Ichikawa Jurai III as Shirai Gonpachi in "Suzu-ga-Mori" (Suzu-ga-Mori) - Series Figures of the Modern Stage #3
現代舞台藝蕐(3)鈴ヶ森権八 三代目 市川壽海丈
The print
Artist: Ôta Masamitsu
Publisher: Miyake Koshodo (Banchoro)
Carver: Nagai Otokichi (1902-1979)
Printer: Uchikawa Matashiro
Date: 1955 #39/200
Format: Oban-tate
Catalogue: S-220
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The play Ukiyozuka Hikoku no Inazuma (Motifs of the Floating World and matching Lightning Bolts) was premiered in 1823 and consists of two parts, nine acts and 19 scenes. The sixth scene of the first part called "Gozonji Suzu-ga-mori" is now a play in itself performed separately.
The play is based on the life of the samurai-turned-bandit Hirai Gonpachi, executed in 1679 and at whose grave the courtesan Komurasaki committed suicide. Their tragic love story has been the subject of popular songs, books, plays and prints with the hero's name changed from Hirai to Shirai (white (shira) + well (i)) to avoid the wrath of the censors. The symbol on the sleeve of the kimono represents the character of the well (井), written in white.
The first part of the play Ukiyozuka Hikoku no Inazuma tells of Gonpachi's flight to Edo after a first murder in Tottori on the north coast of Japan. On the way he frees a young girl named Komurasaki and kills several bandits. Then he meets Banzui Chobei (a Japanese Robin Hood) and this meeting is the subject of the sixth scene "Suzu-ga-Mori". The two men become friends and the title of the play "matching Lightning Bolts" refers to this friendship. The meeting between Gonpachi and Chobei is one of the most famous scenes of the kabuki theater.
Suzu-ga-Mori is the old execution grounds near Edo. It is a gloomy place, not far from the Tokaido highway.
Shirai Gonpachi: On-the-run outlaw
Banzui Chobei: In-charge of a people's protection group
Utagawa Kunisada - The meeting between Gonpachi and Chobei with Ichikawa Komazô VII as Banzui Chôbei and Ichikawa Saruzô I as Shirai Gonpachi (1851)
We are at Suzu-ga-Mori, the execution grounds not far from Edo. An official messenger is attacked by a group of bandits disguised as palanquin bearers. They strip him naked and to save his life, the messenger gives them the case containing the letter he brings to the authorities in Edo. It is a warrant for the capture of Shirai Gonpachi, murderer of his uncle and recognizable by the emblem on his kimono representing a white well (shirai). One of the bandits says he saw him board a palanquin on his way to Edo, he should soon arrive ... They all hide to wait, hoping to capture him to receive the reward.
A palanquin approaches on the hanamichi. A young man comes out and begins to quarrel with the bearers about the outrageous transportation fee. The bandits see the white well symbol on his sleeve and attack. But the fugitive is saved when a cloud passes in front of the moon and plunges the scene into darkness. Gonpachi takes the opportunity to defend himself and hurts most of the bandits.
During this fight, another palanquin arrives with Banzui Chobei on board. The palanquin carries a lantern which brings a little light to the scene. Chobei admires Gonpachi's swordmanship as he defeats his opponents one after the other. The bandits flee and Gonpachi approaches the palanquin's light to check the condition of his blade. His gaze meets Chobei's and he is about to leave when Chobei tells him he enjoyed the fight and hands him the case with the messenger’s letter which he had picked up on the ground. Gonpachi reads it and realizes that he is a wanted man. Chobei grabs it, reads it in turn, then looking at Gonpachi, sets it on fire and drops the ashes. He assures Gonpachi of his help when he comes to Edo and they go their separate ways.
The second part of this long play takes place in Edo where Chobei and Gonpachi have several adventures. Gonpachi finds Komurasaki, now a courtesan in the Miura-ya house and falls in love with her. But he is captured, then executed and buried at the temple of Meguro Fudo where the desperate Komurasaki commits suicide on his grave.
Actor Ichikawa Jukai III (1886-1971) is a Kabuki legend. He started playing at the age of eight and worked his way up. He took the actor name Jukai III in 1949 and was named "Living National Treasure" in 1962, the first kabuki actor to be so honored. His previous stage name was Ichikawa Sumizo VI and several prints exist of him in his youth roles.
Onoe Kikugoro as Shirai Gonpachi (2019)
Natori Shunsen - Ichikawa Sumizo VI as Shirai Gonpachi (1926) (Image Artelino)
Nakamura Kichiemon II as Banzui Chobei (2019)
Natori Shunsen - Nakamura Kichiemon I as Banzui Chobei (1951)
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