8.3.123. Horacio

• ALVAR (A-1997) = A. Alvar Ezquerra, “Los epodos eróticos de Horacio y los inicios de la elegía latina”, EClás, 111 (1997) 7-26.
• ANCONA (1989) = R. Ancona, “The Subterfuge of Reason: Horace, Odes 1.23 and the Construction of Male Desire”, Helios, 16 (1989) 49-57.
• ANCONA (1994) = Id., Time and the Erotic in Horace’s Odes, Durham, NC-Londres, 1994. [reseña en BMCR] [vista premia limitada en Google Books]
• BABCOCK (1966) = C. L. Babcock, “Si certus intrarit dolor. A reconsideration of Horace’s fifteenth Epode”, AJPh, 87 (1966) 400-419.
• BALDWIN (1970) = B. Baldwin, “Horace on Sex”, AJPh, 91 (1970) 460-65.
• BANNON (1993) = Cynthia J. Bannon, “Erotic Brambles and the Text of Horace Carmen 1.23.5-6”, CPh, 88 (1993) 220-222.
• BARABINO (1994) = A. Barabino, “Immagini e metafore di animali nella scrittura giambica oraziana (Hor. epod. 6, 8 e 12)”, InvLuc, 15-16 (1993-1994) 9-29.
• BARCHIESI (1995) = A. Barchiesi, “Poetica di un mito sessuale: la strega giambica”, en R. Raffaelli, Vicende e figure femminili in Grecia e a Roma, Ancona, 1995, pp. 335-342.
• BOND (1998) = Robin P. Bond, “Horace on Damasippus on Stertinius on…”, Scholia, 7 (1998) 82-108.

This article explores the characterisation of Damasippus as enthusiastic but inexpert Stoic convert, the presentation of the Horatian voice and also the Stoic authenticity of the Stertinian portion of Horace, Satires 2.3. An attempt is made to analyse the Stertinian arguments and to come to some conclusions regarding the success of the poem as an entertainment and a critique of extremist Stoic values and techniques of argumentation.

• BRUGNOLI (1959) = G. Brugnoli, “Cuculus. Nota di critica semantica”, RCCM, 1 (1959) 63-78.
• BUSHALA (1970) = Eugene W. Bushala, “The Motif of Sexual Choice in Horace Satire 1.2”, CJ, 66 (1970-71) 312-315.
• CARRUBBA (1965) = R. W. Carrubba, “Horace’s fifteenth epode: an interpretation”, AAntHung, 13 (1965) 417-423.
• CAVARZERE (2008b) = Alberto Cavarzere, “Il rimbrotto dell’ amante geloso (Hor. epod. 12, 14–16 e Theocr. 14, 47–48)”, Philologus, 153 (2009) 360-361.
• CELENTANO (1984) = M. S. Celentano, “Licida: la passione degli uomini, l’amore delle donne (Hor. Carm. I 4, 19-20)”, QUCC, 47 (1984) 127-135.
• CHRISTES (1990) = J. Christes, “Die 14. Epode des Horaz – ein Vorbote seiner Liebeslyrik?”, Gymnasium, 97 (1990) 341-356.
• CLAYMAN (1975) = Dee L. Clayman, “Horace’s Epodes VIII and XII: More Than Clever Obscenity?”, CW, 69 (1975) 55-61.
• CUCCHIARELLI (1999) = A. Cucchiarelli, “Hor. epist. 1, 19, 29: pede mascula Sappho”, Hermes, 127 (1999) 328-344.
• CURRAN (1970) = Leo C. Curran, “Nature, Convention and Obscenity in Horace, Satires I.2”, Arion, 9 (1970) 220-245.
• DELIGNON (2008) = B. Delignon, “Les amours adultères dans la satire I, 2 d’Horace: exagerations comiques et réalités sociopolitiques”, en FONTANIER (2008), pp. 45-68.
• DELIGNON (2012) = Id., “Érotisme et mariage dans la lyrique amoureuse d’Horace: l’exemple de l’ode II, 5”, Eyphrosyne, 40 (2012) 95-108.

Algunos estudiosos consideran que la Oda II 5 se refiere al matrimonio, otros que es una oda erótica sin más. Esta oda no debe leerse como un poema elegíaco, sino como un poema lírico que se inspira en los versos eróticos de Anacreonte y en un canto nupcial de Safo. De este modo, el matrimonio se convierte en tema central que contribuye a incrementar la fuerza erótica del poema.

• DESSEN (1968) = C. Dessen, “The Sexual and Financial Mean in Horace’s Serm., I, 2”, AJPh, 89 (1968) 200-208.
• EICKS (2011) = Mathias Eicks, Liebe und Lyrik: zur Funktion des erotischen Diskurses in Horazens erster Odensammlung, Berlin; Boston: De Gruyter, 2011. [vista previa limitada en Google Books]
• ERREN (1979) = M. Erren, “Horaz an einem Winterabend. Zu c. I 2 und I 11”, LF, 102 (1979) 161-173.
• FERONE (1993) = C. Ferone, “Campanum in morbum, in faciem permulta locatus: nota a Hor. Sat. 1, 5, 62”, Orpheus, 14 (1993) 125-128.
• FUHRER (2009) = T. Fuhrer, “ Alter und Sexualität. Die Stimme der alternden Frau in der horazischen Lyrik”, en D. Elm et al. (eds.), Alterstopoi. Das Wissen von den Lebensaltern in Literatur, Kunst und Theologie, Berlin / New York: de Gruyter, 2009, pp. 49-69.
• GRASSMANN (1966) = V. Grassmann, Die erotischen Epoden von Horaz, Múnich, 1966.
• HABASH (1999) = M. Habash, “Priapus: Horace in Disguise?”, CJ, 94 (1999) 285-297.
• HALLET (A-1981) = Judith P. Hallet, “Pepidi/diffissa nate ficus: Priapic Revenge in Horace, Satires I, 8”, RhM, 124 (1981) 341-347.
• HARRISON (1988) = Stephen J. Harrison, “Horace, Odes 3.7: an erotic Odyssey?”, CQ, 38 (1988) 186-192.
• HOLLEMAN (1986) = A. W. J. Holleman, “Horace, Odes III 10, et la louve du Capitole”, AC, 55 (1986) 324-327.
• JOCELYN (1982) = Henry D. Jocelyn, “Boats, women and Horace, Odes 1, 14”, CPh, 77 (1982) 330-335.
• KEYSER (1989) = P. Keyser, “Horace Odes 1.13.3-8, 14-16. Humoural and aetherial love”, Philologus, 133 (1989) 75-81.
• KNORR (2006) = O. Knorr, “Horace’s ship ode (Odes 1.14) in context: a metaphorical love-triangle”, TAPhA, 136 (2006) 149-169.
• KUHN (1973) = F. Kuhn, Illusion und Desillusionierung in den erotischen Gedichten des Horaz, tesis, Heidelberg, 1973.
• LEACH (1994) = Eleanor W. Leach, “Horace Carmen 1.8 : Achilles, the Campus Martius, and the Articulation of Gender Roles in Augustan Rome”, CPh, 89 (1994) 334-343.
• LEBEK (1982) = Wolfgang D. Lebek, “Festinare (Suet. Gramm. 23, 6; CIL IV, 4758; Hor. Epist. 1, 1, 85)”, ZPE, 45 (1982) 53-57.
• LUCK (1976) = G. Luck, “An interpretation of Horace’s eleventh epode”, ICS, 1 (1976) 122-126.
• MALEUVRE (1995) = J.-Y. Maleuvre, “Octave-Auguste, fils adoptif de son grand-oncle?”, RBPh, 73 (1995) 73-74.
• MAÑAS (1994) = M. Mañas Núñez, “Horacio y la poesía pederasta: tradición y originalidad (Odas 4.1 y 4.10)”, en R. Cortés Tovar – J. C. Fernández Corte (eds.), Bimilenario de Horacio, Salamanca, 1994, pp. 323-330.
• MAÑAS (1996) = Id., “La poesía pederástica en Horacio: el epodo XI”, Emerita, 64 (1996) 333-350.
• MCGANN (1956) = M. J. McGann, “A matter of taste in Horace”, CR, 6 (1956) 97-99.
• MINADEO (1975) = R. Minadeo, “Sexual symbolism in Horace’s love odes”, Latomus, 34 (1975) 392-424.
• MINADEO (1982) = R. Minadeo, The Golden Plectrum: Sexual Symbolism in Horace’s Odes, Amsterdam, 1982.
• MORETTI (2008) = G. Moretti, “Cinara e Ligurinus: due nomi parlanti nel IV libro delle Odi oraziane?”, Lexis, 26 (2008) 375-391.
• NADEAU (A-1986) = Y. Nadeau, “Death, the drunkard, and the prostitute (Horace, Carmina 1.35)”, Maia, 38 (1986) 223-229.
• NIELSEN (A-1977) = Rosemary M. Nielsen, “Catullus 45 and Horace Odes 3.9. The glass house”, Ramus, 6 (1977) 132-138.
• OLIENSIS (1997) = E. Oliensis, “The Erotics of Amicitia: Readings in Tibullus, Propertius, and Horace”, en HALLET-SKINNER (1997), pp. 151-171.
• PRINZ (1912) = K. Prinz, “Zu Horaz Sat. I 2, 121 und Martial Epigr. IX 32”, WS, 34 (1912) 227-236.
• RECKFORD (1959) = K. J. Reckford, “Some Studies in Horace’s Odes on Love”, CJ, 55 (1959) 25-33.
• SCHLEGEL (2002) = Catherine M. Schlegel, “Horace’s Satires 1.2: taste and translation”, CML, 22.2 (2002) 57-83.
• SMITH (I-2005) = Warren S. Smith, “Advice on sex by the self-defeating satirists: Horace Sermones 1.2, Juvenal Satire 6, and Roman satiric writing”, en Warren S. Smith (ed.), Satiric advice on women and marriage from Plautus to Chaucer, Ann Arbor (Mich.), 2005, pp. 111-128. [vista previa restringida en Google Books]
• SUÁREZ (B-1994) = P. M. Suárez Martínez, “Horacio y las viejas libidinosas”, EClás, 105 (1994) 49-62.
• SUTHERLAND (2003) = Elizabeth H. Sutherland, “How (not) to look at a woman: bodily encounters and the failure of the gaze in Horace’s C. 1.19”, AJPh, 124 (2003) 57-80.
• SUTHERLAND (2005) = Ead., “Writing (on) Bodies: Lyric Discourse and the Production of Gender in Horace Odes 1.13”, CPh, 100 (2005) 52-82.
• WATSON (A-1983) = L. C. Watson, “Problems in Epode 11”, CQ, 33 (1983) 229-238.
• WHITE (2009) = Heather White, “Notes on Horace’s Epodes”, Myrtia, 24 (2009) 345-350.
• WINSOR (1989) = E. Winsor Leach, “Horace Carmen 1.8: Achilles, the Campus Martius, and the Articulation of Gender Roles in Augustan Rome”, CPh, 89 (1994) 334-343.
• WOODMAN (1980) = A. J. Woodman, “The craft of Horace in Odes I.14”, CPh, 75 (1980) 60-67.
• WRIGHT (C-1921) = F. A. Wright, “Horace and Philodemus”, AJPh, 42 (1921) 168-169.