steve Reich

創作作品

• Soundtrack for Plastic Haircut, tape (1963)

• Music for two or more pianos (1964)

• Livelihood (1964)

• It's Gonna Rain, tape (1965)

• Soundtrack for Oh Dem Watermelons, tape (1965)

• Come Out, tape (1966)

• Melodica, for melodica and tape (1966)

• Reed Phase, for soprano saxophone or any other reed instrument and tape, or three reed instruments (1966)

• Piano Phase for two pianos, or two marimbas (1967)

• Slow Motion Sound concept piece (1967)

• Violin Phase for violin and tape or four violins (1967)

• My Name Is for three tape recorders and performers (1967)

• Pendulum Music for 3 or 4 microphones, amplifiers and loudspeakers (1968) (revised 1973)

• Pulse Music for phase shifting pulse gate (1969)

• Four Log Drums for four log drums and phase shifting pulse gate (1969)

• Four Organs for four electric organs and maracas (1970)

• Phase Patterns for four electric organs (1970)

• Drumming for 4 pairs of tuned bongo drums, 3 marimbas, 3 glockenspiels, 2 female voices, whistling and piccolo (1970/1971)

• Clapping Music for two musicians clapping (1972)

• Music for Pieces of Wood for five pairs of tuned claves (1973)

• Six Pianos (1973) – also arranged as Six Marimbas (1986), adapted as Six Marimbas Counterpoint (2010) and Piano Counterpoint (2011) by the others

• Music for Mallet Instruments, Voices and Organ (1973)

• Music for 18 Musicians (1974–76)

• Music for a Large Ensemble (1978, rev. 1979)

• Octet (1979) – withdrawn in favor of the 1983 revision for slightly larger ensemble, Eight Lines

• Variations for Winds, Strings and Keyboards for orchestra (1979)

• Tehillim for voices and ensemble (1981)

• Vermont Counterpoint for amplified flute and tape (1982)

• The Desert Music for chorus and orchestra or voices and ensemble (1983, text by William Carlos Williams)

• Sextet for percussion and keyboards (1984, rev. 1985)

• New York Counterpoint for amplified clarinet and tape, or 11 clarinets and bass clarinet (1985)

• Three Movements for orchestra (1986)

• Electric Counterpoint for electric guitar or amplified acoustic guitar and tape (1987, for Pat Metheny)

• The Four Sections for orchestra (1987)

• Different Trains for string quartet and tape (1988)

• The Cave for four voices, ensemble and video (1993, with Beryl Korot)

• Duet for two violins and string ensemble (1993, dedicated to Yehudi Menuhin)

• Nagoya Marimbas for two marimbas (1994)

• City Life for amplified ensemble (1995)

• Proverb for voices and ensemble (1995, text by Ludwig Wittgenstein)

• Triple Quartet for amplified string quartet (with prerecorded tape), or three string quartets, or string orchestra (1998)

• Know What Is Above You for four women’s voices and 2 tamborims (1999)

• Three Tales for video projection, five voices and ensemble (1998–2002, with Beryl Korot)

• Dance Patterns for 2 xylophones, 2 vibraphones and 2 pianos (2002)

• Cello Counterpoint for amplified cello and multichannel tape (2003)

• You Are (Variations) for voices and ensemble (2004)

• For Strings (with Winds and Brass) for orchestra (1987/2004)

• Variations for Vibes, Pianos, and Strings dance piece for three string quartets, four vibraphones, and two pianos (2005)

• Daniel Variations for four voices and ensemble (2006)

• Double Sextet for 2 violins, 2 cellos, 2 pianos, 2 vibraphones, 2 clarinets, 2 flutes or ensemble and pre-recorded tape (2007)

• 2×5 for 2 drum sets, 2 pianos, 4 electric guitars and 2 bass guitars (2008)

• Mallet Quartet for 2 marimbas and 2 vibraphones or 4 marimbas (or solo percussion and tape) (2009)

• WTC 9/11 for string quartet and tape (2010)

• Finishing the Hat for two pianos (2011)

• Radio Rewrite for ensemble (2012)

• Quartet for two vibraphones and two pianos (2013)

• Pulse for winds, strings, piano and electric bass (2015)

• Runner for large ensemble (2016)

• For Bob for piano (2017)

• Music for Ensemble and Orchestra (2018)

• Reich/Richter for large ensemble (2019)