כדי לשחזר את השיר בשפה המקורית אם אינו מופיע לאחר לחיצה על שם השיר המסומן כאן בקוו תחתון או כדי למצוא גירסות נוספות העתיקו/הדביקו את שם השיר בשפת המקור מדף זה לאתר YOUTUBE
To restore the song in the original language if it does not appear after clicking on the name of the song marked here with a bottom line or to find additional versions Copy/Paste the song name in the original language from this page to the YOUTUBE website
התרגומים לאנגלית נעשו באמצעות המנוע "מתרגם גוגל" והתרגום הועתק לאתר בצורתו המקורית ללא עריכה נוספת
The English translations were done using the "Google Translate" engine and the translations were copied to the site in their original form without further editing.
Notes written by Izzy Hod: For this song, the city of Saratov, put a statue in the center of the city, because the song, which was a central song in the Russian film, it was in Pankov [1957], is the unofficial anthem of this city. The reason for it is in the song of the sentence, Lit many golden lights in the city of Saratov. In the statue, a male figure, carrying a bouquet of flowers, stands at the foot of the city clock, waiting for his beloved. The statue is the symbol of the city and the legend was born, that a girl, who takes a picture with the statue, will very quickly win a successful wedding. The song itself deals with forbidden love, between a woman and a married man. The words to the song were written for the first time in 1953, but no composer agreed to compose it, arguing that no one would read, or hear, a song on this subject. After years, a local newspaper editor agreed to publish the song and thus the song was trained and then several tunes were written for it, by different composers. In 1957, during the production of a Russian film called, It was in Pankov, when the authors were from the production team, they remembered this song and included it as one of the songs of the film and that's how the song became famous. In the film, an agricultural interface expert comes to visit an agricultural collective and then, life in the village changes completely. Married women are jealous, women of central status are angry, at the much attention she attracts and then, she sprains her leg and one of the married men, carries her on his palm and brings her home. His wife is angry and her friends urge her to poison the new woman in her house, but finally, she is reluctant to do so. The woman who urged her to poison, is punished by the husband, who took the law into his own hands, but then, he is handed over to the authorities and goes to prison. On his return from prison, the husband returns to his home and finds his wife waiting for him, with their son, who was born in the meantime, happy to meet him. The song also had unmoral sides. In hotels, where Russian officers stayed away from their families, romances were born with local girls and they used to sing the song sarcastically to their married partners. The literal description of the words of the song is as follows, In the city of Saratov many golden lights are lit on every street. There are a lot of singles in the city of Saratov, but I, for some reason, fell in love with a married man. He got married at a very young age and to me it caused a lot of sadness. My love for him is a secret and he does not know about it either. When I see him, I will run away from him, so that I will not ask and mistakenly not discover my love for him. I will also never meet him, in order to avoid any kind of love effect from him to me. so, he will not be able to like me. I will get along with love alone, but together we will not get along with this love, it's obvious.
"Lights So Much Gold..." ("And I Love the Married") is apopular song by the composer Kirill Molchanov on the poems of Nikolai Doriso, written for the film "The Case was in Penkov" directed by Stanislav Rostotsky, which was shot in 1957 and released in 1958.
The poem "I Love a Married Man" was written by the poet Nikolai Dorizo a few years before the film" The Case was in Penkov" in his collections it dates back to 1953. The poet suggested to different composers to put these poems on music, but they refused, arguing that no one would make such a song public-""I love married..." It's just a snr of some kind..." Then Doriso passed the poem to the then editor of the Literary Newspaper Konstantin Simonov, and he decided to print it. After the poems were thus "legitimized", the music to them was written by several composers-Konstantin Listov, Lyudmila Lyadova, Modest Tabachnikov and Oscar Feltzman, and among the singers of the song were such popular singers as Edith Uyosova and Gelena Velikanova. However, these versions were not particularly successful for listeners. According to Nikolai Doriso, after that he "almost forgot about this poem" and remembered it only in 1957, at the final stage of work on the film "The Case was in Penkov", directed by Stanislav Rostotsky, and the composer-Kirill Molchanov. By that time Doriso and Molchanov had already written for this picture the song "From the people in the village can not hide", which in the film with the mouths of the main character-collective farm tractor driver Matvey Morozov-performed by the actor Vyacheslav Tikhonov. Doriso recalled: "The work on the film was already completed, in a day or two it was to be accepted at the editorial board of the Gorky Film Studio. And then I suddenly remembered my old poems. After all, the situation in them is described the same as in the film. According to Dorizo, in the early morning he rushed to Molchanov and said that "we need to write another song", to which he replied: "What can be a song when the film is already made? What have you been thinking about before?" Nevertheless, the poet managed to persuade the composer to read the poem. Doriso described this situation this way: "He (Molchanov) takes these verses, begins to read them, sits down at the piano and quite discourages me by the fact that, putting a leaf with poems on the piano, immediately plays a simple and mesmerizing melody, the very one that you know." It turned out that Molchanov already had some pieces of melodies to the poems of Mikhail Svetlov, which to some extent coincided with the rhythm of Dorizo's poem. Anyway, on the same day the song was ready, and the poet and the composer went to the film studio, where, finding a pavilion with a piano, introduced his creation to the film director Rostotsky. The studio workers present in the pavilion liked the song very much, and they asked them to leave poems. A few days later, Doriso received a call from the director of the film studio, who said that "everywhere, on all floors and in the corridors of the studio girls sing "and I love a married man" "and asked the composer and poet to show him a song performed by the author. The director liked it too, and he gave permission to shoot scenes of the film, against which the song sounds. For the film, the song "Lights so many gold..." performed by Ekaterina Semyonkina with Antonina Frolova (according to other data, together with Lyudmila Szykina). After publication in the Literary Newspaper, and then after the release of the film, the poem and song became very popular. Writer and journalist Yuri Gribov, who was working in the Romanian city of Constanteat the time, recalled that in the seaside hotel where Soviet officers were staying, women's voices were heard from many windows in the evenings: "And I love a married man..."-"unmarried girls took the poem as their anthem, as a directive and intensified attacks" on the officers, many of whom were there in isolation. According to Gribov, his good friend, a colonel from the political department of the army, "all day long to deal with love complaints and shake his gray head: "I would have got this Dorizo in a dark alley! He asked us a job!" Subsequently, the song "Lights so many gold..." was considered to be Saratov's unofficial hymn. In 2009, a monument dedicated to this song was unveiled in the center of the city, depicting a bachelor with a bouquet of wild flowers, waiting for his girlfriend under the lantern and clock-curates. Every quarter of an hour, the chimes play the melody of the song. There was a belief that this monument brings happiness to lonely girls-it is enough to hold on to a bouquet, so that all desires come true.
It was Pankov. "The Day in Pankove" is a Soviet feature-length black-and-white feature film, staged at the Gorky Film Studio in 1957 by the director Stanislav Rostotsky based on the novel by Sergei Antonov. The film premiered in the USSR on February 17, 1958. A young specialist, Tonya Glechikova, arrives at the collective farm. The first person to meet Tone is the collective farmer Matvey Morozov, who started and invented. Matvey's antics were the cause of constant conflicts between him and the chairman of the collective farm Ivan Savvich. In addition, the daughter of the chairman, Larissa, against the will of his father marries Morozov. With tony's arrival, life in the village begins to change. Young people reach out to her. Matthew is also attracted to her. Their interest in each other becomes a source of gossip. Larissa is outraged by Tony's behavior. Her appearance in the collective farm is dissatisfied and moonshine Alevtina, whose house used to be the center of "secular" life in the village, which was an additional source of her income. One day Tonya in an unfinished club turns his foot. Home it takes Matthew, accidentally got there. Alevtina sees it. Larissa, feeling that her husband has cooled to her, is very jealous of him to Thena. Alevtina persuades Larissa to poison her rival. Larissa at first agrees, but at the last moment does not decide to kill. Matthew, learning about Alevtina's participation, as a punishment locks her in the cellar, for which he receives a prison term. Returning home, Matthew for the first time sees an already grown-up son and a legitimate wife, as well as Tonya.
Monument to the hero of the song "There are so many golden lights on the streets of Saratov". In August 2009, on the main street of Saratov (Kirov Avenue), a bronze young man with flowers was placed, waiting for his beloved under the clock. The sculptor's idea was to perpetuate the song "There are so many golden lights on the streets of Saratov", which is already considered the national anthem of the city. I wanted to add information about this monument to the post with the answer to the last riddle, but I forgot. And such a coincidence must happen: today on Facebook, there is no connection with this songalena_15 asked if I had this monument. Reasonable questions arise - how is the song about unhappy love for a married man connected with this monument? According to the idea of the creators, the bronze youth should symbolize all the single guys from the famous song, recognized as the unofficial anthem of Saratov. This interpretation seems somewhat far-fetched, but it doesn't matter anymore. Since the appearance of the monument, it has become a real attraction and favorite of the city. Today, a visit to Kirov Avenue is a highlight in the tourist program. Taking pictures with the bronze groom soon became a tradition for the girls. There was a belief that if an unmarried girl takes a bronze bachelor by the arm, she will meet her life partner in the near future. The clock on the lantern, under which the bronze youth is waiting for a date, shows the exact time, and from time to time the tune of the song “There are so many golden lights” sounds from the speakers.
HISTORY OF ONE SONG. "There are so many golden lights ..." From the memoirs of Nikolai Dorizo: - I showed the poems "There are so many golden lights on the streets of Saratov" to various composers, but none of them dared to write music for them. Then in high esteem were works not about love, but about labor exploits. And here it’s not just love lyrics, but almost immoral ... And then one day, when the shooting of the film “It was in Penkovo”, for which I wrote the song “You can’t hide from people in the village”, I woke up at about five in the morning like someone pushed me in the side. "There are so many golden lights" as if specially written for the film! On the same day, I met with the composer Kirill Molchanov. At first he was indignant, they say, he came too late, We were both delighted and in this state we went to the film studio. Gorky to show the song to director Stanislav Rostotsky. After listening to us, Rostotsky said that the song, of course, was good, but the shooting was completed and the film no longer belonged to him. A day later, the director of the film studio rang: "What song did you write? The whole studio sings it. At least they sang it to me." There was no need to persuade Kirill and me. We didn't even have time to sing, as the director, interrupting us, exclaimed: "By the will given to me by God and the Central Committee of the Party, I am postponing the deadline for submitting the film." And especially for this song, the plot was filmed ...
**