Reading. Unit 1. Send in the Clones
Дата публикации: Mar 13, 2014 11:22:37 AM
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It's a hot evening in a small town in the English Midlands. And as the live band plays the first bars of the song ‘I Bet You Look Good on the Dance Floor’ at a local club, things are getting very warm indeed. Out on the dance floor, in the middle of a steaming crowd, a couple of dozen young men are hurling themselves around in time to the music, sending glasses and Coke bottles flying. As the song finishes, the club owner takes to the stage and appeals for calm. 'It's a great set by a great band, lads, but let's chill out a bit, eh?' It is, in short, what you might expect from a live performance featuring the music of one of Britain's most explosive rock outfits. Except the musicians on stage are not the Arctic Monkeys, the Internet phenomenon. They are a tribute band called the Antarctic Monkeys, four young men giving a musical impression of the real thing. 'We have a band of our own called Ryde,' says the Antarctic's Ian Fletcher. But we couldn't get gigs. And when we did, they always said: "Do you do covers?" We were sitting around thinking about how we could get out there and play, and someone said: "Why don't we do a Monkeys tribute?" We all love their music, so we did.'
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After two weeks' close study of the Arctic-Monkeys' debut album - Whatever People Say I Am, That's What I'm Not - Fletcher and his friends had perfected the sound to the point where only the most highly trained ears could spot the difference. 'Venues like us to play for an hour,' he says. 'But the original album only lasts 43 minutes, so we play a couple of songs twice.' And it goes down a storm. Arctic's fans, some so young they are accompanied by their parents, sing along to every word’. That's the thing about tributes,' says club-owner Julian Harkins, whose stage echoes to soundalikes every night of the week. 'In the audience, there's no holding back waiting to see what happens. These are diehard fans. From the first bar to the last, they're really into it.'
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The spread of the pop faker is by no means restricted to the English Midlands. Check out the live music listings of any UК local paper and you'll find them stuffed with groups like Alike Cooper, and Cheap Purple. All offer not just splendid names, but pitch-perfect facsimiles of the genuine article. Such is the growth of the musical copycat business, there's even an annual festival. Here you can watch an ersatz Freddie Mercury, Marc Bolan and Jimi Hendrix twang away for not much more than the cost of a couple of coffees. Not a bad deal, given that you'll never have a chance to see the originals.
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In a documentary, ‘Send in the Clones’, to be broadcast later this month, the journalist Andrew Collins traces tribute bands to a failed Beatles musical in the late 1970s. Out of the ashes emerged the Bootleg Beatles, who have now made a 25-year career out of impersonating the most famous band of the 1960s. 'It's like time travel. It's a snapshot of the band as they were at their peak. You can walk into a small unpretentious live music venue and see someone pretending to be the Rolling Stones as they were in the 1960s. Go along to the genuine Rolling Stones gig and you'll see the real thing in their sixties. It's a big difference.'
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In a sense, even the Antarctic Monkeys are hailing back to a lost time, the days when the Arctic Monkeys themselves emerged in a small venue in Sheffield in the north of England, rather than playing domes in America. It may have been only a few years ago, but it's still a time that will never come again. Collins continues: 'There's an old rock journalists' idea of authenticity which can veer towards snobbery,' he says. 'The thing about tribute bands is they take the snobbery' out of it. These are cabaret acts.' Indeed, such is the surreal spin of the genre, the world's most successful tribute band is no longer a singular item. Bjorn Again, the Australian impersonators of the 1970s Swedish group Abba, have five or six versions of themselves touring the globe at any one time. They have become a franchise. So what do the originals think about it all? The Bootleg Beatles played at the 50th birthday party of Pink Floyd's David Gilmour, and among the guests was George Harrison. The real Beetle was introduced to his imitators after the show and was very complimentary.
In which section is each of the following mentioned?
Вопросы:
1. Почему основное повествование в Present Simple?
2. Out on the dance floor, in the middle of a steaming crowd, a couple of dozen young men are hurling themselves around in time to the music, sending glasses and Coke bottles flying. Как переводить? В стороне от сцены, на танцполе, в середине разгоряченной толпы, пара дюжин молодых людей колбасились в такт музыке, перебрасываясь(?) стаканами и бутылками с Кока-колой. Тему агрессивной толпы надо еще как-то засунуть.
3. They are a tribute band called the Antarctic Monkeys, four young men giving a musical impression of the real thing. Как переводить? Эти четверо молодых людей - кавер-группа Антрактик Манкиз, играющая не хуже оригинала.
4. That's the thing about tributes,' says club-owner Julian Harkins, whose stage echoes to soundalikes every night of the week. Как переводить the thing about tributes? Вот таковы кавер-группы.
5. All offer not just splendid names, but pitch-perfect facsimiles of the genuine article. Как переводить? Все они предлагают не просто выличесвенное имя, но и (pitch-perfect?) точные копии исполнения оригинальных произведений.
6. Here you can watch an ersatz Freddie Mercury, Marc Bolan and Jimi Hendrix twang away for not much more than the cost of a couple of coffees. Twang away - дергающие струны/бренчащие?
7. Not a bad deal, given that you'll never have a chance to see the originals. Не плохая сделка, учитывая что вы никогда не увидите оригинал.
8. Как переводить название 'Send in the Clones’?
9. the journalist Andrew Collins traces tribute bands to a failed Beatles musical in the late 1970s. Musical - это существительное?
10. Out of the ashes emerged the Bootleg Beatles, who have now made a 25-year career out of impersonating the most famous band of the 1960s. Эмфатическое инвертирование?
11. In a sense, even the Antarctic Monkeys are hailing back to a lost time, the days when the Arctic Monkeys themselves emerged in a small venue in Sheffield in the north of England, rather than playing domes in America. Как переводить hailing back? привет из прошлого?
12. It may have been only a few years ago, but it's still a time that will never come again. Зачем тут перфектный модальный глагол?
13. 'There's an old rock journalists' idea of authenticity which can veer towards snobbery,' he says. 'The thing about tribute bands is they take the snobbery' out of it. These are cabaret acts.' Что такое тут snobbery? снобизм не очень подходит.