Georgian National Museum

Pin

Gold. Length 7.8 cm, width 5 cm.

Kvemo Kartli, Bedeni

Museum of Georgia

Archaeology

Second half of the 3rd millennium B.C

Lion figurine

Gold, height 4.1 sm

Kakheti, Tsnori

Museum of Georgia

Archaeology

Second half of the 3rd millennium B.C

Temple pendants

Gold, H 8.1 cm

Imereti, Vani

Museum of Georgia

Archaeology

First half of the 4th century B.C.

Openwork headdress

Gold, 6.6x6.5 cm

Imereti, Vani

Museum of Georgia

Archaeology

Second half of the 4th century

This magnificently wrought openwork ornament is the most impressive element of an elaborate headdress worn by the principal deceased from Grave 24. In technique and form, the piece is firmly rooted in local Colchian production. What makes the piece so fascinating, however, is its wide array of cultural influences.

Framed on three sides by rounded studs, the central area features a stylized stag and three smaller deer set around it––a motif also present in the gold work of the nomadic Scythians in the northwest. The piece’s openwork design recalls objects produced in Luristan in the southeast. Along the folded upper edge is a pair of outward-facing lions that, in composition, seem loosely related to Assyrian door guardians. Between them are three birds, a motif that occurs throughout ancient cultures, but which is particularly present in the goldwork at Vani. Several gold necklaces in this exhibition, for example, incorporate repeating pendants of birds.

As part of a larger headdress that included stylized griffin appliqués, diadem chains with pomegranate finials, temple ornaments, granulated tubular beads most likely worn at the forehead, pendants originally worn around the neck, this intricate openwork ornament most likely took the most prestigious position on the very top of the deceased’s head.

Bowl

Gold, diameter of 13.2 cm.

Imereti, Vani

Museum Museum of Georgia

Archaeology

First half of the 4th century B.C.

Bracelets

Gold

Imereti, Vani

Museum of Georgia

Archaeology

5th century B.C.

Stater.

Gold, colchin king Akes.

W - 8,45 gr; D -17/18mm.

Museum of Georgia

Numismatics

Beginning of the 2nd c . B.C.

Imitation of Alexander of Macedodon's stater.

Iberian Kingdom.

Gold. W - 2.38gr; D - 15/16 mm.

Museum of Georgia

Numismatics

The 1st c. B.C. - 1st c. A.D.

Wine, Worship and Sacrifice: The Golden Graves of Ancient Vani provides a rare glimpse into the ritual life of a major Colchian city. Spectacular finds from two sanctuaries and four tombs illustrate that Colchis was at the crossroads for many different peoples. Dating from the early fifth to the first centuries B.C., objects include silver drinking vessels, bronze and iron figurines used in religious ritual, and a splendid array of gold and silver jewelry. These archaeological finds clearly show that Vani not only maintained a coherent individual identity, but also possessed direct links with Greek, Achaemenid, Phoenician and even Nomadic cultures. Further, from the number of tomb objects related to drinking and libation, it is clear that wine played an important role in Colchian social and religious life.

Organized in partnership with the Freer and Sackler Galleries, this exhibition will be the first time that Colchian art and culture is presented to an American audience. The exhibition will open to the public at ISAW from March 12 - June 1, 2008. A day-and-a-half-scholarly conference will also be held at ISAW from May 16-17th where a group of internationally renowned scholars will present papers on a wide variety of topics including human sacrifice in the graves at Vani, to the important role that Colchis in general played in the development of viticulture, and technical innovation visible in Colchian gold and silver jewelry.

This event was made possible by the Ministry of Culture, Monuments Protection and Sport of Georgia, the Georgian National Museum and the Vani Archaeological Museum.

POLYCHROME PECTORAL WITH GRIFFINS AND BIRDS

From Grave 6, Achaemenid and Colchian, first half of the 4th century B.C. GNM: 11-974:13

This colorful pectoral exemplifies a remarkable confluence of cultures. It was found in the chest area of the principal deceased from Grave 6 – the honorand was a 25-year old woman whose rich funerary goods included Achaemenid (Persian) and Rhodian (East Greek) imports. In fact, it is the presence of the Achaemenid bracelets that suggest the dating of the grave to the first half of the 4th century B.C.

The pectoral consists of three distinct elements: 1) a gold fibula that attaches by means of a gold chain to a gold clip: 2) a trapezoidal pendant decorated in cloisonnes filled with glass, turquoise, and carnelian; and 3) long chains with pomegranate terminals.

The gold fibula attached to the gold clip indicates that this jewel was probably fastened to clothing – its granulation is of an Anatolian type. The trapezoidal pectoral seems related to Egyptian pectorals that were worn around the neck and featured a counterweight of a similar shape that hung at the back. The techniques and motifs are also Egyptian – an upper band of back-to-back griffins (with a lotus between them) and a lower band consisting of two birds, separated by alternating rows of triangles and discs. And yet the Persians also used this form and polychrome and the adoption of Egyptian motifs is typical of their production. Lastly, the hanging chains are common in Colchian jewelry and the pomegranate is a beloved motif of Classical jewelers.

It would seem, then, to be an Egyptianizing Persian pendant, adapted for Colchian use with the addition of the Anatolian fibula and the Colchian type chains terminating in Classical motifs.

Institute for the Study of the Ancient World, New York University. Wine, Worship, and Sacrifice: The Golden Graves of Ancient Vani. Treasures from the Republic of Georgia. March 12 - June 1, 2008