The garment was first inspired by Rafflesia, as the Rafflesia reminds me of Sarawak. The top is from Marik Empang, an accessory in Iban dress, usually to cover the chest. It was meant to form a circle, just like Iban people join hands in a circle while dancing. Instead of using beads, paper is used to hold out the shape, to create a sense of distance from other people.

Then the entire dress and inner top was from the Hundred Wishes Quilt, a quite famous blanket in Chinese tradition.

After that, comes to the sleeve on the right hand. Referring to the Kaul festival by Melanau people.

The headgear as well was inspired by the musical instrument, Sapeh. Two long string on the headgear is designed based on the origin story of the carving on Sapeh.

Therefore, the whole dress was infilled with stories, traditions, habits, and so on of Sarawak people, which is why it was named with Red Thread of Fate, meant to hold the people altogether and to emphasize the concept of: Diversity can because of unity.

A pavilion, a pathway that is half translucent, with vibrant colours that stands out in the street. Shadow projected on ground directly become a red carpet for all passers-by. The pavilion is designed not only to showcase the garment but also to become a photography muse for interaction and relaxation. The pavilion is opened both space with elongated pathway, purposely for pause and contemplation, to take a break from hustle and bustle.

Bamboo and steel are used to create the presence of nature in the middle of city. With the random organization with planter box and other different installation social interaction is achieve while provide a place for healing by using simple materials and element.