Deliverables

• STILLS - You must come back with a series of high-res stills from your shoot and a well thought out thumbnail for YouTube. This can determine how many views your piece gets online. To see a good example of stills collected in the field for a piece, click here.
  • Note: If your piece is sponsored, check with your project manager to see if there are any requirements for stills, or what kind you should be getting, etc.
  • If you are shooting talent you should be coming back with several stills the site can use overall, all media, in perpetuity.
  • Examples: Good + Ba
• CORRECTLY LABELED MEDIA
  • Label your cards with camera types/angles and/or audio along with dates. It might help to use your project's abbreviation, for example: If you are filming for KETAMINE with two cams. Label it as: KET_CAMA_2/15/17 and the next card as KET_CAMB_2/15/17. So Project Abbreviation_Cam Angle_Date shot. This will help post. See full naming convention policy
• Technical QC Deliverables
  • Checks for picture & audio integrity
  • PATHS TO DELIVERABLES
    • BROADCAST WITH SUBS:
    • CLEAN SPLIT:
    • BROADCAST NO SUBS:
    • PROJECT FILE:
    • PRE-MIX SEQUENCE:
    • PREVIEW LINK: Example

For R&C

• RELEASE BINDER
  • Includes:
    • Personal Releases (and on-camera video uploads)
    • Location Releases
    • Photographs of any Blanket/Wide Area Releases
    • Archival Licenses
    • Music Licenses
    • Any/all email correspondence with Legal counsel concerning approvals / Fair Use

MUST provide English translations of any music/archival licenses

• REDSHEET
  • Lists all rights & clearances associated with video
• MUSIC CUE SHEET
  • Track information about music in video

For Social

• Social cuts need to also have the same deliverables (BDCAST, CLEANSPLIT, PROJECT FILE) for delivery
• Learn more on post for editors - Social Video page

For Short-Form

• See Short Form page for:
  • Delivery specs
  • After affects guides
  • Clean split instructions
  • Common QC issues

UPDATED 3/17