evening feast, Slow down here, stay with me. Forget, forget about the terrible world, Sigh the heavenly depth. Look with sad delight, As smoke creeps into the light of dawn. I will fence you with a fence-a ring of hands, a ring of steel. I will protect you with a fence-a ring alive, a ring of hands. And we, like smoke, should flow Gray fog - into a scarlet circle. August 1909, lyrics 1924, music (1) Lines from the romance of Nikolai Zubov, which was part of the repertoire of VariaPanina(coc.). Anthology of Russian Romance. SerebryanyVek. / Sost., predisl. ikomment. V. Kalugina. - M.: Izd-voEksmo, 2005 Aleksandr Aleksandrovich Blok (1880-1921)
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