(1)
Color my existence lithe Lovespeaks,
syncopated melodies of harmonic Romances
set in Viennese waltz time,
photo-collage dreams
as when a telephone rings and no one answers:
they are singing in warm shower
below the Raxalpe Mountains.
And winds blow busy composing anonymous Classics:
Schubert beheld Music the way
a man startles his Lover
in Serenade.
(2)
River Salzach inspired a young Mozart
eagerly composing in sawdust Salzburg studio,
restless moist crayon fingers
musing his watercolor Siamese cat visions,
while charcoal melodies mesh with
little girls laughing in sandbox playgrounds
and wildflower doll parks
nourishing the boy’s inevitable classical overture:
a tender blend of stepping gypsy maids
dressed in rainbow shawls
blowing virgin red kisses to the setting sun,
Mozart gazing from his Prussian sun parlor
waving to the melodious dancers below.
(3)
Beethoven's voice floats beyond burgeoning orchards,
a Sunday afternoon frothy sauce,
bagpipe ensembles,
working toward a bass mentality
as further ideas birth.
With well-watered plants
surrounding his dear Eroica,
bending into precise harmonies
and bold chords
germinate beneath Romantic trolley tracks,
tranquility appears
inside waves of sudden silence
as the majestic opera unfolds,
while as Haydn and Goethe keep time
tapping along on ivory piano benches
sousing Bavarian beer
till they too melt away like the hashish ash
that lay frozen inside their half empty
unfinished manuscripts.
(4)
And Chopin’s waltz gently lifts the ground,
Mazurka's nocturnal surrounding these evening skies
tuned to our lives,
beckoning our days,
while grateful Warsaw showers
duet with each musical step,
vibrant notes harmonizing
eclipsing butterflies in flight
as raindrops fall motionless to the ground
nowhere in particular to go.
And old Polish grey suspendered men
pause at their writing desks
to consider each refrain,
recalling the agonizing moment
their own melody was dreamt
then vanished long-ago,
a perfumed treasure
lifted on to the heavens
now only visible from some once thirsty
yet now fantasized star
(5)
And I too sit here dreaming
upstairs in my Satori room,
pencil sharpened and mind well-tuned,
just another wordsmith
oiling his butterfly net
hoping to catch my next supper.
Paterson, 1981