工藤あかね（くどう・あかね ソプラノ）

東京藝術大学卒業。これまでにサントリー芸術財団「サマーフェスティバル」、「Tokyo experimental Festival」での無伴奏リサイタル、テッセラ音楽祭「グレの歌」などに出演。身体表現を伴う作品を含む新作初演を行なうほか、ヴィエルヌ「憂鬱と絶望」やシュルホフ、ウルマン作品の蘇演、サティ「ソクラテス」、シェーンベルク「架空庭園の書」、メシアン「ハラウィ」などを手がける。2019年は、谷崎潤一郎原作・フランチェスカ・レロイ作曲の観客回遊型オペラ「THE鍵KEY」再演、第一回ダ・ヴィンチ音楽祭 in 川口（音楽監督：濱田芳通）などに出演予定。第一回一柳慧コンテンポラリー賞受賞。

Akane Kudo, Soprano

She started her musical education with classical guitar, and graduated from Tokyo University of the Arts (Vocal music, soprano). She won the highest award at "Fresh Concert" by Japan-Austria Cultural Society. In the same year, she was delegated to International Dimitris Mitropoulos Competition for Singing (Athens, 2003). Besides the traditional repertoires, she is interested in contemporary works like K. Stockhausen. In 2011, she performed "Tierkreis" in her solo concert "Secret Room Vol.1" and its unique choreographic interpretation was highly praised. She also performed "Stimmung" at Suntory Foundation for Arts' Summer Festival 2015. She has given concerts with Akiko Fujita(pf.) as Duo "TAMAYURA", their repertoire includes E. Satie, A. Schönberg, L. Vierne, O.Messiaen.She received The First Toshi ICHIYANAGI's Contemporary Prize in 2016.

濱田芳通（はまだ・よしみち リコーダー）

我が国初の私立音楽大学、東洋音楽大学（現東京音楽大学）の創立者を曾祖父に持ち、音楽一家の四代目として東京に生まれる。桐朋学園大学古楽器科卒業後、スイス政府給費留学生としてバーゼル・スコラ・カントールムに留学。リコーダーを花岡和生、コルネットをブルース・ディッキーの各氏に師事。コンチェルト・パラティーノ、アンサンブル ラ・フェニーチェのコンサート及び録音に参加するなど、ヨーロッパ各地で活躍する。また、アニメ「耳をすませば」大河ドラマ「信長」「秀吉」の音楽に携わったり、ジャズなど多ジャンルの演奏家とセッションするなど、知られざるバロック以前の音楽や楽器を広めるべく、幅広い活動を行っている。近年ではバロック・オペラ上演プロジェクト＜オペラ・フレスカ＞を主宰し、モンテヴェルディの三大オペラの上演、カッチーニの「エウリディーチェ」（世界最古のオペラ譜）を本邦初演する。

古楽アンサンブル<アントネッロ>代表。

合唱団ラ・ヴォーチェ・オルフィカ常任指揮者。東京藝術大学古楽科リコーダー専攻非常勤講師歴任。

Yoshimichi Hamada, Recorder

Yoshimichi Hamada was born into a family of musicians in Tokyo as a great-grandson of the founder of Japanese first private music college, the Toyo Music Academy (the forerunner of the Tokyo College of Music). He studied recorder with Kazuo Hanaoka and graduated from the Period-instrument course of the Toho Gakuen College Music Department; and then he won a scholarship from the Swiss government and entered the Schola Cantorum Basiliensis to study cornett with Bruce Dickey, as well as medieval music theory with Crowford Young and Dominique Verart. He joined many CD recordings which are much appraised. While in Europe, he collaborated with such leading early music groups as Concerto Palatino, Ensemble PAN, and Ensemble La Fenice in concerts and recordings. In Japan, he works extensively to propagate pre-baroque music and instruments, which are still not famous, through various activities for instance joining into the soundtracks of the film “Rikyu”, the animations “Mimi wo sumaseba (Whisper of the Heart)” and “Tegamibachi”; he also appeared in the NHK-TV sagas “Nobunaga” and “Hideyoshi”.

In recent years, Yoshimichi Hamada devotes himself to the productions of early opera works; in 2008, he conducted “L’Orfeo” of Claudio Monteverdi. In 2010, he appeared as conductor of “La Calisto”, an opera of Francesco Cavalli. In 2013, he started the project “Opera Fresca” to perform baroque operas such as three great works of C. Monteverdi, as well as the Japan premier of Giulio Caccini’s “L’Euridice” (the oldest “opera” music in the world still extant). Besides striking activities in the world of early music, he frequently works together with musicians of other genres, such as jazz. His vivid and free improvisation reminds us of the charms and thrills which early music must have had. He trains the next generation in wide areas, not limited to the instruction of recorder and cornett, but also of vocal music, chorus, and interpretation of medieval, Renaissance, and early baroque music.

To date, he taught at the Tokyo University of Fine Arts (Faculty of Music – recorder course of the Early Music Department) and gave masterclasses for the Tokyo Nikikai Opera Foundation. He is the permanent conductor of vocal ensemble La Voce Orfica.

濱元 智行（はまもと・ともゆき パーカッション）

バリ・ガムラン、パーカッション奏者。

大学時代にガムランと出会い、バリ島への渡航を重ね研鑽を積む。

国内ではガムランを皆川厚一に師事し、現在「TAIKUH JIKANG」や「ウロツテノヤ子」、和田啓主宰「南洋神楽プロジェクト」、パーカッショニストAi（ooioo）率いる「OLAibi」などで活躍中。 民族音楽や古典という枠にとらわれず、朝崎郁恵、UA、梅津和時、熊谷和徳、外山明、新井田耕造、吉田ダイキチ、YOSHIMI（boredoms/ooioo）など様々なジャンルのアーティストと共演し、高い評価を得ている。

また近年ではパーカッションを和田啓に師事し、日本ではまだ数少ないアラビックパーカッション奏者としても精力的に活動している。

Tomoyuki Hamamoto, Percussion

Bali gamelan, percussion player

Hamamoto meets gamelan in college student days and he repeats a voyage to Bali and acquire study.

He studied under Koichi Minagawa in gamelan. He is a member of "TAIKUH JIKANG" and "Urotsutenoya child", "South Seas Kgura dance project". Now under activity with Ikue Asazaki, UA, Kazutoki Umezu, Kazunori Kumagai, Akira Toyama, Kozo Niida, Daikichi Yoshida, YOSHIMI (boredoms/ooioo) play with the artists of various genres without being seized with the limit called folk music and the classic and get a high evaluation.

In addition, in late years Hamamoto studies under Kei Wada in a percussion and still energize as a little Arabic percussion players in Japan.