Fall 2012 Syllabus

Lake Forest High School

New Media Production

Fall 2012

Instructor

Steve Douglass

Course Overview

This class will teach you how to tell stories visually, in a hands-on way that allows you to make people think, laugh or cry through the video production process. We will critique current media to better understand how story elements affect you as a viewer and producer of media. You will then have the tools to create your own meaningful creative media based on your new media literate understanding of how stories are told in our postmodern world.

Big Ideas and Goals:

New Media is based on Failing Fasts so you can learn quickly. I want you to take risks, try to solve problems, figure things out and share your experience in our safe classroom community. We learn best from our own experiences and I want you to grow quickly- so fail fast! We get to do that on the very latest platform for visual storytelling- FCPx and the Digital SLR. We are blessed. We have a professional level studio that provides the opportunity to tell compelling stories to our school community through www.lfhsnewmedia.com. We continued to build the digital portfolio process that helps students get into the top films schools in the nation. We continue to take part in the dual credit program with CLC, offering 4 free credits of college credit for A and B quality work. A lot of cool things are happening, so take advantage of it.

Materials Needed

  1. You will need at least 1 SDHC card for your personal projects by the end of September. We don't have a book, so this is the only class cost, unless you're late with equipment. You can buy SD cards (Class 6 minimum to work well in the cameras) in the bookstore at a substantially discounted rate- we buy them in bulk and give you the discount.
  2. I would suggest buying an External drive to store your video, take home to work and keep all of your work during your years in New Media. This enables you to continue to work and develop your projects as you grow more in your understanding of Final Cut Pro and Adobe software packages.

More Words o Wisdom…

  1. Please come in with clear expectations for what you want to get out of this class, yourself and me as an instructor…it will make your time investment much more enjoyable. If you need help, I’m available around my office- or just email me.
  2. Personally check out every piece of equipment with Mr. Douglass because you’re financially responsible for all school equipment you check in/out- LATE FEES for equipment will be strictly enforced because we have a very limited amount of expensive equipment we need to keep track of so everyone can use it. EACH LATE CAMERA WILL BE A $5 FINE.
  3. Challenge yourself to expand your ideas, if you come with something your passionate about, and you develop it well… I want to help you to make it happen.
  4. There are plenty of places to get involved to help clarify your passion, please be proactive and ask about live shoots, Scout Stories, independent projects, cross curricular projects, helping out Advanced and CP projects…

Telecom 1- 6

Tentative Course Schedule--Check class site for details from each project.

DATE TOPIC

Week 1 Introduction to Media Literacy— Drive

AP- Olympic Epic Story CP- Epic music based montage

Week 2 Understanding the Production Process

Week 3 How to: Field Production

Class project- Show N telling the production process together

Week 4 How to: Field Production

Week 5 How to: Edit in Final Cut Pro

Week 6 How to: Edit in Final Cut Pro

Week 7 How to: Introduction to Studio Production

AP/CP= 3 part series for the web

Teacher Interview Project

Week 8 How to: Live Production

Week 9 Editing Studio Interview down to a Rough Cut

End of 1st quarter

Week 10 Finishing Interview project

Week 11

1st= Music Video Project/Commercial

Week 12

Week 13

Week 14

Week 15

Week 16

Week 17

Week 18

End of the 2nd Semester *CP/AP projects

Telecom 2 and beyond- College Prep and Advanced Projects

College Prep (CP):

Shorter projects, averaging 4 weeks, are designed for students to be challenged at a high level, with minimal outside of class time needed, so they can grow in all aspects of the production process including: planning, shooting and editing. Project objectives include organization, responsibility with deadlines, working independently and within a team.

Students can choose CP projects and when they show consistent mastery, which will be determined by receiving an A for the complete project (pre-production, production and post-production). After two CP projects they will be given the opportunity to jump up to the Advanced Project.

Student taking on the CP projects will be responsible for 2 Live Production Shoots where they will take leadership by taking one of the key camera positions or directing the shoot.

Advanced Projects (AP):

Students who have mastered CP projects by receiving an A for the completed project will be given the opportunity to take on an Advanced Project which will challenge them with their time management, creativity and production ability. The student will be responsible for 3 Production Shoots where they will either Direct or work in the Control room to lead the crew.

This project-based curriculum will be structured around specific production skills that will prepare students for the Film School application process. Each project will include: Writing, Directing, Cinematography, Producing and Editing. Projects are expected to be of the quality to be shown on lfhstele.com, lfhs.org and on the LCDs around school. These will build their digital portfolio for college through the inclusion of all aspects of the production process (script, digital storyboards, production calender, rough cut, rough draft and final draft).

Teaching Assistants:

Experienced students in each class period will have the opportunity to volunteer to be a Teachers Assistant for their class and the program. These students will selflessly MODEL intrinsic motivation in their planning and development of their individual, group and live projects ideas. They lead their peers by example, demonstrating professionalism through every step of the production process with the ultimate goal of creating powerful visual storytelling.

For this program:

  • Students will co-facilitate a media literacy based discussion for the class at least once each semester centering around creative visual storytelling they find particularly profound, interesting or constructive for class discussion.
  • Work directly with 1st Semester students to help teach Final Cut Pro, direct ideation and the actual Studio Production and model on location shooting and directing for the music based project.
  • Lead individual 1st Semester students through commenting on their Digital Portfolio
  • Learn Final Cut Pro through watching additional How To videos to gain enrichment
  • TAs receive a custom recommendation for college, gap year or career
  • Access to Final Cut Pro while enrolled as a TA in the New Media Program
  • They get a really great New Media t-shirt at BOT the Friday night before Memorial Day

Epic Story Project

Assignment: Pick someone from the sports or clubs at LFHS and build their story into something that describes their team for the school.

Due: A 2-3 minute video that will be shared on the Athletics webpage that includes an interview and quality b-roll.

Goal: To follow the model of the inspirational stories we all watched during the Olympics every sport and activity around the school. To learn how to ask quality questions which will deliver interesting narrative for each sport or activity.

Pre- Production Process:

Tuesday August 28- Introduce project and brainstorm ideas

Wednesday August 29- Talk through possibilities, create partners and watch relevant examples

Thursday August 30- Watch and discuss Drive

Friday August 31- Select TAs, update ideation by watching examples

Tuesday September 4- Watch and discuss Drive

Wednesday August 5- Finish Drive

Thursday September 6- Drive Commentary

Friday September 7- Pitch-Proposal in class

Production Process:

Monday September 10- Production Schedule-

Tuesday-Thursday September 17-20 PRODUCTION SHOOTING

Friday September 21- Rough Cut Due with Mr. Douglass

Post- Production Process:

Monday September 24-editing

Tuesday September 25- editing

Wednesday September 25- editing

Thursday September 26- Rough Draft Due for peer critique Editing

Friday September 27- editing

Monday October 1- Editing

Tuesday October 2- Editing

Wednesday October 3- Final Class Critique Due to the Server by the end of the day

Thursday October 4- Class critique

Friday October 5- Final version up to lfhstele.com

Rubric-

Pre-Interview with your subject— 50 points

Pitch Proposal-- 25 points

Production Schedule— 25 points

Rough Cut in FCP-- 25 points

Rough Draft peer critique in FCP-- 25 points

Final edit due on time-- 100 points

TOTAL PROJECT 250 Points