מי שהעיד כי ראה את סאבינין לפני מותו במשרדי הנ.ק.וו.ד. היה הסופר והפובליציסט, זאכאר דיכארוב, אך התאריכים אותם ציין לא התאימו, הם היו מאוחרים יותר מיום מותו של סאבינין, אך לא היה די בכך כדי לפסול את אפשרות הרעלתו של סאבינין על ידי הצ'קה
Оружьем на солнце сверкая Леонид Шулаковский
Оружьем на солнце сверкая Леонид Шулаковский
Оружьем на солнце сверкая Леонид Шулаковский
Оружьем на солнце сверкая Леонид Шулаковский
כדי לשחזר את השיר בשפה המקורית אם אינו מופיע לאחר לחיצה על שם השיר המסומן כאן בקוו תחתון או כדי למצוא גירסות נוספות העתיקו/הדביקו את שם השיר בשפת המקור מדף זה לאתר YOUTUBE
To restore the song in the original language if it does not appear after clicking on the name of the song marked here with a bottom line or to find additional versions Copy/Paste the song name in the original language from this page to the YOUTUBE website
התוכן והעיבוד הלשוני אינם סופיים
התרגומים לאנגלית נעשו באמצעות המנוע "מתרגם גוגל" והתרגום הועתק לאתר בצורתו המקורית ללא עריכה נוספת
The English translations were done using the "Google Translate" engine and the translations were copied to the site in their original form without further editing.
The weapon shines in the sunlight-Russian song-Lyrics: Vladimir Alexandrovich Sabinin-Melody: Vladimir Alexandrovich Sabinin-Hebrew: Yosef Hermoni-Singing: Izzy Hod-Arranging, playing, editing and recording: Meir Raz.
Notes written by Izzy Hod: In 1916, a film was produced named, The Weapon Shining in the Sunlight, a film based on the song, The Weapon Shining in the Sunlight, written and composed in 1914 and published in 1915. In the film, the plots of one night, in the lives of the brave hussars and perhaps - the revelers or debauchery hussars, as in the song, which describes a night of love adventures, of battalion number 5, in the army/bodyguards of Alexandra Feodorovna - who was Empress of Russia, as the wife of Nicholas II, the last ruler of the Russian Empire, from their marriage in 1894, until his forced abdication in 1917. The film, being too pretentious in its content and its songs, did not succeed, but it spread the song, all over the world and in Israel too. In 1962, the film, Double life, was produced and in one of the many events in the film, a Soviet Red Army officer is seen running around St. Petersburg and looking for his fiancée, who was arrested by the Bolsheviks. In the background, a unit of soldiers is marching, to the sounds of the march in the song, The Weapon Shining in the Sunlight. The period in the film is between the two revolutions of 1917. The February Revolution, of the wealthy class and the October Revolution, of the working class and peasants and the establishment of Soviet communist Russia. In the film, the tsarist army officer joins the revolutionaries and becomes an honored and decorated general in the Soviet army. On the other hand, a hussar guard officer, who fought against the Soviet army and whose sister is the fiancée of the Soviet general, immigrates, after his release from prison, from Russia to France, and becomes a waiter in a bar/restaurant in the port. The two meets, when the general visits France as a tourist, and stays at the same restaurant. The song is considered the source of the hussar unit's anthem. The name of the hussars is probably derived from the Hungarian word, Hus, which means the number 20, because when recruiting for the army, it was customary for the 20th recruit to be assigned to the cavalry, which is the hussars unit. Between the 17th and 20th centuries, in many European armies, there were hussar units, which were characterized by special costumes, of different colors, which varied from country to country and from unit to unit and sometimes within the unit. This song is attributed to a Russian hussar unit, wearing black uniforms, regiment number 5 in Alexandra Feodorovna's army/bodyguards, from the beginning of the 20th century. Battalion No. 1, the first Russian hussar regiment in Russia, was formed during the reign of Tsar Peter the Great, as his bodyguards [1725-1672]. The song, The weapon shining in the sunlight has several secondary versions. Sometimes the lives and fate of the poets and composers in Russia are more interesting and fascinating than the songs and compositions they wrote. Such is the story of Vladimir Alexandrovich Sabinin, whose original surname is Sobakin, who wrote the lyrics and music of the song, The weapon shines in the sunlight. Vladimir Alexandrovich Sabinin was first and foremost a singer with a dramatic tenor voice, who sang mainly in operettas, operas and even pop style songs. In 1930s, at the very beginning of Stalin's 1929 series of accusation and elimination of Russian pop artists, which lasted mainly from 1936 to 1938, Sabinin, fell into a deep depression, and according to one of the versions about the death of Sabinin in 1930, is that Sabinin shot himself with a gun loaded with live bullets during an opera performance in which such a scene exists. Apparently, Sabinin took advantage of the situation to commit suicide on the opera stage where he excelled so much with his brilliant voice. On the other hand, some friends of, Sabinin, saw him for the last time in the basements of the N.K.V.D. these freinds claimed that Sabinin was poisoned. One who testified that he saw Sabinin before his death in the offices of the N.K.V.D. was the writer and publicist, Zakhar Dikharov, but the dates he mentioned did not match, they were later than the day of Sabinin's death, but this was not enough to rule out the possibility of Sabinin's poisoning by the Cheka. The content of the current song is as follows, Our weapons gleam in the sunlight, the sound of trumpets wakes us from our sleep. Our Hussar Regiment enters the city and raises dust in it. The trumpet cheers, a uniformed black Hussar battalion has risen, the trumpet is calling us into battle, we are raising a glass to our peaceful return. Then a girl stood at the window, her eyes shining. The whole battalion understood that there are girls hanging out with them. The battalion returned to base and went to sleep and the commander does not know what happened to the battalion with the girls. As for the girl standing by the window, in the fall every evening she remembers how the trumpet awakened a young heart in her chest.
Texts from the references
The song-march about hussar was published in 1915.
Its fragment is featured in Leonid Lukov's film "Two Lives" (1961). Time of action-summer 1917, Petrograd. Weaver Nyusha runs around the city, trying to find out the fate of the arrested Bolshevik groom, at this time in the background marches a detachment of soldiers and sings this song. After the February Revolution, Nikolai Faleev (pseudonym-Chuzhnenin) wrote and published a new text-about the continuation of the German war in the conditions of the republic under the red banner.
"Weapon in the Sun Sparkle" (1916)-melodrama. It originally aired on the Act on June 21, 1916. The film did not survive. A light frivolous song about the night adventures of remote hussars could give material for a little comedy-and only. But the author of the script and the director wanted to create a lyrical drama at all costs. The result was a definitely unsuccessful picture, despite the fact that the performers (Ms. Karabanova and Roman) faithfully fulfilled their "task".
Two Lives (1961). In the center of the film-two lives, two destinies. A simple, illiterate soldier Vostrikov of the Tsar's Army during the years of Soviet power grew into a devoted fighter of the revolution, he became a general of the Soviet Army, respected by all. A guards officer, a brilliant prince Naschyokin, who fought against Soviet power, emigrated from his native country and eventually became a lackey in a port restaurant.
Two Lives (Dve zhizni) is a 1961 Soviet two part B&W historical drama movie directed by Leonid Lukov. During the Russian Revolution 1917 soldier Semyon Vostrikov (Nikolay Rybnikov) and officer Prince Sergey Nashchyokin (Vyacheslav Tikhonov) are on opposite sides. But Vostrikov falls in love to Nashchyokin's sister Irina (Margarita Volodina). The continuation of the story follows in 1960 when Vostrikov, currently a retired General of the Soviet Army, visits Marseille on a tourist trip, and Nashchyokin who emigrated from Soviet Russia works there as a waiter in a restaurant.
"Two Lives" is a 1961 Soviet drama film. Early 1960s. A Soviet cruise liner is entering the French port. Three men go ashore and enter a small restaurant. One of them, Semyon Vostrikov, an elderly man, tells his young companions the story of his participation in the revolutionary events of 1917. At the very beginning of the film, Semyon Vostrikov takes part in the events of the February Revolution of 1917 in Petrograd. He, an excellent shooter, kills the colonel, the commander of the unit in which he serves, when he gives the order to open fire on the rebels. During the same events, Captain Nashchekin feels the depth of the collapse of the Russian Empire, which he served, and all his life. The period between the two revolutions for Vostrikov is inextricably linked with his relationship with the family of the princes Nashchekin, into whose circle he, then young without family without a tribe of soldiers, fell by chance. Recklessly falling in love with the beautiful, but heartlessly cold Irina Nashchekina, he finds himself in the center of a small conspiracy organized by Irina's brother, the arrogant officer Sergei, in order to laugh at the "sansculotte" who believed in equality in the wake of changes in the country. The conflict generated by evil rallies and ridicule was aggravated by the fact that Nashchekin and Vostrikov found themselves on opposite sides of the barricades and in the political confrontation between the supporters of the bourgeoisie, to whom Nashchekin joined, and fighters for the cause of workers and peasants, Bolsheviks, whose ideals are shared by Vostrikov. Many fatal accidents, major and minor events will lead to the denouement of the internal confrontation between Vostrikov and Nashchekin, which coincided with the day of the storming of the Winter Palace in October 1917. The film also features minor characters with their own storylines. Telling his story, the aged Semyon is too immersed in memories to understand that the elderly waiter serving his table, who seemed vaguely familiar, is still the same Sergei Nashchekin. Once arrogant and wealthy, having found himself in exile, Nashchekin is now forced to serve a man whom he once humiliated, burning with fear that he might recognize him, as he once "served" him in mockery in 1917. When Semyon and his companions left, Sergei saw on their table a silver cigarette case “forgotten” by Semyon , with which he had once thrown into the face of a “boor” who once dared to love his sister and admit it to her openly.
5TH H.I.H. EMPRESS ALEXANDRA FEDOROVNA'S ALEXANDRIA HUSSARS REGIMENT, IMPERIAL RUSSIAN ARMY, Official blazon, Origin/meaning, We have no information on the meaning or origin of these arms. If you have any information on these arms H.I.H. Empress Alexandra Fedorovna's Alexandria Hussars Regiment, Imperial Russian Army mail us.
A hussar (/həˈzɑːr/ hə-ZAR, /hʊˈzɑːr/ huuz-AR; Hungarian: huszár, Polish: huzar, Croatian: husar, Serbian Latin: Husar, Serbian Cyrillic: Хусар) was a member of a class of light cavalry, originating in Central Europe during the 15th and 16th centuries. The title and distinctive dress of these horsemen were subsequently widely adopted by light cavalry regiments in European armies in the late 17th and early 18th centuries. A number of armored or ceremonial mounted units in modern armies retain the designation of hussars. Historically, the term derives from the cavalry of late medieval Hungary, under Matthias Corvinus, with mainly Serb warriors.
VLADIMIR SABININ, Valentina_Kocherova. Date: Thursday, 23 Jul 2015, 16:19 | Message # 1, Group: Administrators, Posts: 6299, Status: Online, Vladimir Sabinin. In 1930, a very sad event took place in Leningrad. In a state of depression, the soloist of the opera house Vladimir Alexandrovich Sabinin was poisoned. Among the audience he had a lot of fans: the singer was known as a wonderful performer of the roles of Herman in the opera The Queen of Spades, Jose in Carmen, Berendey in the opera The Snow Maiden and others, and therefore his tragic death shocked everyone - conversations and there was a lot of gossip about what happened. The talented singer was born in the summer of 1888 in St. Petersburg in the family of a teacher. Soon the Sobakins (this was the real name of the singer) moved to Ukraine, where the mother's relatives lived. In addition to Volodya, two more daughters grew up in the family: Katya and Masha. All children in the future played the piano beautifully and loved to sing romances. Vladimir Sobakin's singing debut took place at a certain station Popasnaya in a tavern near the station, when he was only 13 years old. The listeners cried from "Night", which the boy performed very soulfully, despite his young age. However, he became a real artist in St. Petersburg. Often, after the end of an operetta, in a divertissement, the singer could be seen on stage at the piano, where, to his own accompaniment, with great success (changing his surname to a more euphonious - Sabinin), he performed heartfelt romances. Then he began to write himself, as well as in collaboration with the artist of the Imperial Theater Pavel Weinberg, the so-called "Songs of Bohemia" - they usually reflected longing and sadness. In fact, it was Sabinin who made the first step towards such a genre as author's song even before the famous Alexander Vertinsky and Isa Kremer. His songs, very original and quickly replicated by the producers of gramophone records and publishers of sheet music, enjoyed considerable popularity, especially among young people. In terms of the number of released discs - with recordings of romances by A. Gurilev, P. Bulakhov, N. Kharito, J. Prigogue, as well as his own musical works - the singer was inferior only to such a celebrity as Yuri Morfessi. At the age of 27, Vladimir Sabinin, unexpectedly for everyone, creates his famous bravura-cheerful "War Song", which later became attributed to others The revolutionary events of 1917 took famous performers of romances by surprise, most of them left for emigration. Sabinin did not go so far - to Ukraine, changing his concert repertoire to an opera one. In 1929, Vladimir Sabinin returned to St. Petersburg, renamed Leningrad. The remarkable tenor was accepted as a "solo artist" into the troupe of the famous Mariinsky Theater (which became the S. Kirov Theater of Opera and Ballet. However, despite the great success, not everything, apparently, went well for the singer in the theater. In 1930 he was poisoned. The talented singer was buried at the Novodevichy cemetery in St. Petersburg. Zh.Shanurova.
Alessio Barbarussa: Until now, the following variants of the circumstances of the singer's death existed among specialists: 1 . shot himself on stage, 2 . poisoned himself with poison (of inorganic origin.( It happened: 1. in Leningrad, .2 in Moscow. So where and when did it happen? The obituaries found so far allow us to answer the last question: "On May 11, the artist of the State Opera V. A. Sabinin, who had performed for many years in major opera enterprises of the province, died. ten - AB] in the Opera and Ballet theater and was accepted into the troupe." what is interesting is the message? it is interesting because it is densely crossed the main facts of the biography of the singer. Sabinin was, above all, an operetta artist and pop singer. He performed not only in the provinces, but also in both capitals, from where he carried the famous Kuzmin songs throughout the country. This area of his work did not fit the new era, and therefore was not mentioned in the obituary. Moreover, it was this dissonance that could be the true cause of the singer's depression, from which he could only find a tragic way out. This is supported by the following. In the spring of the same 1930, a purge of pop authors took place. Among those cleared from the stage section of the All-Russian Committee for Drama were, among others, Savoyarov, Sabinin and Gibshman. The grimace of history. The message about the cleansing appeared in the press after the appearance of the obituary of Vladimir Sabinin. This could have been an end, if not for one strange recollection of a contemporary. Twenty years ago, Zakhar Dicharov told about his meeting with the artist Sabinin in the inner prison of the NKVD on Shpalernaya. Knowing the singer's biography, such a meeting, in principle, could well have taken place. But there is one caveat. The meeting in the cell took place in September...1937, and Dicharov and Sabinin stayed there until February 1938! According to the memoirist, Sabinin said that “he ended up in Harbin after the civil war [...] there Sabinin worked in a local theater, performed on stage. He returned to the USSR in the late 1920s. In Leningrad, at the Opera and Ballet Theater he had episodic roles, participated in various concerts.Sabinin had a weak, but pleasant, lyrical voice, and on other evenings he sang in an undertone at the request of his comrades [in the camera Sabinin's repertoire was peculiar - what was once called "intimate songs" - about love, about parting, about fidelity. Sometimes - just from the repertoire of Vertinsky or Yevgeny Vilbushevich, known in the 1920s for his melodeclamation." In February Dicharov left this cell, and Sabinin, according to him, remained there. Here is such a mysterious story.
And Olga Yanchevetskaya will also sing for you the popular hussar march with words and music by Vladimir Aleksandrovich Sabinin (1885-1930) - “Moustache Hussars” . Vladimir Sabinin (Sobakin) sang in opera and operetta, but he became most famous as a performer of songs and romances, many of which he composed himself. He is credited with the revival of the famous romance “Shine, shine, my star”, which he recorded on a disc in his interpretation in 1915. Since that time, this romance has entered the repertoire of almost all vocalists in the country. According to some reports, Sabinin committed suicide on the stage of the Leningrad Opera House during a performance based on the opera The Queen of Spades: in the role of Herman, the singer shot himself for real. According to more plausible information, he poisoned himself. Mustachioed, hussars Flashing their weapons in the sun, To the sound of dashing trumpeters, Raising dust along the streets, A regiment of mustachioed hussars passed. Chorus: March forward, the trumpet is calling, Black Hussars! The dashing sound calls us to battle, pour the spell! And there, lifting the curtains, Only a pair of blue eyes Watched. And the rake smells, That there will be a lot of pranks here! Chorus. Here the regiment is divided into apartments. It's already midnight, everything is sleeping like a dead sleep. Gray-haired commanders do not dream, What is happening under their window. Chorus. In the morning, sparkling with weapons, To the sound of dashing trumpeters, Raising dust along the street, A regiment of mustachioed hussars departed.
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