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- WAGNER (1988) = Beate Wagner-Hasel, “Geschlecht und Gabe. Zum Brautgütersystem bei Homer”, ZRG, 105 (1988) 32-73.
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A lo largo de la Grecia clásica, las convenciones artísticas de ilustración superficial del vello púbico iluminar visión más profunda de la vida griega contemporánea. En la estatuaria desnudo masculino, la evolución de cuidadosamente esculpidas y pelo púbico estilizado desenfrenado a mechones revela el cambio de definición de la masculinidad. Ya no valorar lo ostentoso ornamentación púbico de aristócratas, la democracia recién fundada griego vuelve a abrazar el vello púbico de la hombre de la calle. Con este cambio, cada ciudadano puede alcanzar austeridadcorporal tal como él puede alcanzar influencia en su gobierno. En un fiel reflejo del ideal clásico, su auto-contención le dota de poder masculino. él suprime cualquier posible amenaza a su poder,una forma de pensar no se limita meramente a sus hombres rivales. También se puede aplicar este concepto de dominación patriarcal a la práctica de la depilación genital femenina, la más potente y por lo tanto más mujeres que amenazan eliminar una mayor cantidad de vello púbico, mientras que las hembras más inocuos no necesita practicar depilación tal. Esto se aplica a las diosas, que carecen de vello púbico completamente, las esposas, que se enorgullecen de su genitales cuidadosamente podados, el hetaerai que depilarse parcialmente para aumentar el erotismo, y los esclavos comunes, que como propiedad inofensivo novio no extensamente. Dominio púbico del hombre se queda atestiguado, sin embargo, en los floreros que incluir escenas con otros machos. Si bien estos temas podrían poner en peligro el patrón masculino con una proliferación de vello púbico, en su lugar le yuxtaponen con su calvicie relativa. A través de esta representación, el artista al mismo tiempo evita alusiones siniestras castración y ofrece al espectador con erômenoi homoerótica juvenil que le garantizamos su dominio eterno. La acumulación de evidencia textual y visualdefine la forma del pubis pelo en la Grecia clásica refleja el espíritu de la época contemporánea, representando visualmente los ideales de los sectores público y ámbito privado.
Throughout Classical Greece, the superficial artistic conventions of pubic hair illustration illuminate deeper insight into contemporaneous Greek life. In nude male statuary, the evolution of carefully sculpted and stylized pubic hair to unbridled tufts reveals the shifting definition of masculinity. No longer valuing the ostentatious pubic ornamentation of aristocrats, the newly founded Greek democracy turns to embrace the pubic hair of the everyman. With this change, every citizen can attain bodily austerity just as he can attain influence in his government. In a true reflection of the Classical ideal, his self-containment endows him with masculine power. He suppresses any potential threat to this power, a mindset not limited to merely his rival men. One also can apply this concept of patriarchal dominance to the practice of female genital depilation; the most powerful and therefore most threatening women remove greater quantities of pubic hair, while the more innocuous females need not practice such depilation. This applies to the goddesses, who lack pubic hair completely; the wives, who take pride in their neatly pruned genitalia; the hetaerai who partially depilate to augment eroticism; and the common slaves, who as harmless property do not groom extensively. The man’s pubic dominance remains unattested, however, in vases that include scenes with other males. While these subjects could threaten the patron with a masculine proliferation of pubic hair, they instead juxtapose him with their relative hairlessness. Through this portrayal, the artist simultaneously avoids ominous castration allusions and provides the viewer with youthful homoerotic erômenoi who assure him of his eternal dominance. The accumulation of both textual and visual evidence elucidates how pubic hair in Classical Greece reflects the contemporaneous zeitgeist, visually portraying the ideals of both public and private spheres.
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