The Raven's Book Club
They Both Die at the End is Overrated
Tamima Rashid
The Raven's Book Club
They Both Die at the End is Overrated
Tamima Rashid
I haven’t gone more than a week without someone recommending We Both Die At The End by Adam Silveria to me. Everywhere I turned I heard of the story of a teen boy, Mateo Torres, who discovers he will die within twenty-four hours thanks to an app called DeathCast. Using the app LastFriend, he spends the day with a stranger—Rufus Emerterio. I was captivated by how the title reveals the ending, urging the reader to look beyond the outcome and instead focus on the development of the story.
A few good things about They Both Die At The End are the characters themselves. Mateo’s growth in the book is exponential and is directly tied to the main themes of the book — living your life to the fullest, and how death changes people. He starts the book as a tentative teenager. He doesn’t lose his anxiety, of course, but he lets go on his last day of living. Rufus, on the other hand, is brash, intensely loyal and reckless. When he learns he will die, he accepts his fate instantaneously. The two characters are so well-constructed, they pop off the pages when you read. They have vibrant backstories and real connections with each other. More than the romance and even the revelation of their impending deaths, the friendships are what impacted me the most.
Revealing the end of the story from the beginning made the plot seem riveting. However, besides the ending and premise that is introduced to the reader before they even open the book, there isn’t much driving the story forward. The middle of the story—the only piece that is left unknown to the reader—is mostly small misadventures with no real impact. Little to nothing happens in the book that would shock the reader. In other words, there are no twists or surprises. The writing style irks me to no end. I have a personal vendetta against books with little to no description of their characters or surroundings. I can appreciate how the author writes in the colloquial way that the average person’s thoughts would sound, but it lacks the depth and detail that makes a novel different than a story a friend would tell over lunch. With this, paired with chapters from the perspectives of nearly every character mentioned, I found it hard to stay invested in the story. Overall, the novel itself leaves room for improvement. The “carpe diem” moral of the book is over-exhausted and cliché. If the writing was more immersive, or the romance more captivating, it might have saved the book for me.
The core flaw in this book is how quickly everything develops, while still being mostly filler. Although I knew immediately from the synopsis that the two main characters, Mateo and Rufus are going to end up together, the author makes their relationship seem desperate and more as if Mateo wants someone to be with—not Rufus. Perhaps this was intended—knowing you will die soon makes everything desperate—but it didn’t quite sell me. Their relationship hints at being nothing but platonic until one chapter, Mateo is suddenly fascinated by Rufus’ eyes. There is no build-up or tension to make the readers excited for them to suddenly confess they have fallen in love in less than a day. Their bond is that of people who are going through something hard together, not love. If Adam Silveria had spent more time showing their feelings develop and establishing a genuine connection, I could root for the couple despite how little time they had together.
Even though the concept, constant recommendations, and pop-art book cover make the story seem worth a read, They Both Die At The End is more than underwhelming. Although I think this story had potential, the book itself fell flat. I urge you to read it regardless; even though everything about it made me frustrated, I enjoyed the ride anyway.
Page layout by Puneet Singh