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Giancinto Scelsi (1905-1988) 史賽西
生平簡介
詹辛托·史賽西（Giancinto Scelsi）幾乎在十年前還不為人所知，他的名字甚至在大多數參考著作中都沒有出現。但是在 1987 年 10 月，科隆舉行的特別為他的樂團和合唱作品舉行的音樂會舉辦的 IRCAM 藝術節開幕典禮上，愛樂樂團的大廳被全部訂滿，不僅用於音樂會，還用於公共彩排。而這位老主人卻受到了無盡的讚譽。在幾年的時間裡，他的主要作品至少已經完成了，其作品的創作平均延遲了大約四分之一世紀。必須重寫最近的音樂史的整個章節，以讚揚作曲家領域中的又一章，他們的激進和美麗的貢獻令人遺憾地被忽視了，尤其是 Scelsi。
Giancinto Scelsi 於 1905 年 1 月 8 日出生於拉斯佩齊亞（La Spezia），意大利南部一個古老的貴族家庭，其母體部分來自西班牙。他始終堅決拒絕提供任何有關自己的傳記或個人詳細信息，就像他不讓人拍照一樣。在羅馬接受了良好的學術訓練後，他在維也納與 Schoenberg 的一名學生學習了一段時間，因此成為了第一個寫 12 音音樂的意大利人（早在 1936 年，早於 Dallapiccola）。這使 Scelsi 幾乎不滿意，並導致他擺脫了序列主義，而在戰後序列主義浪潮的許多年之前，他認為序列主義是死胡同。他從日內瓦的 Scriabin 弟子那裡學習，從諧和或聲級到形而上學和精神上的學習更多。他也感到被東方和禪宗佛教吸引。
到第二次世界大戰結束時，塞斯爾（Scelsi）經歷了嚴重的危機，需要多年的住院治療，他已經完成了大約 30 件作品。在療養院裡，他找到了自己的療法。他會花幾個小時在鍵盤上，不斷地彈奏相同的音符，並沉浸在集中而密集的聆聽中，從而將經歷恢復到早期的童年。這挽救了他，從 1952 年起，他又重新開始作曲，但是使用了全新的語言，這使他在 30 年內創作了大約 100 件作品。與當時流行的系列思維方式直接矛盾的是，他的音樂探索了聲音的中心，以釋放其中的無限能量。他本人就是這樣解釋的：“即使一個完美的工匠，一個偉大的技師，也不會滲透到內部，傳遞到聲音的心臟，永遠不會是真正的藝術家，真正的音樂家。”塞爾斯西也從來沒有堅持過，他並不是通常意義上的“作曲家”，而是中間人-兩個世界之間的使者。他開創了一種全新的音樂製作方式，這在西方國家迄今仍屬未知。
重要作品
Rotativa, for two pianos (1928) [音樂試聽]
Suite n°2, The twelve minor Seers (1930)
Suite n°5, It circo (1935)
Being lost, for feminine voice and piano (1937)
Hispania, Tryptique for piano (1939)
Poems (4), Honoring to Alban Berg (1939)
Sonata n°2, for piano (1939)
Sonata n°3, for piano (1939) [音樂試聽]
Suite n°6, i Capricci di Ty, for piano (1939)
Suite n°7, for piano (1939)
Are a prelude 24 (1940)
Six details, Dai Paralipomeni, for piano (1930-1940)
Variation e fuga, for piano (1940)
Sonata n°4, for piano (1941)
Ballata, for cello and piano (1943)
String quartet n°1 (1944)
The nascita del Verbo, for mixed choir and orchestrate (1948)
Trio, for percussions (1950)
Suite n°8, Malformed - ba (1952) [音樂試聽]
Cinque incantesimi, for piano (1953)
Quattro Illustrazioni, four Illustrations on the metamorphosis of Vishnu (1953)
Suite, for flute and clarinet (1953)
Suite n°9, Ttai, for piano. A succession of episodes which expresses alternately the Time - or, more exactly, the Time in movement; and the Man, as symbolized by cathedrals or the convents, with the sacred sound " Om " (1953)
Divertimento n°2, for solo violin (1954)
Preghiera per one ' ombra, for clarinet (1954)
Pwyll, for solo flute (1954)
Suite n°10, Ka, for piano. The word " Ka " has different meanings, but "Essence" is the main clause (1954)
Tre Studi, for clarinet in mi bemol (1954)
Action music, for piano (1955)
Coelocanth, for solo viola (1955)
Divertimento n°3, for solo violin (1955)
Divertimento n°4, for solo violin (1955)
Hyxos, for flute and small percussion (1955)
Ixor, for clarinet or the other instrument in anche (1956)
Quattro pezzi, for corn (1956)
Quattro pezzi, for trumpet (1956)
Suite n°11, for piano (1956)
Three studies, for solo viola (1956)
Tre Pezzi, for saxophone soprano or tenor (1956)
Tre pezzi, for solo bass trumpet (1956)
Triphon, Jeunesse-Energie-Drame, for solo cello (1956)
Diathome, Maturité-Energie-Pensée, for solo cello (1957)
Manto, for solo viola and the voice of the instrumentalist (1957)
Rucke di Guck, for piccolo and oboe (1957)
Tre pezzi, for trombone (1957)
Elegia per Ty, for viola and cello (1958) [音樂試聽]
I presagi, for 10 instruments (1958)
Tre canti popolari, for four mixed voices (or multiple) (1958)
Tre canti sacri, for eight mixed voices (1958) [音樂試聽]
Trio, for violin, viola and cello (1958) [音樂試聽]
Yamaon, Yamaon augurs to the people the conquest and the destruction of the city of Ur, for bass voice and five instrumentalists (1958)
Kya, for clarinet and seven instruments (1959) [音樂試聽]
known Quattro pezzi una noted sola (1959) [音樂試聽]
Hurqualia, a different realm, for percussionnistes four, timpanist and orchestra (1960) [音樂試聽]
Hô, five melodies for solo soprano (1960)
Wo-Ma, for solo bass (1960)
Aiôn, four episodes of a day of Brahma, for percussionnistes six, timpanist and orchestra (1961)
String quartet n°2 (1961)
Khoom, seven episodes of a history of love and death non-written in a distant country, for soprano and seven instruments (1962)
Lilitu, for voice of only woman (1962)
Riti: Achille's I funerali, for four percussionniste (1962)
Riti: Alessandro Magno's I funerali, for five instruments (1962)
Taiagarù, five evocations for solo soprano (1962)
Chukrum, for orchestra with ropes (1963) [音樂試聽]
Hymnos, for organ and two orchestras (1963) [音樂試聽]
String quartet n°3 (1963)
String quartet n°4 (1964) [音樂試聽]
Xnoybis, for solo violin (1964)
Yliam, for women's choir (1964)
Anagamin, the one that chooses to return or not, for twelve ropes (1965)
Anahit, lyric poem dedicated to Venus, for violin and eighteen instruments (1965) [音樂試聽]
Duet, for violin and cello (1965)
Igghur, Vieillesse-Souvenirs-Catharsis-Libérati one, for solo cello (1965)
Ko-Lho, for flute and clarinet (1966)
Ohoi, I principi creativi, for sixteen ropes (1966) [音樂試聽]
Uaxuctum, the legend of the town Maya, destroyed by themselves for religious reasons, for seven percussionistes, timpanist, choir and orchestra (1966) [音樂試聽]
CKCKC, for feminine voice acompagnant in the mandolin (1967)
Ko-Tha, three dances of Shiva, for guitar treated as percussion instrument (1967)
Mantram (1967)
Natura renovatur, for eleven ropes (1967) [音樂試聽]
Okanagon, for harp, amplified bass and fuss (1968)
TKRDG, for six voices of men, amplified guitar and three percussions (1968)
Konx-Om-Pax, three aspects of the sound: as first movement of the unchanging; as creative force; as the syllable " Om ", for choir and orchestrate (1969)
Ogloudoglou, for a voice of man or woman coming along in the percussion (1969)
Antifona, sul nome Gesu, for tenor and men's choir (1970)
It is high time, for solo tenor (1970)
Even if I saw, for solo tenor (1970)
Three Latin Prayers, for voice of man or solo woman, or choir in accord (1970)
It is indeed the night, for solo bass (1972)
Canti del Capricorno, for feminine voice and voice with instrument (1972) [音樂試聽]
The deep alarm clock, for solo bass (1972)
Pranam I, In memory of the tragic loss of Jani and Sia Christou, for contralto, twelve instruments and band (1972) [音樂試聽]
Rainbow, for two violins (1973)
The winged soul, for solo violin (1973)
The opened soul, for solo violin (1973)
Pranam II, for nine instrumentalists (1973)
Sauh I, liturgy for two voices of women, or feminine voice and band (1973)
Sauh II, liturgy for two voices of women, or feminine voice and band (1973)
Sauh III, for four voices of women (or multiple) (1973)
Sauh IV, for four voices of women (or multiple) (1973)
Aitsi, detail for amplified piano (1974)
And now it is to you to play, for cello and bass (1974)
It went only, for solo cello (1974)
In Nomine Lucis I, went memoria di Franco Evangelisti, for solo organ (1974)
In Nomine Lucis V, Went memoria di Franco Evangelisti (1974)
The magic River, for solo cello (1974)
Manto per Quattro, for soprano and together (1974)
Pfhat, a brightness... And the sky opened! For choir, organ and orchestra (1974) [音樂試聽]
To the master, two improvisations with Victoria Parr (1974)
Dharana, for bass and cello (1975)
Kshara, for two bass (1975)
Litany, for two voices of women in accord, or feminine voice and band (1975)
Maknongan, for instrument bass (1976)
Riti: I funerali di Carlo Magno (A.D. 814), for cello and percussion (1976)
String quartet n°5, to the memory of Henri Michaux (1985) [音樂試聽]
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