APUS, also know as Kylin Hesheng Network Technology Co., Ltd. (麒麟合盛网络技术股份有限公司), appears in China’s digital-human landscape primarily as a builder of public-facing, narrative-oriented digital-human presentations that connect large-model content generation with avatar-based performance, especially in cultural communication settings: it has been described as producing an AI-driven “digital proposal” workflow that runs from cultural-material collection and content generation through to digital-human演绎, using digital-human delivery to stage heritage narratives and cultural IP concepts for official or semi-official communication, and it has also been described as integrating AI digital-human techniques into cultural documentary production to reconstruct a specific historical-performing-arts figure (the Henan opera artist Chang Xiangyu) from archival material so that the reconstructed digital human can be presented in a contemporary audiovisual context; in these cases APUS’s digital-human work is framed less as generic virtual presenters and more as culturally grounded synthetic characters used for reenactment, scripted or semi-scripted performance, and public communication where the digital human functions as the visible interface for generated and curated cultural content.