Steve McCurry is an acclaimed American photojournalist known for his powerful, human-centred imagery and vibrant use of colour. Born in Philadelphia, McCurry began his career in photojournalism after graduating from Pennsylvania State University and quickly rose to international prominence with his coverage of the Soviet invasion of Afghanistan, during which he famously disguised himself in local clothing to cross the border undetected.
Journeys In Artistry (n.d) McCurry: Pictorial Storytelling, URL
McCurry’s work spans decades and continents, capturing the lives and struggles of people in conflict zones, remote villages, and bustling cities. His most iconic image, Afghan Girl (1984), became one of National Geographic’s most recognisable covers and a symbol of displaced populations around the world. Renowned for his storytelling through portraiture and richly composed scenes, McCurry has received numerous awards, including the Robert Capa Gold Medal and multiple World Press Photo awards. His photographs have been exhibited globally and continue to influence both documentary photography and visual storytelling.
National Geographic (2017) Famed 'Afghan Girl' Finally Gets a Home, URL
A celebration of the timeless act of reading – as seen through the lens of one of the world’s most beloved photographers
Young or old, rich or poor, engaged in the sacred or the secular, people everywhere read. This homage to the beauty and seductiveness of reading brings together a collection of photographs taken by Steve McCurry over his nearly four decades of travel and is introduced by award-winning writer, Paul Theroux. McCurry’s mesmerizing images of the universal human act of reading are an acknowledgement of – and a tribute to – the overwhelming power of the written word.
About the Author: Steve McCurry has been one of the most iconic voices in contemporary photography for more than thirty years.
Booktopia (n.d) 'Steve McCury - On Reading' URL
What does McCury communicate about reading through his series?
Using the AIMMEE framework, what parts of 'Make' are the same in each of the images? Which parts are similar? Which parts are entirely different?
How does this help us to identify the intention of this narrative series?
Steve McCurry (2012) Umbria, Italy, Magnum Photos, URL
Subject:
A woman with hair tied up, wearing a casual dress, is seated and reading a magazine.
Her body language shows she is calm and fully engrossed in the book, ignoring her surroundings.
The oversized skeleton feet sculpture looms large beside her, dominating the space.
Background:
A textured brick museum interior featuring a large, faded green door.
The space is old and worn, contributing to a timeless or traditional aesthetic.
Despite being a modern setting, it appears ancient due to the materials and lighting.
Props & Objects:
Calamita Cosmica skeleton sculpture, only the feet are visible.
Chair and magazine — simple, everyday objects that contrast with the surreal skeleton.
A block (possibly a stone plinth or part of the exhibit) next to the woman.
Museum safety signs and door handle visible on the door behind the skeleton.
Actions:
The woman is reading, completely absorbed and passive.
There is no interaction between her and the sculpture, which adds to the surreal tone.
Lighting:
Natural light likely coming from a skylight or window, suggesting outdoor conditions inside.
Warm tone — soft yellow and pink hues.
Light hits the woman and the skeleton evenly, creating a peaceful and calm effect.
Camera Settings:
High aperture (small f-stop number): Allows for deep focus — everything in the frame is sharp, from the foreground sculpture to the background.
Emphasises texture in the bricks and the skeletal feet, making the space feel tangible and immersive.
Compositional Tools & Colour
Rule of Thirds: The woman is placed off-centre in the bottom-right third.
Leading Lines: The skeleton’s legs and feet guide the viewer’s eye directly to the woman.
Balance: Visual weight is shared between the large feet and the small figure of the woman, creating a thoughtful contrast.
Warm colour palette: Muted reds, yellows, and greens give a vintage, calm, and reflective tone.
Angles:
Slight high angle / eye-level hybrid: Creates depth and perspective.
The viewer’s eye is drawn from the skeleton’s toes up to the door and then across to the woman.
Setup Choices:
Positioning of the camera to align the green door behind the skeleton, adding to the symmetry and contrast.
Deliberate placement of the woman far enough away to make her appear small next to the feet, enhancing the contrast in scale.
Likely a planned moment — waiting until the woman was fully engrossed in reading to capture the calm atmosphere and intended message.
Once you've annotated an image, you can turn this information in to a paragraph. The reason we do this is that sometimes annotations help us to be more descriptive and think more visually but when Photography is shared in Art galleries, blogs and books, images are frequently accompanied by statements. It also helps you to structure your thoughts in an ordered way so that others can understand your understanding.
In McCurry’s photograph taken in Umbria, the central subject is a woman seated casually on a chair, completely absorbed in reading a magazine. She is positioned next to a pair of enormous skeleton feet from the Calamita Cosmica sculpture, which dominate nearly half the visual space. The scene is set within a quiet, brick-walled museum interior featuring a large green door that adds depth and contrast to the composition. The old, textured walls and towering door evoke a sense of age and tradition, even though the photo was taken in a modern context. The warm, natural lighting softly illuminates both the woman and the sculpture, creating a peaceful, contemplative atmosphere. By showing the woman unbothered by her surreal surroundings, McCurry invites the viewer to reflect on the absorbing power of reading and the contrast between personal focus and the unusual surroundings.
McCurry likely used a high aperture setting to ensure sharp detail across the entire image, capturing the rich textures of the brickwork, sculpture, and museum space. The photo also appears to use a fast shutter speed, freezing the stillness of the scene without any motion blur. Compositional tools such as the rule of thirds and leading lines are employed to guide the viewer’s eye from the skeleton’s feet toward the woman, who sits in the bottom-right third of the image. Despite occupying less visual space, she becomes the focal point due to her placement and stillness. The camera is positioned at a slightly high or eye-level angle to establish depth and perspective, allowing the full scale of the skeleton and the intimacy of the moment to coexist. These visual choices work together to communicate a calm, immersive experience of reading in the strange setting.
When you've mastered describing in the detail, the next step is 'analysing.' This is where you consider the purpose and deeper meaning behind visual choices. A step beyond that is to 'evaluate,' which is where you offer a perspective on whether a photographer has achieved their intention. The questions below can help you expand this in to an additional paragraph.
What might the audience think or feel in response to the photo?
What themes or meaning are present in the photo / What might the photographer's intention be?
Is this an effective narrative series that conveys its intention? Do you like it? Why or why not?
In McCurry’s photograph taken in Umbria, the central subject is a woman seated casually on a chair, completely absorbed in reading a magazine. She is positioned next to a pair of enormous skeleton feet from the Calamita Cosmica sculpture, which dominate nearly half the visual space. The scene is set within a quiet, brick-walled museum interior featuring a large green door that adds depth and contrast to the composition. The old, textured walls and towering door evoke a sense of age and tradition, even though the photo was taken in a modern context. The warm, natural lighting softly illuminates both the woman and the sculpture, creating a peaceful, contemplative atmosphere.
McCurry likely used a high aperture setting to ensure sharp detail across the entire image, capturing the rich textures of the brickwork, sculpture, and museum space. The photo also appears to use a fast shutter speed, freezing the stillness of the scene without any motion blur. Compositional tools such as the rule of thirds and leading lines are employed to guide the viewer’s eye from the skeleton’s feet toward the woman, who sits in the bottom-right third of the image. Despite occupying less visual space, she becomes the focal point due to her placement and stillness. The camera is positioned at a slightly high or eye-level angle to establish depth and perspective, allowing the full scale of the skeleton and the intimacy of the moment to coexist.
When viewing this image, the audience might feel curious, calm, or even amused at the surreal contrast between the oversized skeleton and the woman’s peaceful focus on her magazine. The photograph explores themes of focus, distraction, and the power of reading to transport us beyond our surroundings. By showing the woman unbothered by her strange environment, McCurry encourages audiences to reflect on the inner world created through reading. As part of a narrative series, this image is effective because it presents a memorable and unexpected visual moment while capturing a universal experience, being lost in a book.
Create a new page under 'Class Projects' called 'On Reading Annotate.'
Select one of the images above from Steve McCurry's 'On Reading.'
Use OneNote or kleki.com to annotate the 'Make' and 'Method' elements
Take a screenshot of your annotations and insert it in your portfolio
Complete previous steps
Provide written answers to the previous questions:
-What does McCury communicate about reading through his series?
-Using the AIMMEE framework, what parts of 'Make' are the same in each of the images? Which parts are similar? Which parts are entirely different?
-How does this help us to identify the intention of this narrative series?
Complete previous steps. Turn the sections you have created in to a paragraph. How has the image used parts of 'Make' and 'Method' to communicate an intention? Was it successful? Why?
Your topic sentences should introduce Steve McCurry and his work.
Provide multiple APA references