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From Charlie Kirk To 9/11, JFK And Titanic, Fake Nukes Phil Demolishes The Mega Psyops 

https://www.bitchute.com/video/no0Ia0K4WFXE 

This audio presents a conspiracy theory suggesting that the collapse of World Trade Center 7 on 9/11, along with the recent "assassination" of Charlie Kirk, were staged events. The speakers propose that both incidents, and numerous other high-profile events like the JFK assassination and the Titanic sinking, were hoaxes orchestrated by a powerful, hidden elite to manipulate the public and achieve political goals. They emphasize that genuine deaths in these scenarios are rare or non-existent, often replaced by crisis actors and CGI fakery. A recurring motif is the presence of symbolic "33s" and other "Easter eggs" left by the orchestrators, serving as a litmus test to see who discerns the deception. The core purpose of these alleged hoaxes, according to the speakers, is "trauma-based mind control", generating "order out of chaos" to advance agendas like discrediting white males and destabilizing Western nations through mass immigration, all while enriching a shadowy financial network. 

Discuss 9/11 Conspiracy.

The sources discuss various aspects of 9/11 conspiracy theories, proposing that the events of September 11, 2001, were a staged event and a controlled demolition rather than an act of terrorism as officially reported1.... The discussion centers on the collapse of the World Trade Center (WTC) towers and Building 7, the absence of real plane crashes, the alleged use of crisis actors, and the intentional suppression and manipulation of evidence.

Collapse of World Trade Center Buildings A primary point of contention revolves around the collapse of World Trade Center Building 7 (WTC 7), a 47-story steel and concrete building adjacent to the Twin Towers56.

• It is highlighted that WTC 7 caught fire and was "left to burn" but eventually fell straight down at "pretty much dead on the acceleration of gravity"5....

• The speakers emphasize that fires had "never made a high-rise go down" in this manner56.

• The collapse was described as "almost as if it were a planned implosion," appearing to have been "done by a demolition crew" and "pancaking" down on itself910. This was reminiscent of buildings deliberately destroyed with "wellplaced dynamite"910.

• Several officers reportedly knew WTC 7 was "going to go down next" and were "just waiting for that to come down," having heard reports that the building was "unstable" and would "either come down on its own or it would be taken down"7....

• It is noted that WTC 7 "fell into its footprint," with other nearby buildings "barely had a scratch"78.

• The wreckage of WTC 7 was allegedly "got rid of all... so that no one could investigate my fall" within a few weeks78. Some participants consider WTC 7 to be a "distraction" while others found it "very helpful" in understanding the events6. The footage of WTC 7's collapse is even questioned as potentially being CGI613.

Regarding the Twin Towers (WTC 1 & 2), it is stated that "there were no planes" and that their collapse was a "control demolition" involving "explosives"34.

• The collapse of the Twin Towers is described as "very strange," looking like a "waterfall of dust," and unlike any other building collapse seen before or since1415. This unique nature suggests a "mystery about what they did to bring those buildings down"14.

• The "TV version" of the collapses might have been "early CGI"16.

• The events are said to have "violated laws of physics," implying a miraculous or engineered collapse15.

• It's suggested that the buildings themselves were "built to be destroyed" and served as "stage props," with their construction possibly beginning as early as 1968, supported by figures like Rockefeller17.

• A comparison is drawn between Larry Silverstein, who owned the WTC complex and received a large insurance payout, and JP Morgan regarding the Titanic, noting both were absent during the events and received significant insurance sums17.

Absence of Real Planes and Physical Evidence The idea that "there were no planes" is a key component of the 9/11 conspiracy theory presented34.

• The speakers dismiss the story of a child seeing a plane hit a tower and a school principal seeing "plane wreckage" outside her school, suggesting the wreckage was "placed there" and the principal is "lying"18.

• Technical arguments are presented against the official narrative of planes hitting the towers:

    ◦ A 757 flying at full speed at sea level is deemed "impossible" due to air density causing wings to "vibrate off"19.

    ◦ The "safe speed" for a 757 at sea level is about 200 mph, at which speed it "would have just bounced off the building"19.

    ◦ The claim that the "sheer velocity" caused damage is rejected, as such velocity is "impossible" at sea level19.

    ◦ The assertion that the "entire plane just melts into the building" is called "impossible"17.

• The quick removal of all wreckage within "a few weeks" is presented as an attempt to prevent investigation7....

• An absence of expected debris is highlighted: no "7,000 fixtures, 75,000 phones, 45,000 desks, 45,000 chairs" from the buildings' interior, suggesting the buildings were "emptied out" before controlled demolition4....

• Conversely, some "passports" were found perfectly intact, and "sheets of paper" were scattered across Manhattan21.

• There's a claim that a "van going around like dropping parts of planes" was observed21.

• The lack of "bodies on top of the debris pile" or "body parts all over Manhattan" is also questioned, as are the absence of photographic evidence from firemen allegedly retrieving body parts23. The best available camera footage of bodies (from Rossbrook in the Millennium Hotel) is described as "lame," "filled with splices," and inconclusive, suggesting a "Hollywood illusion" where people were seen jumping but "never saw them hit the pavement"2425.

The "Jumper Illusion" and Crisis Actors The concept of a "jumper illusion" is introduced, suggesting that the images of people jumping from the burning towers were fabricated2627.

• An "Israeli" group, the "Gelatin B group," is accused of having "special access" to the World Trade Center months before 9/11 to "measure everything out" and create this illusion, possibly using "mannequins" or "CGI" with incorrect scaling26....

• It's argued that people would naturally "run down the nearest stairwell" even through fire, rather than "jump to your death," indicating the unlikelihood of such behavior30.

• Other media depicting people jumping from burning structures (hot air balloons, a 1977 hotel fire in Brazil) are considered "9/11 propaganda" designed to normalize the idea of desperate people choosing to jump3031. The illusion was meant to convince Americans that "there were definitely people in that side inside that building cuz I saw them jump out of the window with my own eyes," despite these images being viewed through "the lens of your electronic screen"27.

• The broader theme of crisis actors is central to the overall understanding of these events4.... The idea is that "real victims" create problems for the orchestrators, so instead, "crisis actors" are used and paid off with a portion of the "six billion or something in the insurance payout"4. Not believing people died is considered dangerous to these crisis actors, as "a lot of people would want to lynch them"34.

Motive and Broader Conspiracy Framework The motivations behind 9/11 are framed within a larger conspiratorial worldview:

• The event is labeled an "insurance scam," "larceny," and "fraud"4....

• The perpetrators are also deemed "guilty of poisoning those fire the people that came in later and cleaned up the mess," leading to ongoing compensation for lung problems, which is described as "gangster behavior" but not a "death penalty case"3536.

• It's suggested that "regular goyam" (non-Jewish people) were "tricked to do the killing for them" by signing up for the military after 9/1136.

• The entire event is seen as part of a "trauma-based mind control" strategy designed to "distract us after the event" and create "order out of chaos" to achieve certain societal changes, such as diminishing the "white male"3738.

• The speakers adhere to a "third stage of truth" in conspiracy theories, which questions whether "anybody even die in this event"23. They advocate for a "Hollywood test" to determine if events could be faked by Hollywood methods239.

• The frequent appearance of the number "33" in various unrelated events (like the "33 hours" to find a killer, or three rows of 47 hats adding up to 33) is interpreted as "signals" or "Easter eggs" from the orchestrators, meant to communicate that events are "staged"1....

• The control of information and suppression of dissent are also discussed, asserting that while there is an "illusion of freedom of speech," there is no "freedom of reach," meaning dissenting views are not allowed to go viral41.

• The discussion suggests that the "allies of World War II are still partners in crime" and that the Soviet Union, China, and India are also faking their space programs as part of this broader communist control, implying a vast, international network of deception42.

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Discuss Fake Events.

The sources discuss "fake events" as orchestrated deceptions designed to manipulate public perception and further various agendas. The speakers contend that many high-profile events presented in the media are not genuine, but rather "Hollywood illusions"12, staged using techniques like video fakery, crisis actors, and pre-filmed footage1....

Characteristics and Methods of Fake Events:

• The "Hollywood Test": A key criterion for identifying fake events is whether Hollywood could realistically "fake what I just saw"12. If an event can be replicated with cinematic techniques, it is deemed suspect.

• Video Fakery and CGI: Events often involve "video fakery" or "manipulation of the scene"1. This can include doctoring videos, using CGI for effects like gushing blood that doesn't stain clothing, or manipulating footage to show impossible scenarios1....

• Crisis Actors: Individuals are employed to portray victims, witnesses, or responders, delivering specific narratives to the media3.... These "crisis actors" are crucial for shaping the official story4.... In some cases, while a crowd might be "organic," specific crisis actors are positioned near the front to control the narrative4.

• Staging and Pre-filming: Some events are believed to be entirely "filmed in advance" or created using AI39. For instance, footage used in 9/11, such as people in windows or "jumpers," is suggested to have been pre-recorded9....

• Lack and Suppression of Evidence: A hallmark of fake events is the rapid removal of wreckage to prevent investigation, such as with World Trade Center Building 715. Key evidence, like Jackie Kennedy's blood-stained suit from the JFK assassination, is kept under lock and key because it "has no human blood on it" and "doesn't prove a murder happened"16.... There's also noted an absence of expected photographic evidence, such as photos of 9/11 body parts or acres of dead bodies from the Titanic or Lusitania sinkings19.... Any footage that contradicts the official narrative is said to be suppressed or algorithmically limited in its reach2223.

• "Rabbit Holes" and Distractions: The creators of fake events often insert "rabbit holes" or "Easter eggs" – symbolic clues or distracting details – for "truthers" to pursue, or to communicate among themselves2.... These diversions prevent people from questioning the fundamental reality of the event itself12. Discussions around gun control following shootings are also identified as a "way to distract us after the event"26.

• Impossible Physics: Fake events are often characterized by violations of the laws of physics, which are overlooked by a public that has been "dumbed down"2728. Examples include the "free fall" collapse of Building 72930, planes flying at impossible speeds and "melting into" buildings on 9/113132, or survivors of massive falls being "not really injured"33.

• Symbolism and Numerical Coincidences: Specific numbers, such as "33" or "47" (which add up to 11), are repeatedly inserted into these events as a signal of their staged nature, for example, the "33 hours" it took to find Charlie Kirk's killer or the "33" on hats at a scene1.... The falling off of a wedding ring during the Charlie Kirk event is also interpreted as deliberate symbolism2537.

Examples of Discussed Fake Events:

• 9/11: The collapse of World Trade Center Building 7 is cited as a prime example, described as a "planned implosion" or "controlled demolition" that fell at "freefall" speed15.... The wreckage was removed quickly to prevent investigation1530. The Twin Towers themselves are believed to have been "built to be destroyed" as "stage props"32. The "jumper illusion" and other elements are thought to have been pre-filmed or created with mannequins and CGI941. There was a noted absence of furniture or bodies in the debris pile, suggesting buildings were emptied beforehand19.... The Pentagon attack is also described as a "controlled demolition" possibly involving a missile, with smoke machines used to create a more "crashy" scene1044.

• Charlie Kirk Shooting (recent event): This event is identified as an "absolute Hollywood" fake13. Key details cited include the "precisely 33 hours" it took the FBI to identify a killer2434, the quick removal of the body without an inquest1..., and the "completely fakeable injury" with CGI blood2.... The shooter is portrayed as a young white male, part of a broader "anti-white male propaganda"36....

• JFK Assassination: Similarities are drawn to the Charlie Kirk event, with the quick removal of JFK's body (or a "fake body") and the locking away of crucial evidence like Jackie Kennedy's suit, which reportedly had "only like three stains of blood" instead of being "completely gushed"1.... The introduction of Jack Ruby is seen as a convenient way to avoid a trial and lock away evidence17.

• School Shootings: These are labeled as "shooting hoaxes" that happen "almost on a daily basis," often blamed on "white males" as a form of "propaganda" and to push "gun control"26.... The central belief authorities want to instill is that "somebody died"50.

• Gaza Conflict: This is characterized as a "laughable pathetic show," a "street hustle" that has been ongoing for 80 years because it benefits certain parties financially through "military contracts," "television ratings," and manipulating university protests27....

• The Holocaust: Described as featuring "bizarre stories" and attributed to "sick imaginations"5354. It's noted that World War II leaders like Eisenhower and Churchill "never mentioned the Holocaust once" in their extensive writings, suggesting it was not a prominent narrative at the time and was later promoted5556.

• Moon Landing and Space Programs: The moon landing is believed to be "faked," with the Soviet and Chinese space programs also faking their achievements. This global deception is attributed to the "allies of World War II" who remain "partners in crime" to control their populations5657.

• Titanic Sinking: The Titanic is posited to have been "built to be a stage prop," with its sinking serving as an "insurance scam" for figures like JP Morgan, who reportedly canceled his trip last minute32. The absence of photographs of "acres and acres of dead bodies" in the Atlantic is considered highly suspicious, and survivor testimonies are deemed "whoppers"20.... The recent "Titan" submersible incident is also linked as a related "stage fake event"58.

• Lusitania Sinking: Similar to the Titanic, the lack of photographic evidence for the reported "200 bodies lined in rows" on a beach is used to challenge the veracity of survivor accounts21....

• Wars (e.g., Iraq, Gulf Wars): These are often viewed as "fake operations" or "theater" designed to generate "trillions of dollars in military contracts" and facilitate "money laundering"61.... Soldiers returning with injuries are sometimes explained as casualties of "training exercises" rather than actual combat62.

Motivations Behind Fake Events:

• Population Control and Propaganda: Events are designed to control populations by creating fear, anger, or specific narratives, such as "anti-white male propaganda"48.... They can influence political discourse, for example, leading to calls for "gun control" or shaping perceptions of elections26....

• Financial Gain: "Insurance scams" and "money laundering" through military contracts or other means are frequently cited motivations12....

• Social Engineering: To demonize certain demographics, such as white males, and influence societal values or even birth rates6467.

• "Order Out of Chaos": By creating perceived chaos and anger, authorities can implement their desired social and political order6466.

• Avoiding Real Victims: It is posited that having "real victims" creates complications with families seeking truth and justice, making crisis actors a more manageable option12.

Detecting Fake Events and the "Third Stage of Truth":

To understand these events, the speakers advocate for "reclaiming their critical thinking, their common sense, and their logic"27. This involves slowing down footage for frame-by-frame analysis1, looking for voids in the photographic record20, and applying the "Hollywood test"12. A crucial strategy is to "work on the base that everything they're telling us in the media is fake" until proven otherwise, which is described as a "very liberating" approach69.

The discussion introduces a "third stage of truth" in the context of conspiracy theories. The first stage is believing the official story, the second involves exploring "rabbit holes" provided by authorities (e.g., multiple shooters), but the "third stage is when you ask the question, did anybody even die in this event?"150. This ultimate skepticism is considered the most dangerous to the orchestrators of fake events, as it challenges the existence and safety of crisis actors11.

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Discuss Media Manipulation.

Media manipulation, as discussed in the sources, is portrayed as a pervasive and deliberate strategy used by powerful entities to control public perception, advance political agendas, and achieve financial gain1.... The underlying premise is that "everything they're telling us in the media is fake"6, requiring individuals to employ critical thinking to discern the truth7.

Core Mechanisms and Examples of Media Manipulation

The sources detail several key methods and instances of media manipulation:

1. Staging and Faking Events (The "Hollywood Test"):

    ◦ Many significant public events, including assassinations, shootings, and large-scale disasters, are alleged to be staged and faked, serving as "Hollywood illusions"1. The "Hollywood test" is proposed as a way to identify these: if Hollywood could fake an event, it's suspect18.

    ◦ Charlie Kirk Shooting: This event is described as entirely staged, with a "fakeable injury" where blood gushing out was either CGI or achieved with a squib packet, but not real9.... The weapon allegedly used would have "vaporized his neck," indicating the displayed injury was not authentic89. Video footage is said to be "doctorred up" and manipulated, with a distinct lack of authentic, graphic evidence despite many cell phones being present1.... The rapid removal of the "body" is noted as a suspicious element, similar to the JFK assassination115.

    ◦ 9/11 Attacks: The collapse of World Trade Center Building 7 is described as a "planned implosion," coming down in "free fall" and "pancaking," reminiscent of a demolition16.... Officers reportedly knew it was coming down17.... The rapid removal of wreckage from the site prevented investigation17.... The Twin Towers' collapse is called "unique" and possibly early CGI, violating laws of physics24.... The "jumper illusion" involved pre-filmed footage, mannequins, and CGI to create the impression of people jumping from the towers28.... The presence of "no planes" and the buildings being "built to be destroyed" for an insurance scam are also asserted3233.

    ◦ JFK Assassination: This is also believed to be a "fake" event, with a "fake body" or replacement134. Jacqueline Kennedy's blood-stained suit, a key piece of evidence, is kept hidden, suggesting it lacks proof of a real murder22.... The shooting of Lee Harvey Oswald by Jack Ruby conveniently eliminated the need for a trial, allowing evidence to be locked away22.

    ◦ Titanic and Lusitania Sinkings: These are presented as "stage fake event[s]"3337. A critical observation is the absence of photographic evidence of the vast numbers of reported dead bodies, despite cameras being present3839. The "whopper" stories of survivors are questioned due to their implausibility37.

    ◦ Gaza Conflict: The conflict is labeled a "laughable pathetic show" and a "Jewish street hustle" involving cooperation between Palestinians and Jews for financial gain, with all participants effectively "acting"4....

    ◦ Other Hoaxes: The Moon landing is deemed fake, with global allies (Soviets, Chinese, India) supposedly collaborating in the deception5. School shootings are called "shooting hoaxes"4142, and even historical events like the Holocaust are questioned regarding the veracity of specific accounts43....

2. Crisis Actors:

    ◦ A central tool in faking events is the use of "crisis actors" who deliver fabricated stories to the media and feign reactions11.... In the Charlie Kirk event, only crisis actors reportedly saw blood, while the "organic" crowd was merely told to run after a loud bang1147. These actors are allegedly paid off, as seen in the 9/11 insurance payout32. Protecting these crisis actors is a key reason for suppressing certain information online48.

3. Symbolism and "Easter Eggs":

    ◦ Manipulators are said to intentionally insert symbols or "Easter eggs" into staged events, such as the number "33" (e.g., in investigation times, hat arrangements, video lengths) or double initials in names13.... This is seen as a signal to "other lodges around the world" that the event is staged49.

4. Control of Information and Algorithms:

    ◦ The internet, while appearing to offer "freedom of speech," is believed to lack "freedom of reach," meaning content challenging official narratives is suppressed by algorithms and cannot go viral48.... This control ensures that whistleblowers cannot gain traction53.

5. Propaganda and Narrative Control:

    ◦ The media is accused of constantly "bashing" and "vilifying the white male" by blaming them for shootings and global problems, thereby impacting birth rates and political power3....

    ◦ Political narratives are actively manipulated, such as making an election "look rigged on purpose" to provoke a reaction or to benefit certain parties257.

    ◦ "Trauma-based mind control" is employed to distract the public after events, often by immediately shifting to topics like gun control3.

    ◦ The "wrong people won the war," leading to a state of "Soviet propaganda" where even organizations like the NRA are secretly communist558.

Purposes of Media Manipulation

• Political Control and Agendas: To control populations, discredit political groups, advance specific ideologies (e.g., communism, Zionism), and justify policies like mass migration or wars2....

• Financial Gain: Insurance scams (e.g., 9/11, Titanic), military contracts, and money laundering are identified as significant motivators for staging events4....

• Social Engineering: To "brainwash" the public, "dumb down" critical thinking, and create "order out of chaos" to reshape civilization7....

Identifying Media Manipulation

The sources suggest that identifying media manipulation requires:

• Critical Thinking and Logic: Reclaiming one's "common sense" and divine spark to "think outside the box"7.

• The "Hollywood Test": Questioning if what is presented could be faked by Hollywood18.

• Analyzing Footage: Slowing down videos for "frame by frame" analysis to spot "video fakery"110.

• Looking for Omissions: Noticing "voids in the photographic record" where crucial images (e.g., dead bodies) are conspicuously absent3839.

• Recognizing Patterns: Identifying recurring patterns in how events are presented and blamed on certain groups3.

• Skepticism: Operating on the "base that everything they're telling us in the media is fake"6.

The sources suggest a "three stages of truth" progression for understanding these events:

1. Believing the official story.

2. Exploring government-provided "rabbit holes" (e.g., multiple shooters).

3. Questioning if anyone even died or if the event was real1.

Overall, the sources present a comprehensive picture of media manipulation as a sophisticated, widespread, and ongoing effort to control society through staged narratives and deceptive information, necessitating a high degree of skepticism and critical analysis from the public.

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Discuss Crisis Actors.

Crisis actors are individuals who are believed to pretend to be affected victims or witnesses in staged events1. According to the sources, those who believe in crisis actors suggest that these actors are strategically placed to deliver a specific narrative to the media, often providing accounts that support the official story of an event1.

Role and Purpose:

• Delivering the Narrative: Crisis actors are reportedly positioned "near the front" of an event to deliver a pre-determined story to the media. This includes claiming to have seen specific details, such as blood, that others in an "organic" crowd might not have observed1.

• Staging Events: The use of crisis actors suggests that the events themselves are staged hoaxes12. The goal is to create the perception of a real tragedy without actual fatalities23.

• Avoiding Real Victims: Using crisis actors is considered "much easier" for orchestrators than dealing with real victims and their families. Real families would demand justice and truth, which could complicate the control of the narrative. Crisis actors, on the other hand, can be "paid off"3.

• Maintaining the Illusion of Death: A primary purpose for protecting crisis actors is to ensure the public believes that people actually died in these events. If it were revealed that no one died, it would expose the crisis actors as liars and could lead to public backlash, jeopardizing their safety2.

Alleged Events Involving Crisis Actors: The sources mention several events where crisis actors are believed to have been involved:

• The "Charlie Kirk thing", where audience members in the inner crowd were considered crisis actors due to their "retarded reactions" and claims of seeing blood14.

• The January 6th event, where while some "organic Trump supporters" were present, crisis actors were allegedly used to manage the narrative1.

• Sandy Hook, where it is asserted that regardless of other "rabbit holes" one might believe, the main objective is for people to accept that 26 individuals died, a belief that crisis actors help to maintain2.

• 9/11, in the context of it being easier not to have real victims and families but rather crisis actors who could be paid off from insurance payouts3.

Identifying Crisis Actors:

• Their reactions are sometimes described as "retarded" or unrealistic when compared to how someone would genuinely react in a life-threatening situation, such as running for their life instead of saying "Oh my god"4.

• They are the ones who specifically report seeing gruesome details, like blood, in a staged event, which aligns with the manufactured narrative1.

Consequences of Exposing Crisis Actors: Those who believe in the use of crisis actors argue that such exposure is dangerous to the orchestrators. If their identities were revealed, it could lead to people wanting to "lynch them," and therefore, those who expose crisis actors are prevented from having a wide platform on the internet, with their videos often "shuffled to the bottom" in algorithms25. The larger implication is that if no one truly died in these events, then many of the world's perceived "horrific, nightmare terror attacks" are not actually resulting in fatalities6.

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Discuss Anti-White Male Propaganda.

The sources extensively discuss what is characterized as "anti-white male propaganda," describing it as a deliberate and pervasive effort to vilify and suppress white males in Western civilization12. The speakers assert that this propaganda is a "war against the white male" and is deeply embedded in media narratives surrounding various events1.

Manifestations and Objectives: According to the sources, a primary manifestation of this propaganda is the consistent blaming of white males for shootings and societal problems34.

• It is stated that "they always blame these shootings on a white male"3. Even when a shooter is not identified as white, the narrative is often framed to suggest it is "the white man's problem," particularly linking it to support for the Second Amendment3.

• The example of the Charlie Kirk shooting is given, where the alleged shooter, a 22-year-old "handsome" white male, is presented as an unlikely political assassin, suggesting his involvement is part of a manufactured narrative56. This specific event is highlighted as an instance where "anti-white male propaganda" needs to be "flood[ed]... in Europe, too"6.

• Similarly, the Las Vegas shooting is cited, where the simple image of Stephen Paddock, an "old white guy," was enough to "solve" the mystery for some, demonstrating the effectiveness of this propaganda4.

• The speakers claim that young white males, like Lee Harvey Oswald at 25 and the alleged Charlie Kirk shooter at 22, are depicted as throwing their lives away for political causes, which is presented as "ridiculous" and a sign of brainwashing1....

The overarching goal of this propaganda is described as an effort to "smear western civilization" and to relegate the white male to the "lowest on the rung," stripping them of political power12. It is argued that while "they need us around," they aim for white males to "have zero political power" and "cannot hold any high position"2. Existing white leaders like Gavin Newsom and Donald Trump are dismissed as "traitors" who do not represent "white people"2.

Global and Societal Impact: The propaganda is also linked to broader geopolitical narratives and immigration.

• It is asserted that "all the propaganda and all the history is teaching that the white male is the one that caused all the problems in the world"7. This narrative, which blames white males for colonization and destabilizing regions like Central America, the Middle East, and Africa, is then used to justify bringing "refugees" (referred to as "invaders") into Western countries7.

• The speakers suggest that the media's portrayal of white males as "the oppressor of the world" negatively impacts their birth rates8. Conversely, other groups, like Mexican men, are portrayed as "freedom fighters" and "sexy," which allegedly leads to white women dating them8.

• This is seen as part of an agenda where groups are "talking about conquest" through "sheer babies" to "conquer America," particularly the American Southwest, by "swamping us with anchor babies"9.

The sources also contend that the mainstream media, particularly the "left-wing media," constantly covers events in a way that places blame on white males, regardless of the actual perpetrator3. This is seen as a form of "trauma-based mind control," designed to distract and manipulate the public4.

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welcome to the Lenny and Maria Sanchez AUDIO AND VIDEO podcast series.

Today, we delve into a critical examination of various events, challenging official narratives and encouraging a deeper, more critical approach to information presented by the media. Our focus will be on understanding how events may be staged, orchestrated, and presented as illusions, drawing on a specific audio source that dissects several such occurrences.

The source provides a comprehensive look into skepticism regarding official narratives, positing that many events are fabricated and staged for specific agendas. A central concept introduced is the "Hollywood test," which questions whether an event could realistically be faked using Hollywood methods1. This test is crucial for discerning the reality of events, and the ability to apply critical thinking is considered a "spark of the divine" that can be honed through practice2. The overall sentiment is that much of what is presented in the media should be approached with skepticism, as everything they tell us may be fake3.

Turning our attention to the events of September 11, 2001, the source highlights several points of contention, particularly regarding World Trade Center Building 7, a 47-story structure made of steel and concrete4. This building, in the shadow of the World Trade Center, reportedly caught fire on September 11th and was "left to burn"4. It is described as undergoing a "free fall" collapse at an acceleration rate almost perfectly aligned with gravity45. Reports from officers at the scene indicated that the building was expected to collapse, with some "just waiting for that to come down"56. The manner of its collapse was noted as peculiar, resembling a "planned implosion" or the work of a "demolition crew" using "wellplaced dynamite"78. Unlike the Twin Towers, which produced a unique "waterfall of dust," WTC 7's collapse appeared to be a "standard normal control demolition"9. This collapse caused no significant damage to surrounding structures, which "barely had a scratch"56. Furthermore, the wreckage of WTC 7 was swiftly removed within weeks, preventing any thorough investigation into its fall56. The very construction of the World Trade Center buildings is brought into question, with the suggestion that the 9/11 hoax might have originated as early as 1968, implying the buildings were designed as "stage props" or "built to be destroyed"10.

Beyond Building 7, the broader 9/11 event also faces scrutiny. The source suggests there were "no planes" involved, and that the incident was a "control demolition"11. The idea of a 757 aircraft flying at "full speed" at sea level is presented as physically impossible due to air density causing wing vibration and loss of control12. It is argued that such a plane striking the building at a safe landing speed of approximately 200 miles per hour would have merely "bounced off"12. The visual of the entire plane melting into the building is deemed impossible10. The event is characterized as a "magical day" where "laws of physics got violated," a phenomenon not observed before or since13. Crucially, the absence of debris is noted; instead of 7,000 fixtures, 75,000 phones, 45,000 desks, and chairs, only passports and sheets of paper were reportedly found14. This absence is explained by the assertion that the buildings were "emptied out" prior to the controlled demolition to prevent furniture from becoming dangerous projectiles15. Similarly, the lack of bodies or body parts on the debris pile or throughout Manhattan is highlighted, with the absence of photographic evidence of such casualties being a significant point16.

The narrative then moves to the controversial "jumper illusion" on 9/11. The "clearest image" of people supposedly jumping from the Twin Towers, provided by a person named Rossbrook, is described as a "lame video" with "splices" and missing frames, which would not be admissible in court17. The footage reportedly fails to clearly show human bodies impacting the ground17. This "jumper illusion" is believed to have been orchestrated by a group, possibly Israeli, who had special access to the World Trade Center months in advance1819. This group allegedly measured the people in the windows to scale mannequins and filmed footage to be used later20. The act of people choosing to jump to certain death from a burning skyscraper is questioned, as it is posited that individuals would instinctively attempt to find a stairwell, even through flames, as a chance for survival21. Historical incidents like hot air balloon fires and a 1977 hotel fire in Brazil, where people were depicted jumping to their deaths, are viewed as precursors and "9/11 propaganda" designed to normalize the idea of people jumping from burning buildings2122. Finally, 9/11 is explicitly referred to as an "insurance scam," involving "larceny and fraud"2324. Furthermore, the cleanup crew who later developed lung problems are believed to have been "poisoned" by those orchestrating the event, leading to ongoing financial compensation from the government23.

The podcast then shifts to a more recent event, the Charlie Kirk shooting incident, which reportedly occurred on Friday, September 12, 202525. This event is portrayed as "all staged" and a "Hollywood illusion"1.... A key element of the staging is the repeated mention of "33" – the FBI director is said to have found the "killer of Charlie Kirk" in "precisely 33 hours"2628. This number, along with arrangements like three rows of 47 hats adding up to 33, and a 33-second video of the body's removal, is interpreted as a deliberate "signal" or "Easter egg" left by those staging the event1.... The injury sustained by Charlie Kirk's neck is described as "completely fakeable," potentially achieved with a "squib packet" or "CGI"3031. Scrutiny of video footage reveals that the supposed blood "slides off the shirt" without staining it, supporting the CGI theory31. There was no visible wound or "hole" where the blood originated, nor any blood sprayed on the tent behind him3233. The weapon, a "30 odd six," would have "vaporized his neck" if real, making the depicted injury unrealistic3034.

The swift removal of Kirk's body without a local inquest is compared to the handling of John F. Kennedy's body, hinting at a pattern of obscuring critical evidence1. Individuals in the crowd who exhibited "retarded reactions" are identified as "crisis actors," specifically stating that while the general crowd might have been organic, approximately 40 crisis actors near the front were responsible for delivering the media's narrative2735. The event itself reportedly lacked basic security and evacuation plans for the estimated two to three thousand attendees, a violation of fire codes36. The shooter's ability to access a rooftop is highlighted as a recurring pattern, similar to the "Trump shooting" and past assassinations, suggesting a deliberate allowance of such access36. The alleged shooter, a "22-year-old kid," is presented as an unlikely candidate to "throw away his life over a stupid little political cause," further suggesting the event's manufactured nature36. Even a detail like a ring falling off Kirk's hand is seen as a deliberate insertion with symbolic meaning, representing the "end of his wedding vows" at the moment of his alleged death3738. Charlie Kirk himself, along with figures like Donald Trump, Ben Shapiro, and Candace Owens, is described as a "creation of the Jewish empire" or media, essentially an "actor" whose role is eventually concluded33. The underlying message is that "nobody got shot and nobody died" in this incident34.

This leads into a broader discussion on assassination hoaxes, with the assertion that "all political assassinations" are believed to be "fake"39. The case of JFK is frequently referenced, with the quick removal of his "fake body" mirroring the Charlie Kirk incident140. The infamous "Jackie Chanel suit" is highlighted as key evidence: it shows only "a few drops of blood," which is considered inconsistent with a head wound that would have "gushed in blood"41. The suit's continued lockdown until 2103, with the expectation of further extensions, is attributed to its lack of "human blood," which would disprove a murder4142. The shooting of Oswald by Jack Ruby is presented as a convenient maneuver to avoid a trial, thereby allowing crucial evidence, such as Jackie's suit, to be hidden away42. The belief is that JFK was "not assassinated," and a "replacement" or "stand-in" was used130. There's even a notion that JFK Jr. is alive, having been seen with a "really good tan," suggesting he relocated to a "lost continent"43. Other figures, like Lee Harvey Oswald and Timothy McVeigh, are similarly labeled as "actors" in these staged events4445. The overarching goal of these hoaxes is to ensure the public believes that "somebody died," which protects the identities and safety of the "crisis actors" involved4647.

The source further examines propaganda, media control, and broader agendas. The media is characterized as being run by individuals with "sick imaginations," compared to those who invented "bizarre stories" in Auschwitz4849. This media consistently "brainwashes" the public, particularly by "vilifying the white male" and constantly portraying them as shooters, which has a tangible effect on birth rates44.... The "left-wing media" is accused of blaming shootings on white males or linking them to white men's gun rights44. The "Jewish empire" is seen as instrumental in creating various public figures, including Charlie Kirk, Donald Trump, Ben Shapiro, and Candace Owens, portraying them as actors playing roles3343. The conversation also touches on the pervasive nature of the "digital grid" and "24/7 surveillance," suggesting that AI could eventually replace traditional institutions like courts and police54. The internet's algorithms are described as controlled, granting individuals "freedom of speech but not freedom of reach," thus preventing alternative narratives from going viral55.

A deeper, more encompassing perspective frames America as a "communist country" operating under "Soviet propaganda," a consequence of "the wrong people" winning World War II56. Even organizations like the NRA are deemed "commie organizations" that profoundly deceive the public56. Democrats are viewed as "communists deep down" who understand and exploit the mechanisms of communism56. The conflict in Gaza is presented as a "Jewish street hustle" and a "big guilt trip on Western nations," designed to generate immense wealth through "military contracts," "television ratings," and even "protesters on university campuses"57.... It's called a "laughable pathetic show" and "all acting," with the implication that the high number of children reported in Gaza is "impossible"259. The "good news" derived from seeing through these events is that people are not being killed in these "horrific, nightmare terror attacks"60. The broader agenda is understood as a "war against the white male" to "smear Western civilization" and reduce white males to "zero political power"5052. The influx of "invaders," mislabeled as "refugees," into Europe and America is seen as a deliberate strategy to destabilize these regions, with white males being blamed for global destabilization57. These "invaders" are portrayed as subservient, often placed in security roles54. The continuous stream of "shooting hoaxes" is also part of this propaganda, making such events seem commonplace44. Finally, Hollywood is identified as a "destructive force" that one of the speakers is actively working to dismantle61.

The podcast then explores various historical hoaxes, reinforcing the theme of widespread deception. The Holocaust is characterized as involving "bizarre stories" invented by people in Auschwitz who are now running the media4849. The public is said to have "swallowed hookline and sinker" stories about "lampshades and ashtrays and the soap, the Jewish soap"62. Notably, leaders involved in World War II, such as Eisenhower and Churchill, never mentioned the Holocaust in their extensive writings on the war63. In Catholic Europe, the Holocaust is generally not a subject of daily discussion, contrasting sharply with its prominence in what is described as a "Protestant Zionist mentality" prevalent in America64.

The Moon Landing is firmly stated as a "fake moon landing"63. This deception is tied to the concept that the allies of World War II are still "partners in crime," having merely "pretended to be enemies" afterward65. This alleged partnership explains why the Soviets did not expose the fake moon landing, as they were also supposedly faking their own space program, as are China and India65. The rapid technological leap from the Wright brothers' first flight in 1903 to the moon landing in 1969 (a mere 66 years) is questioned, with a modern "cartoon ship" moon landing contrasted as evidence of aviation "going backwards"6566.

The sinking of the Titanic is also labeled "another staged fake event"67. A parallel is drawn between JP Morgan, who reportedly canceled his trip on the Titanic at the last minute, and Larry Silverstein, who was absent from the World Trade Center on 9/11, both receiving "huge insurance payouts"10. A critical piece of evidence cited for the Titanic hoax is the complete lack of photographic proof of the "acres and acres of dead bodies" that first responders claimed to have seen floating in the North Atlantic1068. Despite cameras being present to photograph an iceberg with red paint, no pictures were taken of the bodies68. Survivor testimonies, such as Frank Pence's claim of holding onto the stern of the Titanic as it went vertical and nearly hitting the propeller on the way down, are dismissed as unbelievable "whoppers"67. The existence of the book "Futility," which predicted a similar disaster 14 years before the Titanic sank, is seen as evidence against mere coincidence69. The recent submersible "Titan" incident, where "six billionaires die," is viewed as an excessive and repetitive use of the Titanic narrative67.

Finally, the sinking of the Lusitania is discussed in a similar vein. The absence of photographs showing "200 bodies lined face up" on a beach for identification, despite a survivor's claim of identifying her father in such a lineup, is highlighted as a significant void in the historical record70. It is argued that if such horrific images existed, they would have been released by now, over a century after the event71.

In conclusion, the source emphasizes the importance of applying critical thinking to all media narratives, suggesting that many events, from 9/11 and assassinations to historical disasters and current conflicts, are elaborate hoaxes designed to manipulate public perception and serve specific agendas. The focus is on recognizing patterns of deception, identifying staged elements, and questioning the absence of crucial evidence, particularly photographic documentation.

thank you for listening to another session of the Lenny and Maria Sanchez AUDIO AND VIDEO podcast series produced and archived at the website DailyBriefs.info

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I. Excerpts from "no0Ia0K4WFXE (online-audio-converter.com).mp3" by Various Speakers World Trade Center Building 7's collapse was an anomalous event, defying typical high-rise fire behavior. "Coming down at freef fall pretty much dead on the acceleration of gravity."

"Fires never made a highrise go down."

II. Building 7's collapse appeared to be a planned implosion, similar to controlled demolitions. "It was almost as if it were a planned implosion. It just pancakes."

"Look like it had been done by a demolition crew. The whole thing just collapsing down on itself."

III. The collapse of Building 7 was anticipated by authorities on the day of the event. "Heard several reports from several different officers now that that is the building that is going to go down next."

"We had heard reports that the building was unstable and that it eventually would either come down on its own or it would be taken down."

IV. The wreckage of Building 7 was quickly removed, hindering any potential investigation into its collapse. "In a few weeks, they got rid of all my wreckage so that no one could investigate my fault."

"They had to get rid of the evidence."

V. The rapid identification of Charlie Kirk's alleged killer in 33 hours is seen as a deliberate signal of a staged event. "The FBI director said it took precisely 33 hours?"

"They are desperate to tell us it was all staged."

VI. The number "33" frequently appears in staged events as an "Easter egg" or signal to those who understand the code. "They are desperate to tell us it was all staged."

"That's a good catch that was definitely placed there on purpose with the uh the three rows of the 47 hats."

VII. The number "33" is embedded in various details related to the Charlie Kirk event, signaling its staged nature. "The three rows of 47 adds up to 33."

"That video took 33 seconds as well as it was shown on NBC etc."

VIII. Charlie Kirk's visible injury was a fake, achieved through special effects or CGI. "What we saw was a completely fakeable injury."

"It's easy to fake blood gushing out. There's a couple ways you could do it. You could do it with a squib packet or you could do it with CGI."

IX. The rapid removal of Charlie Kirk's body from the scene mirrored the quick removal of JFK's body, raising suspicion. "They just removed his body and the inquest should have been done in in the location, but instead they just put him in a plane."

"Remember they moved his body very quickly before in fact I don't think they even allowed the local coroner to do the inquest."

X. Standard operating procedures for a murder investigation, such as a local inquest, were bypassed in the Charlie Kirk case. "Usually the local authorities take control of the uh death scene and they uh you know take control of the body."

"The inquest should have been done in in the location, but instead they just put him in a plane."

XI. The Charlie Kirk event is considered an illusion that could easily be faked by Hollywood methods. "Is this event even real? And can it pass the Hollywood test?"

"This Charlie Kirk thing is absolutely Hollywood could fake this."

XII. Crisis actors were employed in the Charlie Kirk event to portray reactions and disseminate a specific narrative. "We're working on the basis that all the people in the inner crowd are crisis actors."

"The only people that are seeing blood are the crisis actors when they come out and say, 'Oh, and I saw the blood coming out of his neck.' Well, those are the crisis actors."

XIII. It is illogical that a high-profile figure like Charlie Kirk would lack sufficient security at a public event. "I mean, are there people that stupid that they don't really he would have had so much security in an event like this when there's school shootings happening every week?"

"It shouldn't be taking us by surprise at this point supposedly we got to the bottom of these other assassination events."

XIV. Large public gatherings are legally required to have specific safety and evacuation plans, which were absent from the Charlie Kirk event. "When you have that many people in one place, you are required by law to have at least uh one ambulance there."

"They didn't have any protocols in in place for that. The whole thing's ridiculous."

XV. The alleged shooter's profile as a 22-year-old making a suicidal political statement is deemed unrealistic and inconsistent with typical youth behavior. "At 22 years old, that's what not what kids are thinking about to spend their life in prison over a stupid little political cause."

"22 year olds are not politically minded. I was 22 once. I didn't give a damn about politics, okay?"

XVI. The media's consistent portrayal of shooters as young white males is a deliberate propaganda tactic. "They always blame these shootings on a white male."

"Many times they even portray the shooter as yet another victim."

XVII. A wedding ring falling off Charlie Kirk's hand during the event is interpreted as a symbolic end to his wedding vows and part of the staged narrative. "The mainstream media is not covering it. It it was inserted for people like us who slow down the footage and watch it frame by frame."

"The moment that he was killed, his wedding ring fell off his hand. So that I don't know what kind of symbol I guess that's the symbolism they're going for."

XVIII. The individuals orchestrating these hoaxes possess "sick imaginations" and are compared to inmates running an asylum. "These people are very sick. These people are very goreminded."

"We open the gates of Awitz and now the inmates are running the asylum. And that's exactly what we got. These people have sick imaginations."

XIX. These staged events, particularly school shootings, are described as forms of child abuse due to the trauma they inflict on children. "When I look at these school shootings, I'm looking at a whole bunch of child abuse because they're some of some sometimes they scare these kids and they think it's a real shooting."

"Can you imagine how traumatized all these poor ch poor American children are?"

XX. The public is severely traumatized by these events, reminiscent of past widespread psychological impact from media narratives. "She said she saw the video and she's never been more traumatized in her life."

"People was were very traumatized by that and uh so that's why there's a whole bunch of similarities with this."

XXI. The belief is held that all political assassinations are staged and fake, as individuals are unlikely to risk their lives for such acts. "I don't believe in any political assassinations period. believe they're all fake."

"No matter how crazy a person is, they're not going to be sent down for life for you know."

XXII. Perpetrators of these events recruit young individuals, often described as "CIA MK Ultra" subjects, to play the role of shooters. "Lee Harvey Oswald was 25 years old and and and we were and oh, it makes perfect sense that a 25-year-old would just throw his life away."

"He has CIA MK Ultra written all over him."

XXIII. The media strategically selects and interviews specific crisis actors to control the narrative presented to the public. "They have selected people that they interview after these events and uh and that's the story they gave."

"The other people in the crowd were just kind of doing what the everybody told them to do which was run because they did let off a loud bang that sounded like a gunshot."

XXIV. Staged events are designed to generate perceived anger and allow for significant political manipulation. "Look at what they've already generated out of of this, you know, the the anger, the apparent anger."

"They create this perception of anger and with that they can do an awful lot, you know."

XXV. Discussions about gun control that follow staged shootings are a form of "trauma-based mind control" to distract the public. "JK, they immediately started the gun control uh conversation."

"It's just a way to distract us after the the event. This is traumab based mind control."

XXVI. Propaganda aims to vilify white males to strip them of political power and lower their societal status. "This is it's a big part of their propaganda."

"They need the white male to be the lowest on the rung."

XXVII. Current Western governments are seen as controlled by "traitors" who do not represent the interests of their native populations. "Those people don't count. They're not they're not white, okay? Uh they're traitors."

"Your government does not represent you. Your government hates you."

XXVIII. The influx of migrants into Western nations is characterized as a deliberate invasion, not a natural demographic shift. "You're getting flooded with invaders because your government does not represent you."

"They call them refugees, but we know they're invaders."

XXIX. The Gaza conflict is portrayed as a long-running "Jewish street hustle" designed for financial gain and perpetuation rather than resolution. "I'm still trying to expose what they're doing over there in Gaza because that's a that's just outrageous and it needs to be exposed."

"It's a Jewish street hustle. I mean, it's it's clear to me that the Palestinians and the Jews are cooperating in a street hustle over there and uh and it's that's why it's been going on for 80 years."

XXX. Government entities are described as "gangsters" who use money laundering to obscure the financial benefits derived from these hoaxes. "People don't understand that we live in a government of gangsters, and they are experts at money laundering."

"You can't follow the money anywhere. Okay? All we know is that somebody's getting rich from this and this is just a laughable pathetic show they're doing over there in Gaza."

XXXI. Developing critical thinking, common sense, and logic is essential to counteract the fake narratives pushed by the media. "People need to reclaim their uh critical thinking, their common sense, and their logic because that's I believe the the the spark of the divine that is in all of us is the ability to think outside the box."

"We have to work on the base that everything they're telling us in the media is fake."

XXXII. Everyday dangers, like car accidents, pose a greater threat than the fabricated terror events promoted by the media. "The highway is the most dangerous thing we face every day."

"We don't have to worry about ISIS fighters. We don't have to worry about Timothy McVey going to blow up a a federal building."

XXXIII. Claims of widespread rape by migrants are largely dismissed as propaganda, with real instances linked to specific social circles. "In the normal circles, I just don't see it."

"I don't believe Arabic cultures I I don't at this stage I might have at some point but now I don't believe that there is a big rape problem within them."

XXXIV. The term "colonizer" is ironically applied to native populations while mass migration is the actual act of colonization. "My entire life I've been getting called a colonizer by all the by the news media, by my history teachers."

"Meanwhile, what I've been seeing is everybody's colonizing my neighborhood."

XXXV. Birth rates are influenced by political agendas, with some groups using them as a means of "conquest." "They're having babies because it suits their political agenda."

"They are talking about conquest and they're going to conquest by sheer babies. That's how they're going to conquer America."

XXXVI. The media's negative portrayal of white males actively suppresses their birth rates and promotes other demographics. "When you have a media that's constantly bashing you as the oppressor of the world, then that that hurts your birth rates."

"I've had girlfriends dump me so that they can go out with a with a sexy Mexican guy."

XXXVII. California, once an idyllic place, has been deliberately targeted and destroyed by destructive forces like Hollywood. "It's been targeted because it was so it was you know the ultimate place to to live at one point, wasn't it?"

"If you go to Laguna Beach, you're going to see a whole bunch of trash, a whole bunch of graffiti, and you're going to see people living in tents on fentanyl, you know?"

XXXVIII. Hollywood is a key destructive force, and speakers actively work to expose its role in faking reality. "But, of course, Hollywood, Hollywood was one of the destructive forces, wasn't it?"

"I'm spending my my later years exposing everything about Hollywood. So, I'm the black sheep of the Hollywood family and I'm trying to dismantle it with uh every fiber of my being."

XXXIX. Jackie Kennedy's pink Chanel suit from the JFK assassination is deliberately locked away because it lacks sufficient blood evidence to prove a murder. "The blood stains on the dress do not convey that and that's why they have the the Chanel suit locked away until 21103."

"It has no human blood on it. That's why because it doesn't prove a murder happened."

XL. The lack of a public trial in the JFK assassination case allowed for the convenient suppression and locking away of crucial evidence. "They orchestrated the the the fake show in a way to where there would be no trial except for uh Jack Ruby who shot Oswald in the in the garage."

"All the evidence gets to be locked away. See, that's that's the perfect way for them to fake the whole thing."

XLI. The handling of Charlie Kirk's body and evidence shows striking similarities to the handling of JFK's assassination, suggesting a pattern of staging. "I think there's there's a lot of similarities between the JFK and Charlie Kirk."

"The way they moved his body so quickly, you know, they did the same with JFK."

XLII. Perpetrators intentionally include "mess-ups" or inconsistencies in their staged events as a "litmus test" to gauge public credulity. "Maybe it's not a mess up I think they do it on purpose so that they'll see just how many people actually catch on."

"It's like a litmus test to them it's like oh well basically we only got a few people over here a few people over there catching on, but the the vast majority of Americans think it's real."

XLIII. The public's acceptance of the Holocaust narrative, despite its absence in historical accounts by wartime leaders, demonstrates widespread deception. "The American people and the Brits swallowed that hookline and sinker."

"They all wrote these thousand uh page volumes about World War II, and they never mentioned the Holocaust once."

XLIV. The invention and control of television by powerful entities enabled them to successfully propagate major hoaxes like the moon landing. "They knew once they had control of telly vision which they effectively invented."

"They got away with that so they knew they could get away with that they could get away with the moon the fake moon landing."

XLV. The WWII allies, including the Soviets, remain "partners in crime" in faking major events like the space race to control their populations. "The allies of world World War II are still partners in crime."

"The Soviets did not blow the whistle on us when we faked the moon landing because the Soviets were faking their own space program, too."

XLVI. Global space programs are seen as faked, reinforcing a communist control over the world's major powers. "China fakes their space program also and India fakes their space program because once you have the big three the uh Europe, China and America all under communism that's the big three that means the whole world is communist."

"We suddenly pretended to be enemies after the war because that makes it easier for us to control our populations when uh when we say that it so we're partners in crime."

XLVII. The perceived regression in aviation and space technology, contrasting 1903 to 1969 with 1969 to 2024, highlights the fakery of modern achievements. "66 years separates these two events."

"We went from this in 1969 to this in 2024 a cartoon ship going onto the moon and so aviation is going backwards now."

XLVIII. The lack of furniture and personal effects in the 9/11 debris pile indicates the buildings were emptied prior to their controlled demolition. "The fact that there was nothing really in the debris pile except passports obviously were perfectly intact."

"They emptied out those buildings before the control demolition, just like they do with every building when they do a control demolition."

XLIX. The absence of physical bodies or body parts at the 9/11 sites suggests there were no real victims in the collapses. "There would have been a lot of bodies on top of the debris pile as well, which there weren't."

"I need to see the photos because I need to know if a crime happened."

L. The footage of 9/11 jumpers is manipulated and insufficient to prove human bodies hit the pavement. "The clearest image we have of dead people jumping out the windows and actually slamming onto the sidewalk comes from that guy Rossbrook."

"You can't make out that that's not a human body."

LI. The "jumper illusion" at the World Trade Center was a staged event, created by a group with special access to the towers. "The gelatin B group in my opinion were the ones the jumper illusion."

"They were there in the World Trade Center uh measuring everything out so that they can uh they can fool the world with these jumpers."

LII. Footage used in the 9/11 narrative, including people in windows, was pre-filmed and then edited into the event. "They had their helicopter flying around in advance, taking the footage that would then be used for 911."

"That filming was done in advance. So they took footage of people in the windows."

LIII. It is illogical for individuals to jump to their certain death from a burning building when other, albeit slim, chances of escape exist. "Not going to jump to your death. You're going to run down the nearest stairwell."

"You're not going to just jump out the window."

LIV. Historical events depicting people jumping from burning buildings, like the 1977 Brazil hotel fire, are considered propaganda to normalize the 9/11 jumper narrative. "I've often wondered that that was uh also propaganda."

"That was a precursor to 911 to show us that this is what people do when they're trapped in a burning building."

LV. The unique "waterfall of dust" collapse of the Twin Towers is still a mystery, unlike any other building collapse. "The towers did come down in a very strange way. Um, not like building 7 came down like like building 7 didn't dustify on the way down."

"No other building has collapsed that way."

LVI. The visuals of the Twin Towers' collapse might have been early CGI, violating laws of physics to create an impossible event. "It could have been um early CGI. that perhaps they had good CGI back in 2001 and then they slowly dripped it out to get better."

"It was a magical day when we saw a whole bunch of uh uh laws of physics get violated and uh nobody cares."

LVII. Individuals who question whether anyone died in these events are met with resistance from "professional trolls" hired to protect crisis actors. "When you start talking about did anybody even die? That's when you're going to hit the the professional."

"He's getting paid to be here because they have to protect the crisis actors."

LVIII. Exposing crisis actors is deemed a threat to their safety, leading to online censorship and suppression of dissenting platforms. "They can't allow us, people like us who expose these crisis actor, they can't allow us to have a a platform on the internet."

"Our videos just get shuffled to the bottom is because we are a danger to the crisis actors that are still walking around."

LIX. The true "crimes" of the 9/11 perpetrators involve poisoning cleanup crews and committing insurance fraud, not mass murder. "They're guilty of poisoning those fire the people that came in later and cleaned up the mess and a lot of them have lung problems."

"It's an insurance scam. Larseny and they and fraud. But see, those aren't death penalty cases."

LX. The absence of planes hitting the Twin Towers implies a controlled demolition with no real victims, utilizing crisis actors for the narrative. "The bottom line is with 911 we know there were no planes. So therefore we have to say well it was control demolition."

"It's much easier for them not to have families, not to have real victims, and they just use crisis actors who they can pay off."