How has shutter speed affected the images below?
Long-exposure photography is a technique that involves capturing an image over an extended time.
By dialling in a shutter speed that lasts 1/30s, 1s, 10s, or even an hour, it’s possible to render moving subjects as beautiful blurs while keeping stationary subjects tack-sharp.
It’s all about controlling the amount of time the camera sensor “sees” the world.
Below are four different ways that long exposure can be used in an image
Long exposures are a technique used in nature photography to capture images that convey movement and time. They involve keeping the camera's shutter open for an extended period, typically several seconds or more, to allow more light to enter the camera and create a blurred effect. This technique is often used to capture flowing water, star trails, and cloud movement, among other natural phenomena.
To create long exposure images, a photographer place the camera on a tripod and loosen the required section in order to pan the camera left to right but not up and down. They can then focus on the vehicle and pan around whle shooting on a low shutter speed. This will create motion blue in the background while the subject remains in focus.
Photographers will create supernatural photos but setting a camera up on a tripod so it will remain still. These can be created in dark conditions the easiest but can still be achieved in an outdoor, day time setting if something dark and sheer is placed over the lens or the ISO is adjusted to compensate for the extra light that comes in to the lens when shooting for a long duration. Subjects entering and exiting the scene will appear transparent. A subject shaking their head can obscure their face to appear creepy. Expressions and body position are key in this type of photograph.
To create a light painting image, a photographer will find a dark location and set the camera up on a tripod completely still. They may use a torch on their subject to use the auto focus on the camera and start the photo. Once the shutter has opened, the subject or another can person can use a torch or light to create words, abstract shapes, outlines or to create a shape that makes sense in the scene (for example wings or an energy orb that someone is throwing).
Light Painting Instructions
Working in groups of 2-3, you will alternate between he following roles:
A)Photographer
B) Lighting person
C) Model
D) Light (Lightsabre, Phone torch - Phone light can be coloured by putting clear tape over it and colouring with a texta)
You will need a camera, a tripod and a light. Set up your tripod 3-5 metres from your subject. You may choose to do a whole body or waist up shot. You will need a dark room to shoot in.
Camera settings:
-Manual mode (M)
-ISO to 200
-F stop low (around 4-6)
-Shutter speed 5-30 seconds.
Safety Considerations
When working in dark environments, be careful about where you have placed the tripod and camera and where your group members are.
If completing this task in class, follow the rules that the teacher has outlined for the location you are in. Remain within the perimeters you have been told to complete this activity within.
Do not deliberately shine a light right in someone's eyes, particularly in a dark environment.
Failure to follow safety instructions will result in a meeting with your teacher and the head of Arts. You will need to complete a safety reflection to be allowed to participate in Photography practical work again.
Student Work
Ash, 2024
Dylan, 2025
Lucia, 2024
Kiera, 2025
Summer, 2025
Use the QR code to open this page on your phone to remind you of the settings & instructions.
With room lights on:
-Set up tripod 3-5 metres from subject (can be whole body or waist up)
-Use auto focus on lens to focus on subject
-Place marker on ground for model to return to
-Switch lens to manual mode (it won't be able to autofocus in the dark)
With room lights off:
-Model strikes a pose
-Photographer alerts model / team when exposure has started
-Model / team create light effects (e.g. making wings or a lighting aura).
-Photographer alerts team when exposure is complete
Cycle through the members of your team, taking on different roles. As the photographer, aim to get three different final long exposure images.
Troubleshooting:
Too bright? Lower the shutter speed
Too dark? Lengthen shutter speed or increase ISO
Lighting shape is weird? Instruct your lighting person on how to improve
Tertiary: Provide at least three final images (that you directed / took)
Accredited: Provide at lest two final images (that you directed / took)
Both:
-Note who your directors / camera operators / lighting people / models were and how they helped create your image
-Include notes on camera settings and what you learned or demonstrated through this activity
Tertiary: Provide at least five final images
Accredited: Provide at least three final images
Both: Include contact sheets with annotations on which ones were successful / unsuccessful and explain why.
Tertiary: Use the questions below to construct a reflective paragraph on this task.
Accredited: Answer all of the responding questions below.
Responding Questions
What type of long exposure images did you create?
How did you create the images you made (e.g. set up and camera settings)?
Which of your images do you believe was the most successful? Why?
What changes did you make along the way to improve your images along the way?
In what contexts are long exposures used and why?