nails and wood
hackdriver
flips the lever,
lowers his cap,
drags from his fag
smacks his mom's tattoo, and
throws it into drive.
the way uptown,
he glides her past powerful narrow canyons,
forgetting about the Sarahs or Bernices
who he mounted like a tortoise,
quickies twice a day
his meter’s runnin on overtime.
so we rode together in his backseat,
our scrapbooks selling our obvious simplicity,
announcing our souls for sale
in this abstractexpressionist City,
where Italians and Jews get tossed out of Rikers
set off into the blue and dark bloody avenues,
Romans without Jewish slaves to bathe them,
to jerk them off after another crucifixion goes down on Broadway.
rare marbles we are,
colliding in the playgrounds of Murray Hill and Duffy Square,
driven by these hacks posing as bodyguards,
lugging our minds and bibles of fire,
yellow hacks lurking on every corner like fireants,
hammering and nailing down coffins
striking anywhere matches
soaking up backseat babble like jealous lovers.
and hackdrivers crucifying passengers,
nailing us up
then undoing the handcuffs
until it's our time to crucify them,
that instinct getting swapped,
that desire for violence,
that polluted barnyard ritual
of stuck pigs stolen from their homes
then donated to soldiers of wood and nails,
hammers and gasoline,
dog mounters on frozen backs
standing, sitting, or prone,
dodging no punches,
until lost we are in the arena,
so lost we are in Midtown.
and when we finally get pinned
he keeps it right there,
mounts us right there,
using his teeth to tear apart our wombs,
his foreign mythologies and breath to whittle away at our tongues,
hacking us up into pieces,
a butcher or surgeon wielding a blade,
fisting it longer,
just a little while longer,
only to drive it in again
deeper this time.
then uptown somewhere,
he dumps us, used up, spent,
broken and splintered,
and flagging down his next fare,
pulls down the meter lever
that drives that fury
balancing his life
between the nails and the wood.
NYC, '83