PhaseTwo User`s Guide Audio Damage, Inc. Release 1.0

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If the SWEEP switches are set to different sources, then the two phase shifters will move independently. It allows you to assign a MIDI controller to the hidden Sweep Control. If their corresponding LED is illuminated, the phase shifter is turned on. If you have general questions about using plug-ins with your host, please refer to its documentation. It is not necessary to click and drag with the mouse pointer to rotate the control. When the switch is in the sine wave position, the Sweep Generator oscillator actually produces a triangle wave. The above warranty DOES NOT apply to any beta software, any software made available for testing or demonstration purposes, any temporary software modules or any software for which Audio Damage does not receive a license fee. Customer may make one (1) archival copy of the Software provided Customer affixes to such copy all copyright, confidentiality, and proprietary notices that appear on the original. The case has a socked for a microphone stand on its underside so that you can mount it at some convenient height and leave the foot switch on the floor. Its input is always connected to the plug-in’s left input and its output is always connected to the plug-in’s left output. SOME STATES DO NOT ALLOW LIMITATION OR EXCLUSION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES. in the mid to late 70s, is the most sought-after hardware phaser in existence. We assume that you are familiar with using VST and Audio Unit plug-ins with your particular host. This plug-in is a digital recreation of every aspect of the original Bi-Phase, complete right down to the foot pedal. For example, you can create tempo-synchronized sweeps by drawing appropriate curves, using the Sweep Control as the automation parameter. Important note for AudioUnit users: because of foibles inherent in Apple’s implementation of AudioUnits which receive MIDI data directly, the method described above is not implemented in the AudioUnit version of PhaseTwo. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Audio Damage, Inc. The orange numbers on the picture correspond to the numbers at the beginnings of the following paragraphs. ” If the switch is set to IN B, Phasor B doesn’t receive a signal at all and is effectively disconnected. The controls are grouped by their function, and the groups are delimited with rounded-corner boxes