Book review

Stephen taught us that children have to grow into their imaginations like a pair of oversized shoes.

Bestseller horror novelist Stephen King reminds us why he’s a bestseller in the vivid, frightening 416-page tale The Shining. The Shining revolves around 5-year-old Danny, mother Wendy, and father Jack Torrance, a recovering alcoholic and new caretaker for the Overlook Hotel. As the off-season begins and the snow settles in, the three are left isolated for months on end. What was meant to be a chance to start anew develops into something much more sinister; with every passing day, the three become increasingly more aware of a dark presence in the hotel, magnified by Danny’s ‘shining’ - a knack that grants physic abilities.

King’s writing is excruciatingly detailed and at times quite graphic, depicting scenes of sex and violence; throughout, King breaks off into many - some would say verbose - tangents, comprised of memories, comparisons - in all, introspection. Though time-consuming, the content provided in these moments is more often than not interesting, relevant and necessary to progress the plot and build realistic characters.

All three characters have incredible depth; Wendy is more than just Jack’s wife - she is a woman, who, in a declining relationship is torn between what is best for her and her son; she is a woman afraid of failing as parent, like her own mother believed she would; she is a woman who wholeheartedly loves her family but is still quietly jealous of the close bond between her husband and son. Wendy is real. King plays with your emotions, laying out characters with faults yet still managing to inspire pity, sorrow, and fondness as their roles evolve. Additionally, King has developed a sense of realism in the characters interactions with each other. One (of the many) scene(s) that makes me physically ache takes place in chapter 9; Danny asks “What’s R-O-Q-U-E, daddy?” To which Jack replies “A game...I’ll teach you to play it, if you want.” (68) Though the dialogue itself reveals little, this chapter is significant in its dedication to the Torrance family dynamic post-alcoholism, pre-hotel - a time in between; here, yet untainted by their stay in the Overlook, Wendy and Jack are young, innocent, and in love again, and Danny is elated. It doesn’t seem like a particularly large moment, but it, alongside many others, amount to much in developing the characters.

The Shining explores various forms of abuse. In one instance, abuse, of the physical variety, can be found in Jack’s father unto his mother, evolved into anger issues and eventual alcoholism - major plot points for the novel. Alcoholism in itself devolves into a dozen other issues - jealousy, anger, suspicion, distrust - all contributing to the rise and fall of the three main characters.

King manages to uphold a tense and urgent atmosphere, increasing as the situation within the hotel becomes direr. The climax of the novel is absolutely enthralling, and more than once I found myself absolutely terrified for the characters. The resolution was quite satisfactory and filled me with almost as much relief as it did sorrow, from both the means by which they reached a resolve and the sheer fact that the novel was almost complete. Nevertheless, the conflict was dealt with incredibly well. I won’t go into detail, however, lest I spoil it for potential readers.

The Shining is one of my favourite novels - interesting, well-written and emotionally distressing. Though I would advise it for mature audiences only, if you’re a fan of Stephen King, interested in long-winded introspective paragraphs, the supernatural, complicated family relationships or are seeking an absolutely electric tale, The Shining may be the novel for you.

Over and out, Mk Lns.

-M Lansley, Year 10

Stephen King, Author