winter words
As I write it is winter up here in the Northern Hemisphere of our little blue world. One is always puzzling to find a greater variety of words with which to express haiku experiences in their due time and place. The unusual and quite evocative haiku below got me to thinking about season-specific words we could use to broaden the verbal palette when transcribing haiku insights. Here was another interesting development in the creation of a kigo methodology for non-Japanese cultures (myth is another useful resource, along with literary and social history, folk traditions which still mean something, and so on). For, as we should all know, natural seasonal reference is not the be all and end all (to say the least) of the original Nippon kigo concept, which addresses both social responses to the yearly cycle as well as natural history's geophysical and organic changes. Mainly, this fine haiku example uses a natural seasonal reference. However, quite astutely this winter haiku also alludes to social history by the use of a little used and uncommon Latin word. Here it is for your slowed down attention. . . .
So, we look up that rare, sonically simple, yet cognitively somewhat obscure word, over at TheFreeDictionary. . . .
hiemal [ˈhaɪəməl]
adj
a less common word for hibernal
[from Latin hiems winter; see hibernate]
Briefly, this haiku's quietude is a wintry hibenation sort of feeling (referencing the history of language from back in the Roman days). The word hiemal gives a sort of scientific, detached objectivity in this haiku's winter gloom. This speaks of many things. . . .
Anyway, next, I went looking for seasonal word-lists (or search generators), to extend my haiku vocabulary and which notion I leave with the reader to ponder.
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NOTE: One could also generate single words (out of thin air, perhaps sychronistically) to contemplate as we would any natural scene or event. (Thus stimulating a response by drawing upon our memory sketches; in the haiku studio, or at the haiku office desk.)
We could also contemplate any object we've brought home, or photographed (whilst out and about haiku walking - a ginko, as this is traditionally termed), or noted once in our old school diary, or whatever. Of course we can meditate and go direct to our inner data-libraries as they are conjured up from memories, dreams, reflections (and forward-plannings). We might even find that we can become gypsy fortune tellers and read tea leaves or scry a crystal ball. But, perhaps, this is beyond our literary remit. . . .in an old photograph
dad throws that snowball
still
jp
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During the initial research (there's much, more to all this which will be followed up as time goes scurrying by) I got blown away by the following and so thought to include it with this post for your delectation (on a first reading I particularly enjoyed poem 6, by the way - check it out). . . .
Winter words : op. 52, lyrics and ballads of Thomas Hardy.
by Britten, Benjamin ; Hardy, Thomas
Publisher: London, New York, Boosey; sole selling agents, Boosey & Hawkes [1954] .Description: score (33 p.) 31 cm .Subject(s): Hardy, Thomas, 1840-1928 -- Musical settings | Songs (High voice) with piano | Song cycles Contents:1. At day-close in November.--2. Midnight on the Great Western; or, The journeying boy.--3. Wagtail and baby, a satire.--4. The little old table.--5. The choirmaster's burial; or, The tenor man's story.--6. Proud songsters (Thrushes, finches, and nightingales)--7. At the railway station, Upway; or, The convict and boy with the violin.--8. Before life and after. → source
At Day-Close in November
The ten hours' light is abating,
And a late bird flies across,
Where the pines, like waltzers waiting,
Give their black heads a toss.
Beech leaves, that yellow the noon-time,
Float past like specks in the eye;
I set every tree in my June time,
And now they obscure the sky.
And the children who ramble through here
Conceive that there never has been
A time when no tall trees grew here,
A time when none will be seen.
Midnight on the Great Western
In the third-class seat sat the journeying boy,
And the roof-lamp’s oily flame
Played down on his listless form and face,
Bewrapt past knowing to what he was going,
Or whence he came.
In the band of his hat the journeying boy
Had a ticket stuck; and a string
Around his neck bore the key of his box,
That twinkled gleams of the lamp’s sad beams
Like a living thing.
What past can be yours, O journeying boy
Towards a world unknown,
Who calmly, as if incurious quite
On all at stake, can undertake
This plunge alone?
Knows your soul a sphere, O journeying boy,
Our rude realms far above,
Whence with spacious vision you mark and mete
This region of sin that you find you in,
But are not of?
Wagtail and Baby (A Satire)
A baby watched a ford,where to
A wagtail came for drinking;
A blaring bull wentwading through,
The wagtail showed no shrinking.
A stallion splashed his way across,
The birdie nearly sinking;
He gave his plumes a twitch and toss,
And held his own unblinking.
Next saw the baby round the spot
A mongrel slowly slinking;
The wagtail gazed, but faltered not
In dip and sip and prinking.
A perfect gentleman then neared;
The wagtail,in a winking,
With terror rose and disappeared;
The baby fella-thinking.
The Little Old Table
Creak, little wood thing, creak,
When I touch you with elbow or knee;
That is the way you speak
Of one who gave you to me!
You, little table, she brought-
Brought me with her own hand,
As she looked at me with a thought
That I did not understand.
-Whoever owns it anon,
And hears it, will never know
What a history hangs upon
This creak from long ago.
The Choirmaster's Burial (or The Tenor Man's Story)
He often would ask us
That ,when he died,
After playing so many
To their last rest,
If out of us any
Should here abide,
And it would not task us,
We would with our lutes
Play over him
By his grave-brim
The psalm he liked best-
The one whose sense suits
"Mount Ephraim"-
And perhaps we should seem
To him, in Death's dream,
Like the seraphim.
As soon as I knew
That his spirit was gone
I thought this his due,
And spoke thereupon.
"I think," said the vicar,
"A read service quicker
Than viols out-of-doors
In these frosts and hoars.
That old-fashioned way
Requires a fine day,
And it seems to me
It had better not be."
Hence, that afternoon,
Though never knew he
That his wish could not be,
To get through it faster
They buried the master
Without any tune.
But 'twas said that, when
At the dead of next night
The vicar looked out,
There struck on his ken
Thronged round about,
Where the frost was graying
The headstoned grass,
A band all in white
Like the saints in church-glass,
Singing and playing
The ancient stave
By the choirmaster's grave.
Such the tenor man told
When he had grown old.
Proud Songsters (Thrushes, Finches and Nightingales)
The thrushes sing as the sun is going,
And the finches whistle in ones and pairs,
And as it gets dark loud nightingales
In bushes
Pipe, as they can when April wears,
As if all Time were theirs.
These are brand-new birds of twelve-months' growing,
Which a year ago, or less than twain,
No finches were, nor nightingales,
Nor thrushes,
But only particles of grain,
And earth, and air, and rain.
At the Railway Station, Upway (or The Convict and Boy with
The Violin)
"There is not much that I can do,
For I 've no money that's quite my own!"
Spoke up the pitying child-
A little boy with a violin
At the station before the train came in,-
"But I can play my fiddle to you,
And a nice one 'tis, and good in tone!"
The man in the handcuffs smiled;
The constable looked, and he smiled, too,
As the fiddle began to twang;
And the man in the handcuffs suddenly sang
With grimful glee:
"This life so free
Is the thing for me!"
And the constable smiled, and said no word,
As if unconscious of what he heard;
And so they went on ‘till the train came in -
The convict, and boy with the violin.
Before Life and After
A time there was – as one may guess
And as, indeed, earth's testimonies tell -
Before the birth of consciousness,
When all went well.
None suffered sickness, love, or loss,
None knew regret, starved hope, or heart-burnings;
None cared whatever crash or cross
Brought wrack to things.
If something ceased, no tongue bewailed,
If something winced and waned, no heart was wrung;
If brightness dimmed, and dark prevailed,
No sense was stung.
But the disease of feeling germed,
And primal rightness took the tinct of wrong;
Ere nescience shall be reaffirmed
How long, how long?
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jp
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11-01-12
http://is.gd/hiemal