Modern Approaches To The Study Of Author's Motility In The Artistic Text

Abstract.

MODERN APPROACHES TO THE STUDY OF AUTHOR'S MOTILITY IN THE ARTISTIC TEXT

Mariia Hrabovych

Department of Foreign Languages, Vasyl’ Stus Donetsk National University, Vinnytsia, Ukraine

Abstract

Background: The introduction of the concept of author’s motor skills in a literary text is the result of multidisciplinary research, intensified during the second half of the 20th and beginning of the 21st centuries. These studies, starting from the general biological idea of motility as a property of the reaction of living organisms to external stimuli, are increasingly dealing with purely philological problems such as metaphorology and author's sensory.

Purpose: The purpose of the analysis is to analyze modern views on the phenomenon of au-thor’s motility.

Results: Author's motility is understood as the necessary reaction of the author-recipient to those phenomena of sensory experience that are due to the specifics of focalization. Here we are faced with complex psychological and philosophical phenomenon of author’s reaction to the appeal to spe¬cific manifestations of mental and physiological sensitivity presented at different levels of the literary text. Motility is a phenomenon that characterizes the activity of living organisms at all levels of their ontogenetic development and concerns, above all, their biological functionality. The author's motility is the highest degree of elementary physiological manifestations of life. In this biological aspect mo¬tility has been studied by many scientists and scientific schools over the last half century.

The genesis of different types of metaphors is in one way or another due to the influence of the author's motility, because it regulates the reactions of the organism and, ultimately, consciousness to the action of the external world. In our opinion, metaphor is the most striking example of the work of the author's motility. Emotions in the process of communication perform a regulatory function, which consists, for example, in coordinating the sequence of sounding of certain expressive expressions. Each emotion has its own external expression, through which a person informs his communication partner about his condition. Mutual understanding during communication is facilitated by a whole range of expressive components of speech: intonation, rhythm, tempo, pauses, raising and lowering the voice. NVMC (non-verbal means of communication) can perform all the basic functions of lan¬guage signs, i.e. actually replace the text. Such substitutions naturally lead to certain deformations of the semantic-syntactic textual whole; if its averbal component is not perceived simultaneously with the verbal part of the message, a semantic "gape" which violates the supra-phrase inside unity is revealed.

Discussion: The introduction of the concept of authorial motility in the literary text is a conse-quence of multidisciplinary research, which intensified during the second half of the XX - early XXI centuries. These studies, starting from the general biological idea of motility as a property of the response of living organisms to external stimuli, increasingly address such purely philological prob¬lems as metaphor and authorial sensory. The prospects for further studying of the problem are seen in a more detailed and comprehensive study of the aspects of author’s motility in the textual world of modern English, Ukrainian and German literary works.

Keywords: author's motility, sensory, metaphor, non-verbal means of communication.

Vitae

Mariia Hrabovych Master’s Degree of Secondary Education, Assistant lecturer of Department of Foreign Languages, PhD Student at Vasyl` Stus Donetsk National University. Her areas of re¬search interests include cognitive linguistics, comparative linguistics and text linguistics.

Correspondence: gmv78492@gmail.com

Article.

References.

Література

Горелов, И.Н. Невербальные компоненты коммуникации. Москва: Книжный дом «ЛИБРО¬КОМ», 2013.

[Gorelov, Il'ja. Neverbal'nye komponenty kommunikacii (The Nonverbal Communication Compo-nents). Moskva: Knizhnyjdom «LIBROKOM», 2013. Print.]

Горелов, И.Н. Проблема функционального базиса речи в онтогенезе. Челябинск, 1974.

[Gorelov, Il'ja. Problema funkcional'nogo bazisa rechi v ontogeneze (The problem of the functional basis of speech in ontogenesis). CHelyabinsk, 1974. Print.]

Защиринская, О.В., Горбунов И.А. Эмоции в контексте невербальной коммуникации нор-мально развивающихся подростков и их сверстников с нарушением интеллекта. Вестник Санкт-Петербургского университета. 2009. Сер. 12. Вып. 3. Ч. II, 174–185.

[Zashchirinskaya, Oksana, and Ivan Gorbunov. Emocii v kontekste neverbal'noj kommunikacii normal'norazvivayushchihsya podrostkov i ih sverstnikov s narusheniem intellekta (Emotions in the context of non-verbal communication of normally developing adolescents and their peers with im-paired intelligence). Vestnik Sankt-Peterburgskogouniversiteta (Bulletin of the University of St. Petersburg). 2009. Ser. 12. Vyp. 3. CH. II, 174–185. Print.]

Лабунская, В.А. Экспрессия человека: общение и межличностное познание. Ростов-на-Дону, 1999.

[Labunskaya, Vera. Ekspressiya cheloveka: obshchenie i mezhlichnostnoe poznanie (Human Ex-pression: Communication and Interpersonal Cognition). Rostov-na-Donu, 1999. Print.]

Психология мотивации и эмоций / под ред. Ю.Б. Гиппенрейтер, М.В. Фаликман. Москва: ACT; Астрель, 2009.

[Psihologiya motivacii i emocij (Psychology of motivation and emotions)/ pod red. YU.B. Gippen¬rejter, M.V. Falikman. Moskva: ACT; Astrel', 2009. Print.]

Успенский, Б.А. Поэтика композиции. Санкт-Петербург : Азбука, 2000.

[Uspenskij, Boris. Poetika kompozicii (Poetics of composition). Sankt-Peterburg: Azbuka, 2000. Print.]

Чиркова, Е.И. Alteralingua. Язык художественных произведений: моногр. Санкт-Петербург, 2018.

[Chirkova, Elena. Altera lingua. Yazyk hudozhestvennyh proizvedenij (Altera Lingua. The lan-guage of art): monogr. Sankt-Peterburg, 2018. Print.]

Шелер, М. Положение человека в Космосе. Проблема человека в западной философии. Москва: Издательство «Прогресс», 1988: 31–95.

[Sheler, Max. Polozheniecheloveka v Kosmose (The position of man in space]). Problema che-loveka v zapadnoj filosofii (The Problem of Human in Western philology). Moskva: Izdatel'stvo «Progress», 1988: 31–95. Print.]

Abercrombie, M. The bases of the locomotory behaviour of fibroblasts. Experimental Cell Research 8, 1961: 188–198. Print.

Allen, R.D. A new theory of amoeboid movement and protoplasmic streaming. Experimenta lCell Research 8, 1961: 17–31. Print.

Allen, R.D. Motility. The Journal of Cell Biology 91 (3), 1981: 148–155. Print.

Ambrose, E.J. Themovementsoffibrocytes. ExperimentalCellResearch 8 (8), 1961: 54–73. Print.

Goldman, R.D. CellMotility. ColdSpringHarborConf. CellProliferation 3, 1976. Print.

Hatano, S., Ishikawa, H., Sato, H. CellMotility: MoleculesandOrganization. Tokyo: TokyoUniversityPress, 1979. Print.

Indyk, M. Badaczliteraturywobecjęzykoznawstwakognitywnego. RuchLiteracki 5, 1995: 633–645. Print.

Lakoff, G. Women, Fire, and Dangerous Things: What Categories Reveal About the Mind. Chicago: The University of Chicago Press, 1987. Print.

Lakoff, G., Johnson, M. Metaphors we live by. London: The university of Chicago press. 2003. Web. 20 Oct 2020.

Lakoff, G., Turner, M. More Than Cool Reason: A Field Guide to Poetic Metaphor. Chicago: The University of Chicago Press, 1989. Print.

Peachey, L. Conferences on Cellular Dynamics. New York Academy of Sciences Interdisciplinary Communications Program. New York. 1968. Print.

Pepe, F.A. Motility in Cell Function. New York. Academic Press, Inc., 1979. Print.

Roth, L.E. In Primitive Motile Systems in Cell Biology. NewYork. Academic Press, Inc. 527–546. Print.

Taylor, A.C. Attachment and spreading of cells in culture. Experimental Cell Research 8, 1961: 154–173. Print.

Tomkins, S.S. Affect, Imagery, Consciousness. The positive affects 1, 1962. Print.

List of Abbreviations

NVMC: non-verbal means of communication