Вечерняя песня Слушай Ленинград
Вечерняя песня Слушай Ленинград
Вечерняя песня Слушай Ленинград
Вечерняя песня Слушай Ленинград
כדי לשחזר את השיר בשפה המקורית אם אינו מופיע לאחר לחיצה על שם השיר המסומן כאן בקוו תחתון או כדי למצוא גירסות נוספות העתיקו/הדביקו את שם השיר בשפת המקור מדף זה לאתר YOUTUBE
To restore the song in the original language if it does not appear after clicking on the name of the song marked here with a bottom line or to find additional versions Copy/Paste the song name in the original language from this page to the YOUTUBE website
התרגומים לאנגלית נעשו באמצעות המנוע "מתרגם גוגל" והתרגום הועתק לאתר בצורתו המקורית ללא עריכה נוספת
The English translations were done using the "Google Translate" engine and the translations were copied to the site in their original form without further editing.
V. Solovyov-Sedoy, A. Churkin. EVENING SONG.
Vasily Pavlovich Solovyov-Sedoy (real name-Solovyov) was born on April 25 (April 12 according to the old style) in 1907 in St. Petersburg in the family of a janitor. As a child, he learned to play the balalaika, guitar and piano on his own. Solovyov-Sedoy began his professional musical activity in 1925 as a pianist-improviser on the Leningrad radio, in the rhythmic gymnastics studio and in amateur groups. In 1929, he entered the Leningrad Music College, and in 1931-in the Leningrad Conservatory, from which he graduated in 1936 in the composition class of Professor Ryazanov. During the Great Patriotic War, Solovyov-Sedoy became the artistic director of the front-line variety theater "Hawk" organized by him. In the postwar years, the composer held a number of responsible positions: Chairman of the Board of the Leningrad branch of the Union of Composers of the RSFSR (1948-64), Secretary of the Union of Composers of the USSR (1957-74) and the RSFSR (since 1960). Solovyov-Sedoy is the author of 3 ballets, musical comedies, music for 24 dramatic performances, 8 radio performances and 44 films. However, the greatest popularity of the composer brought mass songs. Among them are "Play, my accordion" (1941) on the words of L. Davidovich; "Do not disturb yourself, do not disturb" (1944) and "Hear me, good" (1945) to the words of M. Isakovsky; "If the guys of the whole earth" (1957) to the words of E. Dolmatovsky; "On the way" (1955) to the words of M. Dudin; "Moscow Evenings" (1956) and "The Ballad of a Soldier" (1961) on the words of M. Matusovsky; "On a Sunny Meadow" (1943), "Nightingales" (1944), "We Have Not Been Home for a Long Time" (1945), "Where Are You Now, Fellow Soldiers", (1947) to the words of A. Fatyanov; "Sailor's Nights" (1945) and "It's Time to Go-Road" (1945) to the words of S. Fogelson; "Evening on the Road" (1941) and "Evening Song" (1957) to the words of A. Churkin. Solovyov-Sedoy has the title of People's Artist of the USSR (1967) and Hero of Socialist Labor (1975). Vasily Pavlovich Solovyov-Sedoy died on December 2, 1979. He was buried in St. Petersburg on the Literator bridges of the Volkovsky cemetery.
Soviet poet Alexander Dmitrievich Churkin (1903-1971) ALEXANDER CHURKIN. Alexander Dmitrievich Churkin was born on May 2 (April 19 according to the old style) in 1903 in the village of Pirogovo, Priozerny district of the Arkhangelsk region in a peasant family. At the age of 14 he left his native village and voluntarily joined the Red Army. After the Civil War, he graduated from the Odessa Artillery School and served in Kronstadt as a platoon commander. In 1927, the poet was demobilized from the army and began to work in the editorial office of the magazine "Rezets" as a literary employee. During the Great Patriotic War, Churkin was a member of the brigade of poets and composers at the Political Directorate of the Red Banner Baltic Fleet, working in a military newspaper. In the postwar period he was engaged in literary and poetic activities. The first literary work of Alexander Churkin was the autobiographical novel "The Land of Diamonds" (1930), followed by collections of poems and songs "The Exit of Spring" (1931), "The Second Stage" (1932), "Selected Poems" (1935), "Songs and Poems" (1938), "It's Good to Live!" (1939), "Selected Poems" (1940). In the postwar years, the books "The Most Expensive. Poems and Songs" (1947), "Songs on the poems of A. Churkin" (1949), "Selected" (1953). Alexander Churkin entered the history of Russian Soviet culture primarily as a poet-songwriter. Of the most popular songs on his poems should be called "Evening on the Road" and "Evening Song" to the music of V. Solovyov-Sedoy, "Far," "Curly Guy" and "At the Mountain Ash" to music by G. Nosov, "Cossack Song" to music by I. Dzherzhinsky and many others. Alexander Dmitrievich Churkin died on September 9, 1971 in Leningrad.
Evening Song" ( "The City on the Free Neva" ) is a popular song by the composer Vasily Solovyov-Sedoy to the verses of Alexander Churkin , created in 1957. Also known as "Listen, Leningrad!" and "Vechernyaya Leningradskaya". The song is considered the unofficial anthem of St. Petersburg ."Evening Song" was created by Vasily Solovyov-Sedoy and Alexander Churkin in 1957 (in some sources, the creation of the song is erroneously dated to 1963). Solovyov-Sedoy described the history of its creation as follows: “The music of this song appeared before the text, and then the words were written, they were composed, and, in my opinion, Alexander Churkin was successful. And I first heard the melody with my inner ear when I was driving along the motorway in the GDR . We were on a tour, gave concerts in the Group of Soviet Forces. The singer Lyudmila Ivanova and I were being taken to a military unit and, as it often happened on my trips, I suddenly felt homesick, for Leningrad. An image of Leningrad appeared in the imagination, and suddenly a melody appeared. ... This elegiac, slightly sad melody later became the "Evening Song", a declaration of love to Leningrad". The wife of Solovyov-Sedov, pianist Tatyana Ryabova , who was present at the same time, recalled how her husband, “sitting in the car next to the driver, suddenly took out a piece of paper, drew rulers on it and wrote down a musical line, and then turned around, handed it to the singer Lyudmila Ivanova and me written, saying: “Did you study at the conservatory? So sing from the sheet. After that, the composer began to sing, Ryabova and Ivanova picked up the melody, which they really liked. Many years later, Solovyov-Sedoy said: “Through the years, when many others were written, this song always remains with me. There is tender sadness and unexpressed feelings in it. After Churkin composed the text, the composer offered to perform "Evening Song" to Mark Bernes . In 1957, he recorded it at the All-Union Radio Studio with the All-Union Radio Variety Orchestra conducted by Boris Karamyshev. At the beginning of 1958, Bernes made a new recording of "Evening Song" (with the same orchestra conducted by Karamyshev), which has been on the air since then, and since 1959 has also been replicated on gramophone records. Unlike the first version, here the second verse was performed at a slightly faster pace and in a marching rhythm. In this now classic version, Bernes performed it until the end of his life. In 1967, he once again recorded it on the radio (with an instrumental ensemble conducted by Vladimir Terletsky ). In 1958, Leonid Kostritsa recorded the song on a gramophone record in the studio of the Leningrad artel "Plastmass". The song began to sound often on the air, gained great popularity and became one of the favorite songs of Leningraders. Soon, the initial bars of her melody became the callsigns of the Leningrad (and then St. Petersburg) radio and television, and the song itself began to be perceived as an unofficial anthem of the city. In 1961, the already popular song was performed at a concert for delegates of the XXII Congress of the CPSU by Georg Ots . Evening Song" is often performed at concerts and other events dedicated to memorable dates associated with the defense of Leningrad and the blockade of the city during the Great Patriotic War , and individual lines from it - "Listen, Leningrad" and "The City on the Free Neva" - were repeatedly used in the names of such events. The music of the song also sounds like a theatrical call in the Oktyabrsky Big Concert Hall. The first measures of the melody sound before announcements of the arrival and departure of trains at the Moscow railway station .In 1981, on the basis of the "Evening Song", the "Anthem of the Zenit fans" was created: "The city above the free Neva, / Where they support the Zenit native ..." (authors of the modified text are Alexei Temnikov and Andrey Solntsev) .Analysis and reviews. Musicologist Arnold Sohor noted that in the "Evening Song" we are talking about Leningraders who are younger than Solovyov-Sedoy himself. Nevertheless, according to Sohor, “music makes you feel that Vasily Pavlovich himself is very dear to the city above the free Neva”, “after all, this is his homeland”. Of the songs of Solovyov-Sedov about Leningrad, which occupied a significant place in his work, the musicologist Sofya Khentova singled out the "Evening Song" in particular, calling it "an elegy sung to the whole city, lively and sympathetic". Literary critic Klara Bikbulatova wrote that in the "Evening Song" there is a " lullaby intonation ", which gives it a special tenderness. She also noted the great popularity won by this song, which "remained in the hearts".
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