By Noah Tench
At the end of the lesson, readers will be able to list some of the common practices adopted by music educators to deal with the COVID-19 pandemic.
At the end of the lesson, readers will be able to identify three ways Mrs.Moyer recommends teachers to deal with the digital landscape while teaching music.
Be aware of the struggles of students.
Be understanding of students.
Assume the best and ask questions.
I imagine most of you won't answer with "The Year 1812 Solemn Overture, Op. 49" by Tchaikovsky, unless of course, that's your sort of thing. (I don't judge). Now, while our musical tastes haven't changed over the last year from the pandemic- surely musical education has, and I'm sure many of you are curious as to exactly how it has shifted.
While you probably have an idea of what music education entails, there have been some major pedagogical changes from the forced shift to digital instruction. Because music is an often underserved discipline music education has been seeing an increase in usage of digital instruction, as evidenced by King (2017), especially for the subjects and skills that can be taught via digital means. These are the less playing focused aspects of musical education, such as: music history, music composition, and music theory.
According to a survey performed by Hash (2021), this trend of focus in digital instruction has been followed during the COVID-19 pandemic, as ensemble, or group, playing was used often by band directors only 4.7% of the time- which is a STEEP decrease.
This is a major departure from the norm! And instead many teachers shifted instead to using: practice assignments, music listening, music theory/aural skills, masterclasses or similar, and composition/arranging over traditional ensembles.
The numbers reveal that:
96.1% of teachers utilized practice assignments (ex. practice the instruments)
94% of teachers utilized music listening (ex. listen to a song, provide feedback)
81.8% of teachers utilized music theory/aural skills (ex. tell notes & pitches by ear)
69.5% of teachers utilized masterclasses or lesson videos to teach (ex. YouTube)
45.7% of teachers utilized composition/arranging (ex. writing a round or discuss purpose of a round)
Ensembles were only used by 30.8% of teachers; only 4.7% doing so often.
(Hash 2021)
We can see that ensembles have shifted from being the main instructional method to being very rare- and there was significant variance in what methods replaced ensembles. This is important to note, as with much in life, there is no "cure-all" solution for how to instruct students digitally, and under the immense stress from the COVID-19 pandemic there are many different solutions which may work.
But this begs an important question:
Mrs.Moyer was my orchestra teacher from 6th grade until I graduated from high school, and she has been teaching music for over 20 years! If anyone has an authority on the situation- it's her. With 20+ years of experience she has seen the full spectrum of music education and the full spectrum of the student-teacher interaction, which she said in the interview, she finds to be instrumental (haha) to the success of education during the pandemic.
Many of the same problems of digital learning plagued her classes as well; group performances and playing together through Zoom was difficult if not impossible, and the perennial student attendance and attention issues have only been exacerbated by the digital landscape. But many students have new stresses, from their other classes and family at home. One of the most important things a teacher can do is simply be aware of this! Mrs.Moyer mentioned that one of her high school students had sixty assignments for one class. (A. Moyer, personal communication, February 12, 2021). Teachers in the digital landscape should be aware of the stress that students are under, both from school, and from home, as any of the distractions that exist at home are now present in the classroom. Awareness of student wellbeing is key to education during the pandemic.
While knowing and being aware of what stress students are under and what's happening, it is another entirely to be understanding and work with students despite them. While not every student has been suffering, as Mrs.Moyer noted that the more quiet and reserved students have done better in the digital environment than other students (A. Moyer, personal communication, February 12, 2021). Being understanding of how students may be struggling and facing digital instruction is key to handling teaching online. Mrs.Moyer also said that one of the worst things teachers can do is be “black-and-white” when dealing with students (A. Moyer, personal communication, February 12, 2021). Working with and listening to students creates a more well-rounded and hospitable environment which is key to teaching during the pandemic.
The final point Mrs.Moyer advised is to do the opposite: always assume the best of students and ask them questions. All that assuming negative things about students does is creates more issues, with students and possibly with their parents, and even administrators as well. She said one thing she’s done which helped her immensely is simply to talk with the students about what works and what doesn’t for instruction (A. Moyer, personal communication, February 12, 2021). This is the culmination of the previous two ideas; being understanding and aware of students lends itself to assuming the best and asking questions. I believe that mutual understanding is perhaps the most important factor when it comes to teaching effectively during the COVID-19 pandemic.
In summary, music teachers have had to adapt to the digital landscape in varying ways. The main ways were:
practice assignments, music listening, music theory/aural skills, masterclasses or similar, and composition/arranging.
Mrs.Moyer also adopted many of these strategies, but she mentioned three specific things she recommends teachers do to maintain a healthy and balanced relationship with students:
To be aware of the struggles of students, to be understanding of students, and to always assume the best of students and ask questions.
I think that we as educators can learn greatly from this: the biggest takeaway specifically is to be understanding and flexible!
Which of the following instructional activities saw a major decrease due to COVID-19
a. Composition/Arranging
b. Ensembles
c. Music Theory/Aural Skills
d. Practice Assignments
Mrs.Marsh has a student who hasn't been submitting practice videos for a few days, what is the best way for Mrs.Marsh to deal with the problem?
a. Assume the student is being lazy, or doesn't care about their grade.
b. Ask the student why they haven't been submitting practice videos.
c. E-mail the student's parents about the situation, and explain that the student is being lazy.
d. E-mail the student's parents about the situation, asking them about why it's happening.
1) B. Ensemble.
Ensembles saw a steep decline because of technology difficulties, a lot of other methods grew in frequency and appearance! Those are the ones which are in bold.
2) B. Ask the student why they haven't been submitting practice videos.
"D." is a close second, and I think it would be beneficial if "B." can't happen- but direct communication and understanding of the student themself is crucial- give students the benefit of the doubt that you trust them to give an honest answer as to why, include them!
References:
Hash, Philip M., (2021). Remote learning in school bands during the COVID-19 shutdown. Journal of Research in Music Education, 68(4), 381-397. doi: 10.1177/0022429420967008
King, Fiona (2017). Music and arts education for generalist preservice teachers in distance learning modes: A reflective discussion about learning in the arts. Victorian Journal of Music Education, 2017, 11-15. http://web.b.ebscohost.com.proxy.lib.odu.edu/ehost/pdfviewer/pdfviewer?vid=7&sid=120739d3-e147-4597-a9fe- e9a36e984359%40pdc-v-sessmgr03