Teaching Art
Culture and Diversity in the Art Classroom
By: Jedara Reyes
Culture and Diversity in the Art Classroom
By: Jedara Reyes
Introducing yourself and your own background
Getting to know each students individual background
Understanding why some students may be unwilling
Stereotypes and myths
Creating a Eurocentric perspective only
Stopping at just what may be known to them, instead open their eyes to the unknown
Cultural Diversity according to Chalmers is " ...overlapping groups may be identified by ethnicity, gender, sexual orientation, age, geographic location and mobility, income, occupation, education..."
Diversity can be the defining characteristic in a child’s ability to be interested in a topic. If children are only seeing artists that aren’t similar to them they may feel as if they cannot be artists too.
Benefits students' understanding of each other’s different perspectives and ways of living. Students can better get along with their peers and prepare for the real world when they can understand, learn from, and appreciate each other for who they are.
Garber discusses the importance of straying away from homogenizing culture as this can lead to children feel they have to fit a Eurocentric norm rather than be individualized or as if they should feel ashamed.
My interviewee worked as a substitute teacher located in Emporia, VA. However, she has previously resided in Trenton, NJ. Tonya Grimes is 36 years old with a child of her own now attending college. She has had her fair share of teaching students in a classroom setting as well as teaching in her own home for her own child. She currently works as a Qualified Mental Health Professional and case manager. She is consistently studying what affects our brains to make us act the way we do.
Setting the tone by introducing your own culture and background to your students. This helps create a personal connection with them as well as it helps encourage them to feel more comfortable sharing with you about themselves. Once a relationship with the students is established the teacher can choose artists that are representative of those in the room. They can then move on to introduce new cultures that may not be present in the classroom but are present in the real world.
Teachers will have the opportunity to identify stereotypes and myths the students may be predisposed to. The lesson will then have space to combat these misconceptions and introduce truths. Grimes offers teaching students about times in which their community was/are discriminated against and compares that to other students in the room. This opens the discussion for similarities and differences between the students and can encourage empathy. Students will have the opportunity to unlearn bad thinking and learn actual diversity which will enrich their appreciation for others and inform the artwork they create and look at.
An unavoidable topic in art will be Eurocentrism. Most mainstream art is created by white artists however, people of color are making waves. Students will be able to understand the privileges that have been created in the art world that we are still moving away from. Historically, only white artists could exist as people of color could not even make it into the Fine Art realm without access to resources or being seen as academic enough to be an artist. Many people created art under other recognized artists because they could not release it on their own. Understanding the privileges there have been in the art world and what we have done to combat it may inspire them but can also increase appreciation for their favorite artists and art styles.
Incorporate historical works
Acknowledge students background knowledge (DeWilde)
Incorporate current issues and themes
Consider individual differences
After reviewing the information I’ve learned I believe that what the students gain from diversity in Art will benefit them in other courses as well as in the real world. Educators need to be able to create lessons that are inclusive to everyone in the room. We should always be focusing on making our society a welcoming place and that can/should start/ in the classroom. The teaching we instill in our students will remain with them as they leave us. Chalmers touches on how lack of recognition of artistic contributions has lead to active assaults of racism and prejudice. The sources I reviewed took a more academic approach to teach my topic while my interviewee took a more personal approach. I feel a mix of both will be useful as the too academic approach may feel robotic and unattached to the students while too personal maybe too small-minded or opinionated. At the beginning of my research, I only considered how this topic may affect my students as artists but as I continued on I was able to consider how this information could be applied in other content areas or to other students.
Question One: What can representation in the classroom do for a student?
A- Create disinterest
B- Allow them to see themselves in different positions
C- Distract them
D- Nothing
Question Two: What did Tonya Grimes say about Eurocentrism?
A- Europeans are bad
B- European art isn't good
C- Kid's should not make art if they aren't European
D- Kid's should think about the privileges that exist in art
First question- B Second question- D
References
Garber, E. (1995). Teaching art in the context of culture: A study in the borderlands. Studies in Art Education., 36(4), 218.
DeWilde, J. (n.d.). Celebrating Diversity Through Contemporary Arts. Philosophies. https://theartofeducation.edu/packs/new-celebrating-diversity-through-contemporary-art/
Chalmers, F. G. (1996). Celebrating pluralism: Art, education, and cultural diversity (Vol. 5). Getty Publications.