8.3.175. Ovidio

• ALLEN (B-1992) = Peter L. Allen, The Art of Love: Amatory Fiction from Ovid to the Romance of the Rose, Filadelfia, 1992.
• ANDERSON (B-1994) = William S. Anderson, “Aspects of love in Ovid’s Metamorphoses”, CJ, 90 (1994-95) 265-269.
• ANDRONICA (1969) = J. L. Andronica, A Comparative Study of Ovid’s Treatment of Erotic Themes in the Different Genres of his Poetry, Baltimore, 1969.
• ARCAZ (1995) = J. Arcaz Pozo, “Passer mortuus est: Catulo (carm. 3), Ovidio (am. 3.7) y Maximiano (el. 5.87-104)”, CFC(L), 8 (1995) 79-88.
• ARENA (A-1995) = A. Arena, “Ovidio e l’ideologia augustea. I motivi delle Heroides ed il loro significato”, Latomus, 54 (1995) 822-841.
• BAEZA (1989) = Eulogio F. Baeza Angulo, “Ovidio, Amores III.7”, Faventia, 11.1 (1989) 25-58.
• BAEZA (1996) = Id., “La magia en la poesía amatoria de Ovidio”, en J. L. Arcaz Pozo – G. Laguna Mariscal – A. Ramírez de Verger (eds.), La obra amatoria de Ovidio: aspectos textuales, interpretación literaria y pervivencia, Madrid, 1996, pp. 143-159.
• BAEZA (1998) = Id., “Motivos y léxico amatorios en los Tristia de Ovidio”, en J. L. Vidal – A. Alvar Ezquerra (eds.), Actas IX Congr. Español de Estudios Clásicos. Vol. V: Literatura Latina, Madrid, 1998, pp. 31-36.
• BAEZA (2008) = Id., “Un modelo de literatura de amor conyugal: Ouidii exulis Corpus amatorium”, Euphrosyne, 36 (2008) 135-148.
• BARCHIESI (1988) = A. Barchiesi, “Ovid the Censor”, AJAH, 13 (1988) 96-115.
• BARSBY (1996) = John A. Barsby, “Ovid’s Amores and Roman comedy”, en F. Cairns – M. Heath (eds.), Papers of the Leeds International Latin Seminar. 9: Roman poetry and prose, Greek poetry, etymology, historiography, Leeds, 1996, pp. 135-157.
• BEARD (1999) = M. Beard, “The Erotics of Rape: Livy, Ovid and the Sabine Women”, en P. Setälä – L. Savunen (eds.), Female Networks and the Public Sphere in Roman Society, Roma, 1999, pp. 1-10.
• BELLIDO (1989) = José A. Bellido, “El motivo literario de la militia amoris y su influencia en Ovidio”, EClás, 95 (1989) 21-32.
• BELMAS (2008) = Claude Belmas, “Les criminelles Lemniennes victimes elles-mêmes de la gardnerella vaginalis? Approche médicale de la dysosmie”, Réflexion(s), septembre 2008, 6 pp.
• BERTINI (2006) = F. Bertini, “Il triangolo erotico in Catullo e in Ovidio”, Sandalion, 29-30 (2006-2007) 27-43.
• BETTENWORTH (2003) = A. Bettenworth, “Ovid, Apollonios und Sappho: Die Liebessymptomatik der Medea in Ov. Met. 7, 74-88”, Philologus, 147 (2003) 101-113.
• BIELECKA (2013) = Elzbieta Bielecka, “Furiosa libido. Ovid on love and madness”, SPhP, XXIII/2 (2013) 141-151.

Se examina el concepto de locura de amor en diversos pasajes de Ars amandi y de Metamorfosis, tratando diversas figuras mitológicas tanto femeninas (Biblis, Mirra, Clitemnestra, Medea, Pasífae; también la historia de Ifis y Yante) como masculinas (Paris, Tereo).

• BOEHRINGER (2005b) = S. Boehringer, “«Iphis était une femme» (Ovide, Mét. 9, 666-797)”, en F. Lestringant et al. (ed.), «Liber amicorum»: mélanges sur la littérature antique et moderne à la mémoire de Jean-Pierre Néraudau, Paris, 2005, pp. 83-94.
• BOLTON (2009) = Catherine Bolton, “Gendered spaces in Ovid's Heroides”, CW, 102 (2008-2009) 273-290.
• BRISSON (1990) = L. Brisson, “Hermaphrodite chez Ovide”, en F. Monneyron (ed.), L’Androgyne dans la literature, París, 1990, pp. 24-37.
• BUNTROCK (2017) = Catharine Buntrock, "Ovid’s exploration of the psychological self: depictions of gender and identity in the story of Iphis in the Metamorphoses", NEO - The Classics Students' Journal, 1 (2017) 9-18.
• CABALLERO (1995) = E. Caballero de del Sastre, “El episodio de Ifis: mutación e individuación sexual (Ovidio, Metamorfosis IX 666-97)”, Argos, 19 (1995) 49-56.
• CAHOON (1988) = L. Cahoon, “The Bed as Battlefield: Erotic Conquest and Military Metaphor in Ovid’s Amores”, TAPhA, 118 (1988) 293-307.
• CARP (1983) = T. Carp, “Venus utraque. A typology of seerhood”, CW, 76 (1983) 275-285.
• CASALI (1998) = S. Casali, “Ovid’s Canace and Euripides’ Aeolus: two notes on Heroides 11”, Mnemosyne, 51 (1998) 700-710.
• CHAPPUIS (2005) = L. Chappuis Sandoz, “Les puellae des Métamorphoses d’Ovide: des jeunes femmes de mauvais genre?”, LEC, 73 (2005) 319-357.
• CICCARELLI (2008) = I. Ciccarelli, “Ovidio censore dei mimi: Trist. 2, 497-520”, Euphrosyne, 36 (2008) 219-224.
• COFFEE (2013) = Neil Andrew Coffee, “Ovid negociates with His Mistress: Roman Reciprocity from Public to Private”, en Michael L. Satlow (ed.), The Gift in Antiquity, Malden, Mass./Oxford: Wiley-Blackwell, 2013, pp. 77-95. [vista previa restringida en Google Books]

Analiza la tensión entre el concepto de regalo y el concepto de pago en la poesía erótica latina, subrayando su sentido simbólico y sus componentes afectivos, particularmente en el topos del desprecio de los regalos, que subraya el componente instrumental del hecho de regalar y construye el ideal de una relación exenta de regalos.

• COLETTI (1992) = A. Coletti Strangi, Cosmesi e seduzione in Ovidio e nel mondo romano, L’Aquila, 1992.
• CURRAN (1978) = Leo C. Curran, “Rape and Rape Victims in the Metamorphoses”, Arethusa, 11 (1978) 213-241.
• DE MARTINO (B-2011) = Luigi de Martino, “Il mito di Ceneo in Virgilio e Ovidio”, InvLuc, 33 (2011) 63-72.
• DILLON (A-1994) = J. Dillon, “A Platonist Ars Amatoria”, CQ, 44 (1994) 387-392.
• DIMUNDO (2000) = R. Dimundo, “L’arte della seduzione e il doctus amator ovidiano (Ov. Ars 1, 1-34)”, BStudLat, 30 (2000) 19-36.
• DOOLEY (2001) = Mark Dooley, “Inversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in Ovid and Lyly”, en Goran V. Stanivukovic (ed.), Ovid and the Renaissance Body, Toronto, 2001, pp. 59-76.
• DOWNING (1990) = E. Downing, “Anti-Pygmalion: the praeceptor in Ars amatoria book 3”, Helios, 17 (1990) 237-249.
• DURLING (1958) = Robert M. Durling, “Ovid as Praeceptor Amoris”, CJ, 53 (1958) 157-167.
• FABRÉ (1988) = J. Fabré, “La chasse amoureuse: à propos de l’épisode de Céphale et Procris (Mét. VII, 690-862)”, REL, 68 (1988) 122-138.
• FANTHAM (1983) = E. Fantham, “Sexual Comedy in Ovid’s Fasti: Sources and Motivation”, HSPh, 87 (1983) 185-216.
• FISHER (B-1996) = N. Fisher, “Laser-quest: unnoticed allusions to contraception in a poet and a princeps?”, ClIre, 3 (1996) 73-97.
• FORD (A-1966) = G. B. Ford, “An analysis of Amores I 4”, Helikon, 6 (1966) 645-652.
• FRAZEL (2003) = Thomas D. Frazel, “Priapus’ two rapes in Ovid’s Fasti”, Arethusa, 36 (2003) 61-97.
• FRÉCAUT (1982) = J. M. Frécaut, “L’épisode de Pasiphaé dans l’Art d’aimer d’Ovide (I, 289-326)”, Caesarodonum, 17 bis (1982) 17-30.
• FRONTISI (2004) = F. Frontisi-Ducroux, “Ovide pornographe? Comment lire les récits de viols”, CLIO. Histoire, femmes et sociétés, 19 (2004) 21-35.
• GAMEL (1989) = M. K. Gamel, “Non sine caede: Abortion Politics and Poetics in Ovid’s Amores”, Helios, 16 (1989) 183-206.
• GÄRTNER (2007c) = T. Gärtner, “Die Geschlechtsmetamorphose der ovidischen Caenis und ihr hellenistischer Hintergrund”, Latomus, 66 (2007) 891-899.
• GÄRTNER (2011) = Id., “Das Erlebnis der Impotenz. Zur Genese, Struktur und Rezeption von Ov., am. III, 7”, Latomus, 70 (2011) 103-123.
• GIANGRANDE (1971) = G. Giangrande, “Topoi ellenistici nell’Ars Amatoria”, en I. Gallo – L. Nicastri (eds.), Cultura, poesia, ideologia nell’opera di Ovidio, Nápoles, 1971, pp. 80-95.
• GIANGRANDE (1990b) = Id., “Symptoms of Love in Theocritus and Ovid”, AnMal, 13 (1990) 121-123.
• GIBSON (B-1998) = R. K. Gibson, “Meretrix or matrona? Stereotypes in Ars Amatoria 3”, en Papers of the Leeds International Latin Seminar, 10, Leeds, 1998, pp. 295-312.
• GONZÁLEZ (F-1999) = Ramiro González Delgado, “Homoerotismo femenino en Las metamorfosis de Ovidio", en Amor y erotismo en la literatura, Salamanca, 1999, pp. 417-424.
• GORDON (A-1997) = Pamela Gordon, “The Lover’s Voice in Heroides 15: or, why is Sappho a Man?”, en HALLET & SKINNER (1997), pp. 274-291.
• GREEN (A-1996) = Carin M. C. Green, “Terms of Venery: Ars Amatoria I”, TAPhA, 126 (1996) 221-263.
• GREENE (1994b) = E. Greene, “Sexual Politics in Ovid’s Amores: 3.4, 3.8, and 3.12”, CPh, 89 (1994) 344-350.
• GUARINO (B-2007) = R. Guarino Ortega, “El Arte de amar de Ovidio, praecipuae artis opus”, en PEREA (2007), pp. 63-71.
• HABERMEHL (2006) = P. Habermehl, “Quod crimen praeter amasse?: Dido und das Hohelied der Liebe (Ovid her. VII)”, A&A, 52 (2006) 72-94.
• HÄNSEL (2006) = S. Hänsel, “«Transsexualität» in der Antike? Über den Geschlechtswechsel bei Ovid und Diodorus von Sizilien”, en Sexualität, Medizin und Moralvorstellungen in der Antike, Berlín, 2006, pp. 20-34.
• HARDIE (2004) = P. Hardie, “Approximative Similes in Ovid. Incest and Doubling”, Dictynna, 1 (2004) 1-30.
• HAYWARD (2017) = Anwen Hayward, "Between bodies: the transformation of Iphis’ sex in Ovid's Metamorphoses", NEO - The Classics Students' Journal, 1 (2017) 19-35.
• HERRMANN (1975) = L. Herrmann, “Ovide, la Bona Dea et Livie”, AC, 44 (1975) 126-140.
• HEYWORTH (1992) = S. J. Heyworth, “Ars moratoria (Ovid, A. A. 1. 681-704)”, LCM, 17 (1992) 59-61.
• HOLZBERG (1981) = N. Holzberg, “Ovids erotische Lehrgedichte und die römische Liebeselegie”, WS, 15 (1981) 185-204.
• HOUGHTON (2009) = L. B. T. Houghton, “Sexual Puns in Ovid’s Ars and Remedia”, CQ, 59 (2009) 280-285.
• HUNKELER (2008) = Th. Hunkeler, “«Alors que chacun dort, je veille»: l’insomnie amoureuse à travers ser échos ovidiens”, Camenae, 5 (noviembre 2008), 12 pp. (sin paginar).
• INGLEHEART (2006) = J. Ingleheart, “Burning manuscripts: the literary apologia in Ovid’s Tristia 2 and Vladimir Nabokov’s On a book entitled «Lolita»”, CML, 26.2 (2006) 79-109.
• JAMES (1997) = Sharon L. James, “Slave-rape and female silence in Ovid’s love poetry”, Helios, 24.1 (1997) 60-76.
• JAMES (2008) = Ead., “Women reading men: the female audience of the Ars amatoria”, PCPhS, 54 (2008) 136-159.
• KEITH (1994) = Alison M. Keith, “Corpus eroticum: Elegiac Poetics and Elegiac puellae in Ovid’s Amores”, CW, 88 (1994) 27-40.
• KENNEY (1967) = Edward J. Kenney, “Liebe als juristisches Problem. Über Ovids Heroides 20 und 21”, Philologus, 111 (1967) 212-232.
• KENNEY (1970) = Id., “Love and Legalism: Ovid, Heroides 20 and 21”, Arion, 9 (1970) 388-414.
• KRUK (2012) = Karolina Kruk, “Portrait of a perfect wife in Ovid's poetry from exile” (en polaco, con resumen en inglés), SPhP, 22.1 (2012) 59-72.
• LABATE (1975) = M. Labate, “Amore coniugale e amore elegiaco nell’episodio di Cefalo e Procri. Ov., Met. 7, 661-865”, ASNP, 5 (1975-76) 103-128.
• LAGUNA (1989) = G. Laguna Mariscal, “El texto de Ovidio, Amores, II 10, 9 y el tópico del navigium amoris”, Emerita, 57 (1989) 309-315.
• LAIGNEAU (2000) = S. Laigneau, “Ovide, Amores I, 6: un paraclausithyron très ovidien”, Latomus, 59 (2000) 317-326.
• LÄMMLE (2005) = R. Lämmle, “Die Natur optimieren: Der Geschlechtswandel der Iphis in Ovids Metamorphosen”, en H. Harich-Schwarzbauer – T. Späth (eds.), Gender Studies in den Altertumswissenschaften. Räume und Geschlechter in der Antike, Trier, 2005, pp. 193-210.
• LANDOLFI (2002) = L. Landolfi, “«Forma duplex» (Ov. Met. 4, 378): Salmacide, Ermafrodito e l’ibrida metamorfosi”, BStudLat, 32 (2002) 406-423.
• LA PENNA (1983) = A. La Penna, “La parola traslucida di Ovidio. Sull’episodio di Ermafrodito, Met. IV 285-388”, Vichiana, 12 (1983) 235-243.
• LATEINER (2009b) = Donald Lateiner, “Transsexuals and Transvestites in Ovid's Metamorphoses”, en Thorsten Fögen & Mireille M. Lee (eds.), Bodies and Boundaries in Graeco-Roman Antiquity, Berlín / Nueva York, 2009, pp. 125-152.
• LEPICK (1981) = Julie A. Lepick, “The Castrated Text: The Hermaphrodite as Model of Parody in Ovid and Beaumont”, Helios, 8.1 (1981) 71-85.
• MAKOWSKI (1996) = John F. Makowski, “Bisexual Orpheus: Pederasty and Parody in Ovid”, CJ, 92 (1996) 25-38.
• MANSON (1982) = M. Manson, “Le mythe de Pygmalion est-il un mythe de la poupée?”, Caesarodonum, 17 bis (1982) 101-137.
• MARTIN (B-1986) = R. Martin, “Ovide et la sexualité: dit et non-dit de l’Ars amatoria”, en F. Decreus – C. Deroux (eds.), Hommages à J. Veremans, Bruselas, 1986, pp. 208-218.
• MARTIN (B-1999) = Id., “Sensualité, sentiment et intelligence dans l’Ars amatoria”, en W. Schubert (ed.), Ovid: Werk und Wirkung. Festgabe für M. von Albrecht zum 65. Geburtstag, Berlín-Nueva York-París, 1999, pp. 197-204.
• MASCIA (2001) = E. di Mascia, “Il topos del bacio per interposta coppa in Ovidio, Her. 16, 225-6”, RCCM, 2 (2001) 255-260.
• MYEROWITZ (1992) = M. Myerowitz, “The Domestication of Desire: Ovid’s Parva Tabella and the Theater of Love”, en RICHLIN (1992), pp. 131-157.
• MYERS (A-2005) = Karen S. Myers, “Italian myth in Metamorphoses 14: themes and patterns”, Hermathena, 177-178 (2004-2005) 91-112.
• NADEAU (A-1984) = Y. Nadeau, “Catullus’ Sparrow, Martial, Juvenal and Ovid”, Latomus, 43 (1984) 861-868.
• NAGLE (1983) = Betty R. Nagle, “Byblis and Myrrha. Two incest narratives in the Metamorphoses”, CJ, 78 (1983) 301-315.
• NAGLE (1988) = Ead., “Erotic Pursuit and Narrative Seduction in Ovid’s Metamorphoses”, Ramus, 17 (1988) 32-51.
• NAGLE (1988b) = Ead., “A trio of love-triangles in Ovid’s Metamorphoses”, Arethusa, 21 (1988) 75-98.
• NICAISE (1980) = S. Nicaise, “Un conte de fées dans les Métamorphoses d’Ovide, IX, 669-797. L’étrange histoire d’Iphis”, LEC, 48 (1980) 67-71.
• NUGENT (1990) = G. Nugent, “This sex which is not one: De-constructing Ovid’s Hermaphrodite”, en KONSTAN-NUSSBAUM (1990), pp. 160-185.
• O’BRYHIM (2008) = S. O’Bryhim, “Myrrha’s ‘wedding’ (Ov. Met. 10. 446-70) ”, CQ, 58 (2008) 190-195.
• O’GORMAN (1997) = E. O’Gorman, “Love and Family: Augustus and Ovidian Elegy”, Arethusa, 30 (1997) 103-123.
• PASCHALIS (1984) = M. Paschalis, “The demythicization of virtus in Ovid’s Metamorphoses” (en gr., con resumen en ingl.), en Α’ Πανελλήνιο Συμπόσιο Λατινικών Σπουδών. Θέμα· Λογοτεχνία και πολιτική στα χρόνια του Αυγούστουλ Γιάννενα, 5-6 Νοεμβρίου 1982, Ioannina, 1984, pp. 51-66.
• PEPE (A-1958) = Luigi Pepe, “Milesie e Sibaritiche al tempo di Ovidio”, GIF, 11 (1958) 317-326.
• PHILIPPIDES (1996) = K. Philippides, “Canace misunderstood: Ovid’s Heroides 11”, Mnemosyne, 49 (1996) 426-439.
• PINTABONE (2002) = Diane T. Pintabone, “Ovid’s Iphis and Ianthe: when girls won’t be girls”, en RABINOWITZ-AUANGER (2002), pp. 256-285.
• POLLMANN (2005) = Karla F. L. Pollmann, “Marriage and gender in Ovid’s erotodidactic poetry”, en Warren S. Smith (ed.), Satiric advice on women and marriage: from Plautus to Chaucer, Ann Arbor (Michigan), 2005, pp. 92-110. [vista previa restringida en Google Books]
• PORTE (1978) = D. Porte, “Les Fastes d’Ovide et le sourcil latin”, Latomus, 37 (1978) 851-873.
• PUCCINI (2008) = G. Puccini-Delbey: “Sexus ambiguus et viol: la métamorphose d’hermaphrodite chez Ovide et le travestissement d’Achille chez Stace”, en FONTANIER (2008), pp. 175-186.
• RAGUSA (2003) = A. Ragusa, “Eros coniugale ed eros servile nelle Heroides ovidiane: l’amor di Penélope, Laodamia, Briseide”, Pan, 21 (2003) 191-209.
• RAMÍREZ (A-1997) = A. Ramírez de Verger, “De figuris Veneris (Ovidius, De arte amatoria, III 769-88”, en L. Gómez Canseco – P. L. Zambrano – L. P. Alonso (eds.), El sexo en la literatura, Huelva, 1997, pp. 29-32.
• RAMÍREZ (A-1999) = Id., “Figurae Veneris (Ov. ars 3, 769-88)”, en W. Schubert (ed.), Ovid: Werk und Wirkung. Festgabe für M. von Albrecht zum 65. Geburtstag, Berlín-Nueva York-París, 1999, pp. 237-243.
• RAVAL (1998) = Shilpa Raval, Pudibunda ora: gender, sexuality, and language in Ovid’s Metamorphoses, tesis, Brown Univ., 1998.
• RHORER (1980) = C. C. Rhorer, “Red and white in Ovid’s Metamorphoses. The mulberry tree in the tale of Pyramus and Thisbe”, Ramus, 9 (1980) 79-88.
• RINALDI (2007) = D. Rinaldi, “Haciendo de Hipólito un Príapo: Ovidio, Marcial y los Priapeos”, Calíope, 17 (2007) 38-57.
• ROBERT (B-1997) = R. Robert, “Ars regenda Amore. Séduction érotique et plaisir esthétique: de Praxitèle a Ovide”, MEFRA, 104 (1992) 373-438.
• ROBINSON (B-1999) = M. Robinson, “Salmacis and Hermaphroditus: when two become one”, CQ, 49 (1999) 212-223.
• ROSENMEYER (B-1996) = Patricia A. Rosenmeyer, “Love letters in Callimachus, Ovid and Aristaenetus or the sad fate of a mailorder bride”, MD, 36 (1996) 9-31.
• ROSSI (B-1997) = E. Rossi, “Ruoli e scambi di ruoli nelle Metamorfosi ovidiane”, ASNP, 2.2 (1997) 453-480.
• RUIZ (A-1998) = M. Ruiz Sánchez, “Figuras del deseo: arte de la variación en Marcial y en Ovidio”, CFC(L), 14 (1998) 93-113.
• SANTOS (2010) = Cristina Santos Pinheiro, “Suos utero quae necat (Am. 2.14.38): aborto, sexualidade e medicina no tempo de Ovídio” en Mª. Cristina de Sousa Pimentel – Nuno Simões Rodrigues (eds.), Sociedade, Poder e Cultura no Tempo de Ovídio, Coímbra, 2010, pp. 173-186.
• SCHMITZ (A-1998) = Th. Schmitz, “Cetera qui nescit: Verschwiegene Obszönität in der Liebesdichtung Ovids”, Poetica, 30 (1998) 317-349.
• SHARROCK (2002) = Alison R. Sharrock, “Gender and Sexuality”, en Ph. Hardie (ed.), The Cambridge Companion to Ovid, Cambridge, 2002, pp. 95-107. [vista previa restringida en Google Books]
• STROH (1979) = W. Stroh, “Ovids Liebeskunst und die Ehegesetze des Augustus”, Gymnasium, 86 (1979) 323-352.
• STROH (1979b) = Id., “Rhetorik und Erotik. Eine Studie zu Ovids liebesdidaktischen Gedichten”, WJA, 5 (1979) 117-132.
• THOMASON (1931) = R. F. Thomason, The Priapea and Ovid. A Study of the Language of the Poems, Nashville, 1931.
• TUPET (1976) = A. M. Tupet, “Ovide et la magie”, en N. Barbu – E. Dobroiu – M. Nasta (eds.), Ovidianum. Acta conventus omnium gentium ovidianis studiis fovendis, Bucarest, 1976, pp. 575-584.
• VERDIÈRE (1971) = R. Verdière, “Un amour secret d’Ovide”, AC, 40 (1971) 623-648.
• VERSTRAETE (1975) = Beert C. Verstraete, “Ovid on Homosexuality”, EMC, 19 (1975) 79-83.
• VIARRE (1985) = S. Viarre, “L’androgynie dans Les Métamorphoses d’Ovide. À la recherche d’une méthode de lecture”, en J. M. Frécaut – D. Porte (eds.), Journées ovidiennes de Parménie. Actes du Colloque sur Ovide, Bruselas, 1985, pp. 229-243.
• VIARRE (2007) = Ead., “Canacé et Macarée, du cosmos à l’inceste (Héroïde XI)”, en H. Casanova-Robin (ed.), Amor scribendi: lectures des Héroïdes d'Ovide, Grenoble, 2007, pp. 81-91. [vista previa restringida en Google Books]
• WALKER (B-2006) = J. Walker, “Before the name: Ovid’s deformulated lesbianism”, CompLit, 58 (2006) 205-222.
• WHEELER (B-1997) = Stephen M. Wheeler, “Changing Names: the Miracle of Iphis in Ovid Metamorphoses 9”, Phoenix, 51 (1997) 190-202.
• ZYT (1983) = B. van Zyt Smit, “Love and metamorphoses in Ovid”, Akroterion, 28 (1983) 34-36.