A number of Japanese words related to sumi-e have been used in this course. It is not necessary that you know what they are in order to be a successful sumi-e artist, but learning them will facilitate communication. This is a review of the most important words that have been introduced so far, organized by category to facilitate learning related groups of words.
sumi black ink (One of the Four Treasures)
gansai colored ink
sumi-e
- or -
suibokuga black ink painting
suzuri Ink grinding stone (One of the Four Treasures)
fude brush (One of the Four Treasures)
washi rice paper (contains no rice) (One of the Four Treasures)
fudemaki roll-up brush storage container, traditionally made of bamboo reeds bound together
sensei teacher
chokuhitsu vertical stroke
sokuhitsu slanting stroke
nōboku dark sumi
chūboku medium sumi
tanboku light sumi
senbyō-hō
- or -
kōroku-hō painting with lines like outlining or sketching
mokkotsu-hō boneless (without lines) painting
kōrokutensai-hō senbyō-hō combined with mōkkōtsu-hō;
it doesn't matter which comes first
sanboku-hō the loading of three shades if sumi on a brush
genpitsu-hō minimal strokes
teitōsobi-byō nail head and mouse tail technique
shinten heart dots; used for orchid stamens
tarashikomi application of drops of ink on wet, previous painted, washi
shikunshi
The Four Gentlemen: four classic painting subjects representing four seasons; orchid (spring), bamboo (summer), chrysanthemum (fall), plum (winter)
kaisho block script: used for everyday writing
gyōsho semi-cursive script: simpler and softer form of kaisho
sōsho cursive script: beautiful but hard to read writing
tensho seal script: used for hanko (signature blocks)
reisho clerical script: used for newspaper names and stone writing (e.g., grave markers)