כדי לשחזר את השיר בשפה המקורית אם אינו מופיע לאחר לחיצה על שם השיר המסומן כאן בקוו תחתון או כדי למצוא גירסות נוספות העתיקו/הדביקו את שם השיר בשפת המקור מדף זה לאתר YOUTUBE
To restore the song in the original language if it does not appear after clicking on the name of the song marked here with a bottom line or to find additional versions Copy/Paste the song name in the original language from this page to the YOUTUBE website
התרגומים לאנגלית נעשו באמצעות המנוע "מתרגם גוגל" והתרגום הועתק לאתר בצורתו המקורית ללא עריכה נוספת
The English translations were done using the "Google Translate" engine and the translations were copied to the site in their original form without further editing.
MUSIC Arkady Abaza Words Ivan Turgenev.
"On the Road," without the author's instructions. The original title of the poem-"On the Road" is dedicated to Pauline Viardot (1821-1910), a Spanish singer, the muse of Turgenev, and written in the year of their meeting. In different sources in the authorship of the most popular melody confusion-often "music of V. Abaz" or "music of Julia Abaz (?-1915?)" (see, for example: Gori, gory, my star! Some sources of the author of the music point to M. Begichev. The last line of verses is repeated. In addition to this melody, the romances for the poem were created by George Katoire (1888), Yakov Prigozhiy (1890s) and Alexander Gedike (1903). Ivan Turgenev (1818-1883).
https://www-liveinternet-ru.translate.goog/community/frondam/post230717822/?_x_tr_sl=ru&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc///"MISTY MORNING" ROMANCE STORY///It seems hard to find a person who would not have heard the famous romance "Morning Foggy". And, nevertheless, with this romance is associated with a lot of mysteries. The author of the words is I.S. Turgenev, the author of music-Abaza. Belonging to the melody that we hear in concerts now, for a long time could not establish correctly. Why are the author's initials different in different music collections? The romances for the poem "On the Road" by I.S.Turgenev were created by G.L. Katoire (1888), J.F. Prigozhiy (1890s) and A.F.Gedike (1903). But the most common romance with music composed by Abaz. The composer could be each of the representatives of a well-known surname: Arkady Abaza (1843-1915), Victor Abaza (1861-1918), Vladimir Abaza, Arnold Abaza, or singers Julia and Varvara Abaz. As well as brothers Alexander, Basil, Erast Abaza. Three of Abaz's brothers were officers of the Hussar Regiment's Hussar's Leib Guard, housed in the Tsar's village. All three perfectly owned the guitar, were fans of the fashionable then fascination-gypsy singing. Some of the gypsy romances are signed: "Music of the Abaza Brothers." The wife of one of them is Yulia Abaza (Stubbe's maiden name) (1830-1915). was a well-known singer and published a large number of romances, which she liked to perform, thus securing their authorship, which seemed to arise when reprinted, when the vulture "from the repertoire" was missed. I.S. Turgenev was a frequent guest in Abaza's house. there were concerts in which prominent musicians took part. Even before the theatrical premiere of Tchaikovsky's opera "Eugene Onegin" Abaza for the first time in St. Petersburg staged a concert performance of the opera. Once in the Tsar's village, on the square in front of the palace, there was a parade, which the emperor was dissatisfied with. An order followed: not a single officer from the regiment to St. Petersburg should not be released. It was like an arrest. Exhausted from boredom, the hussars decided to invite a gypsy choir. It was dawn. Behind the windows became white and white. All around covered with fluffy snow..."It's beautiful, it's good," said Erast Abaza. "Morning is foggy, morning is gray...Turgenev wrote wonderfully...And he began to quietly hum familiar lines. The chords replaced each other. A melody was born. First in a low voice, then louder echoed the singer's chorus of gypsies. So at the dawn of a frosty morning was born the melody of the romance "Morning foggy." Let's go back to the author of the music. The magazine "Krugozor"-No. 8 for 1971 printed an article, where with confidence the author of the music named Erast Aggeevich Abaza. He was born on April 1, 1819, came from nobles. Elena Meshcherskaya, daughter of Prince Alexander Meshchersky, found materials in her father's manuscripts where he talks about his former fellow soldiers. In 1843-1850 A.V. Meshchersky served in the Hussar Regiment, where he served with three brothers of Abaza: Erast, Alexander and Vasily. Three of Abaz's brothers were officers of the Hussar Regiment's Hussar's Leib Guard, housed in the Tsar's village. All three perfectly owned the guitar, composed themselves, were fans of the fashionable then fascination with gypsy singing. Some of the gypsy romances are signed: "Music of the Abaza Brothers." The true author of the romance "Morning Foggy" Elena Alexandrovna, referring to the memoirs of her father, calls Erast Abaz, the most talented of the brothers. Unfortunately, very little is known about the personality of E.A. Abaz and his life. Erast Aggejevich Abaza is a gifted amateur musician. Among his comrades he was known as a guitarist and gambler. Perhaps he would have ruined the game, if he had not once found an icon in a field bag, unknown, as got to him. The superstitious and religious hussar took the find as a warning from above and renounced the cards. "When the Crimean War began, many officers of the Guards Hussar Regiment began to move to infantry army regiments in order to get to the front. Among them was E. A. Abaza, who was appointed commander of the battalion, which was in Sevastopol. The fighting of Erast Aggeevich Abaz in Sevastopol did not last long. On the night of May 10, 1855, fierce fighting broke out on the 5th bastion. The fifth bastion was part of the first distance of the defensive line under the command of Major General A. O. Aslanovich. During the period of defense, the device of falses (trenches), which played a big role in strengthening the defensive line, was also widely developed. The first bed was laid on the night of November 21, 1854, ahead of Schwartz's redoubt. Since then, the system of advanced fortifications has begun to develop. The trenches dug in two rows: in front were arrows, the second line was occupied by reinforcements. The French even formed a group of volunteers to attack the lodges. In April 1855, they managed to capture the trenches ahead of Schwartz's redoubt. To secure the fifth bastion, it was decided to arrange a foothold at the Cemetery height, strengthen it with batteries, lay spoons at the quarantine bay and connect them with each other. Podolski and Warsaw regiments and two battalions of the Jitomir Regiment under the general command of S.A. Khrulev were appointed for these works. On the night of May 9-10, the defenders captured the Cemetery Heights. Several times the fortifications passed from hand to hand. Khrulev introduced reinforcements-seven mouths of the Uglitsky Regiment, two battalions of the Minsk Regiment and fixed at altitude. The lodges at the quarantine bay remained with the French. After this battle, Major E.A. Abaza, a major of the Jitomir Regiment, was mortally wounded. This is how the death of Abaz was described at Meshchersky: "The night after the battle, the major went accompanied by only one non-commissioned officer on the battlefield to see if there were any wounded from his battalion. From time to time, both people stopped and looked at the faces of those killed in the dim light of the lantern. Some wounded French soldier rose from the ground and shot the back of the major. Major E.A. Abaza was mortally wounded and died a short time later." After receiving the news of Abaz's death, Turgenev wrote to P.V. Annenkov: "I wish poor Abaza. Of the whole family, he was only one and was decent." Major Abaza's grave as such has not survived. The fraternal cemetery during World War II was the site of fierce fighting. But the text of the epitaph from the lost monument on the grave of E.A. Abaz was found: "Here rests the ashes of the major of the Jitomir rangers regiment Erast Aggeevich Abaza. He died of a wound sustained in a case with the Anglo-French on the night of May 10-11, 1855." Abaz's name tops the list of the dead officers of the Jitomir Regiment, carved on the wall of the memorial church of St. Nicholas in Sevastopol. "In 2003, a new monument was erected at the Fraternal Cemetery, designed by architect G.S. Grigoryanets, at the proposed burial site of Erast Aggeevich Abaz. This is a stele of light gray granite in the form of a stylized cross and a scroll on which a note line with notes of romance "Morning Foggy" was carved,-wrote about Erast Aggeevich "Glory of Sevastopol" on November 15, 2007. Although in the books of Sevastopol authors about the Crimean battle of 1854-1855 a little information about Abaz, these books will be interesting to all who are interested in the events of the Crimean War. In memory of Erast Aggeevich Abaz remains his name in the history of the Crimean War, as well as his name carved on the wall of the Church of St. Nicholas, and a new street named after Abaz in Sevastopol in the area of the 7th kilometer of the Balaklava Highway, named so in May 1992. And, of course, such a beautiful romance, not forgotten over the years. Abaza did not live to see his morning on May 11, 1855. He, like the other dead, was transported on a cart with a lit candle in his hands to the Brother's Cemetery. "In quiet weather, these candles were lit, and so sad and solemn was the picture of the bastion with these flickering over the dead lights." May 10, 2010 marked the 155th anniversary of the death of Erast Aggeevich Abaz. And romance still lives. Almost 170 years on the concert stage and in our souls sounds unforgettable "Morning foggy", sounds, thanks to the talent of two wonderful people-writer Ivan Turgenev and amateur musician, guard officer Erast Aggeevich Abaz. Morning foggy, morning gray, The lows are sad, snow-covered, You will not want to remember the time of the old, You will remember the faces that have been forgotten for a long time. Remember the abundant passionate speeches, The views, so greedy, so timidly caught, First meetings, last meetings, Silent voice sounds favorite. You'll remember the separation from the strange smile, You'll remember a lot of your family far away, Listening to the murmur of the wheels incessant, Looking thoughtfully into the sky wide November 1843. About the author: Terentieva Ekaterina Ivanovna: Opera singer, winner of the Higher Theatre Award of the Union of Theatre Workers. Sevastopol. Author: Terentieva Ekaterina. Material from the rubric: Secrets of Crimea.
Morning foggy. "On the Road" (sometimes called on the first line "Morning Foggy")is a poemwritten by Ivan Turgenev in November 1843, and the eponymous romance. Topics and motifs . The poem is dedicated to the memories of the past, the past time, idealized by the lyrical hero, calm and peaceful, which, apparently, is on the road. Paintings of the surrounding nature also adjust to the elegiac way-before the reader smoothly unfold landscapes of late autumn, which have to leisurely philosophical contemplation. The description of nature is devoted to the first two lines of the first stanza and the final line of the last stanza. The lexical element that binds the plan of nature (background pictures) and personal sensations is the verb "remember", which is found in the poem five times, thus becoming a key refrain of the attitude of the lyrical hero. In general, the poem is intimate and nostalgic, refers to the traditions of Russian elegiac lyricism. The color scheme prevailing in the poem is gray-white, as indicated by the epithets of the foggy, gray-haired. The means of creating artistic. The hero-traveler is immersed in memories of past love experiences. The clarity of the nostalgic narrative when describing the retrospective is enhanced by the use of antithesis greedily-timidly, the first meetings-the last meetings. Elements of sound recording complement the feeling of length, deployment, slowness of experience in time and space (the sound of the long at, and before the double nn in the first stanza). There are no pronouns in the poem, and practically the only verb "remember" is used in a general and personal form, which, on the one hand, reflects the idea of distraction of sensations, as well as adjusts the reader to dialogue, creating a sense of belonging to intimate experiences Circumstances of writing. The work is written by a three-stop fingerprint. Turgenev was 25 years old at the time of writing, but often the reader (or listener of the romance) has the feeling that it was written by an elderly man who lived a long life. The poem, based on Turgenev's biographical plan in terms of sub-genre characterization, on the one hand, is a confessional farewell to her lover Tatiana Alexandrovna Bakunina (sister of Russian philosopher and revolutionary Mikhail Bakunin),and on the other hand, his writing was influenced by the fact of a very recent acquaintance with the French singer Polina Viardo during the singer's trip to St. Petersburg in the autumn of 1843, where she was first seen on the stage. Thus, I.S. Turgenev created this poem under the impression of parting with one girlfriend, but already being inspired by the meeting with another, future love, so the work does not carry the imprint of hopeless longing, but rather conveys the feeling of enlightenment and reflection revealed in the last stanzas ("looking thoughtfully into the sky wide"). Transfer to music. "Morning Foggy" romance by Victor Abaz performed by Mikhail Vavich (1908). Dedication of music to the author's friend, 1897. The poem "Morning Foggy" was repeatedly transferred to music, in particular, by composers Alexander Fyodorovich Gedike, Yakov Fyodorovich Prigozhy and Georgi Lvivovich Katoire. Composer Victor Abaza dedicated the famous music to his friend Joseph Lapitsky in the 1897 edition. Romance. The poem is the most famous poetic work of I.S. Turgenev. His romance was performed and performed by many bright pop and opera singers, such as Igor Vladimirovich Talkov, Vadim Alekseyevich Kozin, Sergey Georgievich zakharov, Yuri Aleksandrovich Gulyaev, Eduard Anatolyevich Hil, Dmitry Hvorostovsky,Valentina Dmitrievna Ponomareva, Oleg Evgenyevich Pogudinov.
Morning foggy. Russian romance is an amazing genre of musical and poetic creativity, an irreplaceable and completely incomprehensible part of art culture. It does not become obsolete, it has survived centuries and follows us, continuing to excite hearts. Romance is inexhaustible and beautiful in its depth and richness, it fascinates and appeases, excites feelings and responds in our soul. Romance can not just sing or just listen, it should be lived, filling with their emotions, feelings and experiences. This is the romance of "Morning Foggy", surprisingly gentle and beautiful, which you want to listen again and again, comprehending its power and meaning. The author of this romance-Hero of the defense of Sevastopol 1854-55, Major of the infantry regiment Erast Ageevich Abaza. Born on April 1, 1819, he died on the fifth bastion in May 1855. All three perfectly owned the guitar, were fans of the fashionable then fascination-gypsy singing. Some of the gypsy romances are signed: "Music of the Abaza Brothers." Unfortunately, very little is known about the personality of E.A. Abaz and his life. Erast Aggejevich Abaza is a gifted amateur musician. Among his comrades he was known as a guitarist and gambler. Perhaps he would have ruined the game, if he had not once found an icon in a field bag, unknown, as got to him. The superstitious and religious hussar took the find as a warning from above and renounced the cards. "When the Crimean War began, many officers of the Guards Hussar Regiment began to move to infantry army regiments in order to get to the front. Among them was E. A. Abaza, who was appointed commander of the battalion, which was in Sevastopol. The fighting of Erast Aggeevich Abaz in Sevastopol did not last long. On the night of May 10, 1855, fierce fighting broke out on the 5th bastion. The fifth bastion was part of the first distance of the defensive line under the command of Major General A. O. Aslanovich. During the period of defense, the device of falses (trenches), which played a big role in strengthening the defensive line, was also widely developed. The trenches dug in two rows: in front were arrows, the second line was occupied by reinforcements. The French even formed a group of volunteers to attack the lodges. In April 1855, they managed to capture the trenches ahead of Schwartz's redoubt. To secure the fifth bastion, it was decided to arrange a foothold at the Cemetery height, strengthen it with batteries, lay spoons at the quarantine bay and connect them with each other. Podolski and Warsaw regiments and two battalions of the Jitomir Regiment under the general command of S.A. Khrulev were appointed for these works. On the night of May 9-10, the defenders captured the Cemetery Heights. Several times the fortifications passed from hand to hand. Khrulev introduced reinforcements-seven mouths of the Uglitsky Regiment, two battalions of the Minsk Regiment and fixed at altitude. The lodges at the quarantine bay remained with the French. After this battle, Major E.A. Abaza, a major of the Jitomir Regiment, was mortally wounded. This is how the death of Abaz was described at Meshchersky: "The night after the battle, the major went accompanied by only one non-commissioned officer on the battlefield to see if there were any wounded from his battalion. From time to time, both people stopped and looked at the faces of those killed in the dim light of the lantern. Some wounded French soldier rose from the ground and shot the back of the major. Major E.A. Abaza was mortally wounded and died a short time later." Abaza did not live to see his morning on May 11, 1855. He, like the other dead, was transported on a cart with a lit candle in his hands to the Brother's Cemetery. "In quiet weather, these candles were lit, and so sad and solemn was the picture of the bastion with these flickering over the dead lights." Major Abaza's grave as such has not survived. The fraternal cemetery during World War II was the site of fierce fighting. But the text of the epitaph from the lost monument on the grave of E.A. Abaz was found: "Here rests the ashes of the major of the Jitomir rangers regiment Erast Aggeevich Abaza. He died of a wound sustained in a case with the Anglo-French on the night of May 10-11, 1855." Abaz's name tops the list of the dead officers of the Jitomir Regiment, carved on the wall of the memorial church of St. Nicholas in Sevastopol. "In 2003, a new monument was erected at the Fraternal Cemetery, designed by architect G.S. Grigoryanets, at the proposed burial site of Erast Aggeevich Abaz. It is a stele of light gray granite in the form of a stylized cross and a scroll on which a note line with notes of the romance "Morning Foggy" is carved, - wrote about Erast Aggeevich "Glory of Sevastopol" on November 15, 2007.
Morning foggy. information about the film. Film-concert. There is a recording in the studio, romances dedicated to love. Before us there is an old manor, an old interior, lovely women's heads on ancient portraits. They are replaced by the faces of artists sitting in the studio. What they see-the beauty of the surrounding nature, leaving in the distance three, snow-covered fields, villages under the snow, standing in a frosty haze forest. And maybe an echo of past love, someone's long-gone love, responding in melodies romance. The echo falls silent, we return to the city, but the beauty of the sounding music stays with us.
"War is not a Eugene's Face" is a documentary-essay book by the Belarusian writer and winner of the 2015 Nobel Prize in Literature, Svetlana Alexievich. This book contains the stories of women who participated in World War II. The title of the book is the initial lines from the novel "War Under the Roofs" by the Belarusian writer Ales damovich (1960). It is the first part of the documentary series "Voices of Utopia."
"The Life of Slim Samgin" is a 14-episode feature film directed by Victor Titov based on the novel by Maxim Gorky. Filmed since 1983. The series was first televised between March and April 1988. The film describes the life of the Russian intellectual Klim Samgin against the backdrop of a grandiose panorama of Russian life from 1877 to 1917.
MISTY MORNING. Music by Arkady Abaza, Words by Ivan Turgenev. Foggy morning, gray morning, Sad fields covered with snow...Reluctantly you will remember the time of the past, You will also remember the faces long forgotten. You will remember abundant, passionate speeches, Looks, so greedily, so timidly caught, First meetings, last meetings, Favorite sounds of a quiet voice. You will remember parting with a strange smile, You will remember much dear, distant, Listening to the unceasing voice of the wheels, Looking thoughtfully into the wide sky. November 1843, words Collection "Yesterday and Today", 1845. Russian songs and romances / Entry. article and comp. V. Gusev. - M.: Artist. lit., 1989. - (Classics and contemporaries. Poetic library) - under the title. "On the road", without specifying the author of the music. The original title of the poem, "On the Road", is dedicated to Pauline Viardot (1821-1910), a Spanish singer, Turgenev's muse, and was written in the year they met. In different sources, there is confusion about the authorship of the most popular melody - often "music by V. Abaza" or "music by Yulia Abaza (? -1915?)" (see, for example: Burn, burn, my star! Compiled and music editor S. V. Pyankova (Smolensk: Rusich, 2004). Some sources indicate M. Begichev as the author of the music. The last line of verses is repeated. In addition to this melody, romances based on the poem were created by Georgy Katuar (1888), Yakov Prigozhy (1890s. Ivan Sergeyevich Turgenev (1818-1883).Arkady Maksimovich Abaza (August 11, 1843, Sudzhansky district of the Kursk province - January 16, 1915, Kursk) - composer, pianist, teacher and public figure. Author of popular romances. Music classes founded by him in Kursk were graduated, among others, by pop star Nadezhda Plevitskaya and composer Nikolai Roslavets.
http://a-pesni.org/romans/abaza/utrotuman.php///MORNING FOGGY///Music of Arkady Abaza Words of Ivan Turgenev///Morning is foggy, morning is gray, Fields are sad, snow covered with...Reluctantly you will remember the time of the past, You will also remember the faces that have long been forgotten. Remember the copious, passionate speeches, The glances, so greedily, so timidly caught, The first meetings, the last meetings, The quiet voice sounds beloved. You will remember the separation with a strange smile, You will remember much native, distant, Listening to the conversation of the wheels incessantly, Looking thoughtfully into the wide sky.///November 1843, lyrics///Collection "Yesterday and Today", 1845 g./// Russkie pesni i romansy / Vst. article i sost. V. Guseva. - M.: Khudozh. lit., 1989. - (Classics and contemporaries. Poetic. b-ka) - under the head. "On the road", without specifying the author of the music.///The original title of the poem, "On the Road", is dedicated to Pauline Viardot (1821-1910), a Spanish singer, Turgenev's muse, and was written in the year of their meeting. In different sources, the authorship of the most popular melody is confusing - often "music by V. Abaza" or "music by Julia Abaza (?-1915?)" (see, for example: Gori, gori, my star! Comp. and music editor S. V. Pyankova. Smolensk: Rusich, 2004). Some sources indicate the author of the music to M. Begichev. The last line of the verses is repeated. In addition to this melody, romances on the poem were created by George Katuar (1888), Yakov Prigozhiy (1890s) and Alexander Gedike(1903).///Ivan Sergeevich Turgenev ///(1818-1883)Arkady Maksimovich Abaza (August 11, 1843, Sudzhanskaya Uyezd, Kursk Governorate – January 16, 1915, Kursk) was a composer, pianist, pedagogue and public figure. Author of popular romances. The music classes he founded in Kursk graduated, among others, from the pop star Nadezhda Plevitskaya and the composer Nikolai Roslavets.///NOTES: Shadows of the Past: Old Romances. For Voice and Guitar / Comp. A. P. Pavlinov, T. P. Orlova. - SPb.: Composer•St. Petersburg, 2007.///OPTIONS(3).///1. Morning foggy///Morning foggy, morning gray, Fields sad, snow covered with...Reluctantly you will remember the time of the past, You will also remember the faces that have long been forgotten. Remember the copious, passionate speeches, The glances so greedily and tenderly caught, The first meetings, the last meetings, The quiet voice sounds beloved. You will remember the separation with a strange smile, Much you will remember, long forgotten, Listening to the talk of the wheels incessantly, Looking pensively into the wide sky.///The last line of the verses is repeated///Take My Heart tothe Ringing Distance...: Russian Romances and Songs with Notes / Comp. by A. Kolesnikova. – Moscow: Sunday; Eurasia +, Polar Star +, 1996.///2. Morning foggy///Morning foggy, morning gray, Fields sad, covered with snow, Reluctantly remember and the time of the past, emember and faces long forgotten. Remember the copious, passionate speeches, The looks so greedily and tenderly caught, The first meeting, the last meeting, The quiet voice sounds beloved. You will remember the separation with a strange smile, Much you will remember, long forgotten, Listening to the talk of the wheels incessantly, Looking pensively into the wide sky.///From the repertoire of Maria Narovskaya///(1905-1973)Eyes black: Old Russian romance. – M.: Izd-vo Eksmo, 2004. - signature: music by V. Abaza, lyrics by I. Turgenev.///3. Morning foggy/// Morning foggy, morning gray, Fields sad, snow covered. Reluctantly you will remember the time of the past, You will also remember the faces that have long been forgotten.///2 times/// Remember the copious, passionate speeches, The looks so greedily and tenderly caught. First meeting, last meeting, Quiet voice sounds favorite.///2 times///You will remember the separation with a strange smile, Much you will remember the native, distant, Listening to the talk of the wheels incessantly, Looking thoughtfully into the wide sky.///2 times///From the songbook of the 1990s.
https://lera--komor-livejournal-com.translate.goog/1702503.html?_x_tr_sl=ru&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc///Jul. Thursday, 30th, 2016 at 7:48 AM///677124_25 (700x403, 200Kb)///Music by Arkady Abaza///Words by Ivan Turgenev///Foggy morning, gray morning, Sad fields covered with snow...Reluctantly you will remember the time of the past, You will also remember the faces long forgotten. You will remember abundant, passionate speeches, Looks, so greedily, so timidly caught, First meetings, last meetings, Favorite sounds of a quiet voice.You will remember parting with a strange smile, You will remember much dear, distant, Listening to the unceasing voice of the wheels, Looking thoughtfully into the wide sky. November 1843, words///The original title of the poem, "On the Road", is dedicated to Pauline Viardot (1821-1910), a Spanish singer, Turgenev's muse, and was written in the year they met.///In November 1843, Turgenev met Pauline Viardot at Demidov's house in St. Petersburg and dedicated the poem "On the Road" to her, written under the impression of a break with Tatyana Bakunina.///Viardo (1821-1910), daughter of the Spanish artists Manuel and Joaquina Garcia, was one of the most notable women of the 19th century. A magnificent singer, intelligent, versatile, although not very beautiful, she was friendly with many celebrities of her time.///Franz Liszt gave her piano lessons. Her closest friend was the famous French writer George Sand, who wrote her Consuelo from her. The French poet and playwright Alfred de Musset fell passionately in love with her when she was very young, immediately recognizing her brilliant talent, intelligence and education, made her an offer, but was refused. Fryderyk Chopin appreciated her not only as a singer, but also as a composer. Charles Gounod dedicated the opera Sappho to her, and Camille Saint-Saens dedicated the opera Samson and Delilah, and Viardot was the first performer of the part of Delilah.///She sang in almost all European capitals. But still, she owed her fame most of all to her St. Petersburg seasons. Vilardo's performance of Alyabyev's "Nightingale" has become a legend. Poems were dedicated to her by Alexei Pleshcheev, Vladimir Benediktov, Apollon Grigoriev. Each time she left Russia, showered with precious gifts. But more expensive than gifts and all awards was Turgenev's love for her.///They knew many happy days. Turgenev's letters to Viardot are a wonderful love story that lasted almost forty years, and the poems of the first days of Turgenev's acquaintance with Viardot largely reflected the writer's future moods throughout the rest of his life.///The music for the poem "On the road" was created by G.L. Catuar (1888), Ya.F.Prigozhiy (1890s)///A.F. Gedike (1903). But the most widespread romance with music composed by Abaza.///However, without doubting the name of the composer, the debate about who exactly wrote the romance has not yet ended. In musical publications, the composer's initials are written differently - either A. Abaza, then Y. Abaza, then V. Abaza.///The composer could be: Arkady Maksimovich Abaza (1843 - 1915), Victor Abaza (1861 - 1918), Vladimir Abaza, Arnold Abaza, singers Julia and Varvara Abaza.///The three Abaza brothers were officers of the Life Guards Hussars stationed in Tsarskoye Selo. All three played the guitar perfectly, were fans of the then fashionable passion for gypsy singing. Some of the gypsy romances are signed: “Music of the Abaza brothers”.///The wife of one of them is Yulia Fedorovna Abaza (1830-1915) was a singer and published a large number of romances that she loved to perform, thus securing their authorship, which, as it were, appeared during reprinting, when the stamp “from the repertoire” was skipped.///I.S. Turgenev was a frequent guest in Abaza's house. Concerts were held here, in which prominent musicians Rubinstein, Venyavsky, K. Davydov took part. Even before the theatrical premiere of "Eugene Onegin" Abaza for the first time in St. Petersburg staged a concert performance of the opera.///Once in Tsarskoe Selo, on the square in front of the palace, a parade was held, with which the tsar was dissatisfied. An order followed: not to let a single officer from the regiment go to Petersburg. It was like being arrested. Exhausted from boredom, the hussars decided to invite a gypsy choir to their place. Songs sounded all night, the floor shook from dancing, and guitars rang in between.///Dawn dawned. Outside the windows it became white-white. Everything around was covered with fluffy snow ... “How beautiful, how good,” said Erast Abaza. - Foggy morning, gray morning ... Turgenev wrote wonderfully.../// And he began to quietly hum familiar lines. The chords changed each other. A melody was born. At first in an undertone, then louder and louder, the gypsy choir echoed the singer. Thus, at the dawn of a frosty morning, the melody of the romance “Misty Morning” was born.///Erast Ageevich Abaza, the brother-in-law of the mentioned singers, a hussar and a gifted amateur musician.///During the Crimean War, Major Erast Abaza commanded a battalion in the besieged Sevastopol. There he died on May 10, 1855 in the battle near Ship Bay, defending Cemetery Height - the northern spur of Rudolf Mountain. Everyone in the regiment knew that he wrote the elegy "Misting Morning" based on Turgenev's poems, they remembered his beautiful baritone.///Having received news of the death of Erast Ageevich, Turgenev wrote to P.V. Annenkov: “It is a pity for poor Abaza. Of the whole family, he was the only one who was decent.”///The authorship of E. Abaza of the music of the romance was confirmed by the magazine "Krugozor" in 1971 and the engraved musical line "Misty Morning" on the grave of Erast Ageevich.///OPTIONS///1. Foggy morning Foggy morning, gray morning, Niva sad, snow-covered ... Reluctantly remember the time of the past, Remember the faces long forgotten. You will remember abundant, passionate speeches, Glances, so greedily and tenderly caught, First meetings, last meetings, Favorite sounds of a quiet voice. You will remember parting with a strange smile, You will remember much, long forgotten, Listening to the unceasing voice of the wheels, Looking thoughtfully into the wide sky. 2. Foggy morning Foggy morning, gray morning, Sad fields covered with snow, Reluctantly you will remember the time of the past, You will remember the faces long forgotten. You will remember abundant, passionate speeches, Glances so greedily and tenderly caught, First meeting, last meeting, Favorite sounds of a quiet voice. You will remember parting with a strange smile, You will remember much, long forgotten, Listening to the unceasing voice of the wheels, Looking thoughtfully into the wide sky.
https://vk.com/wall-83670929_94392?lang=en
๑۩۩๑ Блистательный Санктъ-Петербургъ! ๑۩۩๑
28 Sep 2020, MORNING TUNED///A new record of the famous, very beloved romance was made by the St. Petersburg singer and composer Valery Korzhensky. The performance is remarkable, worthy of this work ! And now – the word about
songwriter masterpiece. Opera singer and historian///Russian romances by Ekaterina Terentyev.///I think it is difficult to find a person who would not have heard the famous romance “Morning foggy”. However, there are many mysteries associated with this romance. The author of the words is I.S. Turgenev, the most widespread romance with music composed by Abaza. The composer could be each of the representatives of the famous family: Arkady Maximovich Abaza (1843 – 1915), Victor Abaza (1861 – 1918), Vladimir Abaza, Arnold Abaza, or singers Julia and Barbara Abaza. And also the brothers Alexander, Vasily, Erast Abaza.///The three Abaz brothers were officers of the Life Guards Hussar Regiment stationed in Tsarskoye Selo. All three perfectly owned the guitar, were fans of the then fashionable hobby - gypsy singing. Some of the gypsy romances and signed: “Music of the Abaza brothers”. The wife of one of them - Julia Fyodorovna Abaza (maiden name Stubbe) (1830 - 1915) was a famous singer and published a large number of romances, which she loved to perform, thus securing their authorship, which seemed to arise during the reprint, when the stamp "from the repertoire" was passed. Ivan Sergeyevich Turgenev was a frequent guest in the house of Abaza. concerts were held here, in which prominent musicians took part. Even before the theatrical premiere of Tchaikovsky’s opera Eugene Onegin, Abaza staged a concert performance of the opera for the first time in St. Petersburg.///Once in Tsarskoye Selo, on the square in front of the palace, there was a parade, which the emperor was dissatisfied with. There followed an order: not a single officer from the regiment to St. Petersburg to be released. It was like an arrest. Exhausted from boredom, the hussars decided to invite the Gypsy choir to their place. All night there were songs, the floor trembled from dancing, and in breaks the guitars rang.///The dawn has dawned. The windows were white and white. It's all covered in fluffy snow... “How beautiful, how good,” said Erast Abaza. The morning is cloudy, the morning is gray. Very well written by Turgenev...". He began to sing familiar lines.///The morning is cloudy, the morning is gray, Nivas are sad, covered with snow...You will remember the past, Think of faces long forgotten. You will hear the loud, loud, Sighs, so greedy, so timid, The first meeting, the last meeting, Quiet sounds are my favorite. Remember the separation from a strange smile, You will remember many things, Listening to the wheel talk unceasingly, Looking thoughtfully at the sky wide. The chords replaced each other. A melody was born. First in half-voice, then more and more echoed the singer Gypsy choir. So at the dawn of a frosty morning, the melody of the romance “Morning Foggy” was born. Nowadays, with confidence, the author of the music is called Erast Aggeevich Abaza. He was born on April 1, 1819, came from nobles. Elena Alexandrovna Meshcherskaya, daughter of Prince Alexander Vasilyevich Meshchersky, in the manuscripts of his father managed to find materials where he talks about his former fellow soldiers. In 1843-1850, A.V. Meshchersky served in the Life Guards Hussar Regiment, where three Abaza brothers served with him: Erast, Alexander and Vasily. The three Abaz brothers were officers of the Life Guards Hussar Regiment stationed in Tsarskoye Selo. All three perfectly owned the guitar, composed themselves, were fans of the then fashionable hobby of gypsy singing. Some of the gypsy romances are signed: "Music of the Abaza Brothers". The true author of the romance “Morning Foggy” Elena Alexandrovna, referring to the memoirs of her father, calls Erast Abaz, the most talented of the brothers. Unfortunately, very little is known about the personality of Erast Aggeevich and his life. He was a gifted amateur musician. Among his comrades he was known as a guitarist and card player. Perhaps he would have been ruined by the game, if he had not once found an icon in a field bag, unknown as having fallen to him. Hussar took the find as a warning from above and renounced the cards. When the Crimean War began, many officers of the Guards Hussar Regiment began to move to infantry army regiments in order to get to the front. Among them was E.A. Abaza, who was appointed commander of the battalion of the Zhytomyr Infantry Regiment, located in Sevastopol. The combat activity of Erast Aggeevich Abaz in Sevastopol did not last long. On the night of May 10, 1855, fierce battles broke out on the 5th bastion, which was part of the first distance of the defensive line. Several times the strengthening passed from hand to hand. That night, Major of the Zhytomyr Regiment E.A. Abaza was mortally wounded. Here is how the death of Erast Aggeevich is described in the notes of Prince Meshchersky: “The night after the battle, the major went, accompanied by only one non-commissioned officer on the battlefield to see if there were wounded from his battalion. From time to time both stopped and looked at the faces of the dead in the dim light of the lantern. Some wounded French soldier rose from the ground and shot the major in the back. Major E.A. Abaza was mortally wounded and soon died. The tomb of Erast Aggeevich as such has not survived. The fraternal cemetery during the Second World War was repeatedly a place of fierce fighting. But the text of the epitaph from the lost monument was found on the grave of the author of the famous romance: “Here lies the ashes of Major Zhytomyr Jaeger Regiment Erast Aggeevich Abaza. He died of a wound received in the Anglo-French affair on the night of May 10-11, 1855. The name Abaza tops the list of dead officers of the Zhytomyr Regiment, carved on the wall of the memorial church of St. Nicholas in Sevastopol. In memory of Erast Abaza remained his name in the history of the Crimean War, as well as his name carved on the wall of the Church of St. Nicholas, and the new street named after Abaza in Sevastopol in the area of the 7th kilometer of the Balaklava highway, so named in May 1992. And, of course, such a beautiful, not forgotten romance over the years. Abaza did not live to see his morning of May 11, 1855. He, like the other dead, was transported on a cart with a lighted candle in his hands to the Fraternal Cemetery. “In quiet weather these candles were lit, and so sad and solemn was the picture of the bastion with these flickering lights above the dead.” And romance is still alive. Almost 170 years on the concert stage and in our souls sounds unforgettable "Morning foggy", sounds, thanks to the talent of two wonderful people - writer Ivan Sergeyevich Turgenev and amateur musician, guard officer Erast Aggeevich Abaz.
**