When a Man Loves a Woman (1994)

When a Man Loves a Woman is a 1994 American romantic drama film directed by Luis Mandoki and starring Andy García, Meg Ryan, Tina Majorino, Mae Whitman, Ellen Burstyn, Lauren Tom and Philip Seymour Hoffman. It was written by Al Franken and Ronald Bass.

For her performance as an alcoholic mother, Ryan received a Screen Actors Guild Award nomination for Best Female Actor in a Leading Role. The film's title is taken from the song of the same name by Percy Sledge.

Alice Green (Meg Ryan) is a school counselor who has a serious drinking problem and is married to Michael (Andy García), an airline pilot. Though she's lighthearted and loving, Alice is often reckless and, when drunk, even neglects her children: nine-year-old Jess (Tina Majorino) from a previous marriage, and four-year-old Casey (Mae Whitman), whose father is Michael.

One afternoon, Alice enters their home in a drunken incoherent state. She dismisses the reluctant caretaker, who leaves her alone with her children. Still drinking, Alice is confronted by Jess concerned for her welfare. In return, she violently slaps Jess, who runs to her room crying. Alice enters the shower. Unable to control her balance and calling for Jess, she falls to the side and smashes through the shower door onto the bathroom floor. Fearing Alice has died, Jess contacts Michael who immediately flies home to be by Alice's side.

After the incident and while in the hospital, Michael and Alice confront the truth about Alice's drinking. They jointly decide she must seek professional help for her alcoholism. Upon release from the hospital, a timid Alice enters a rehabilitation clinic.

Michael finds himself now the main caretaker of their home and children, a role he struggles to maintain along with his career as an airline pilot. Meanwhile, at the clinic, Alice is flourishing; her recovery is painful but stabilizing and she is well-liked and respected by both staff and fellow clinic tenants alike. During a family visit day at the clinic, Alice immediately begins to rebuild her shattered bond with the children leaving Michael alone to wander the grounds uncomfortable and out of place in Alice's new lifestyle.

Alice returns home sober yet guarded. She is vocal, strong and changed. Michael is having trouble adjusting to Alice's balance. He has become used to being the stable and controlled one in their relationship and is jealous of Alice's outside friendships and lack of dependence. Coming to terms with their estrangement, a reluctant Michael (believing therapy is for the weak) and a willing Alice see a marriage counselor who quickly establishes Michael's "co-dependency" on Alice's role as an alcoholic.

Unable to find a medium and with tempers flared, Michael moves out and Alice becomes the main caretaker of their home and children. She is once again seen flourishing in her new role while Michael is unable to find control and seeks out a support group for spouses of alcoholics. Initially shy, Michael becomes a more vocal member of the group and shares his sorrow over his lack of understanding for the gravity his wife's sobriety would have on him, his children, and his marriage.

Alice and Michael singularly return to the hospital to celebrate the birth of their caretaker's baby. They spend time together and as they depart Alice asks Michael if he would attend her 180-day sober speech where she will acknowledge her failings and accomplishments. She also tells him that she has been thinking about asking him to come home with her. Michael tells Alice he has been offered a job in Denver. For the first time since they both agreed Alice should enter rehab, they both agree Michael should take the position.

The penultimate scene is Alice as she stands on a stage and tells her sobriety story; the toll it took on her, her children, and her marriage. She is funny, confident, sad but optimistic. Her audience is moved to tears. Her speech ends and she is surrounded by well wishers. Out of the crowd appears Michael. At ease with himself and Alice, he explains what he missed along the way..."to listen, to really listen." They share an intense, longing, passionate kiss.