2nd quarter
The Lake Isle of Innisfree
William Butler Yeats
I will arise and go now, and go to Innisfree,
And a small cabin there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, a noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart’s core.
Mid-Term Break
Seamus Heaney
I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o’clock our neighbors drove me home.
In the porch I met my father crying—
He had always taken funerals in his stride—
And Big Jim Evans saying it was a hard blow.
The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand
And tell me they were “sorry for my trouble,”
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand
In hers and coughed out angry, tearless sighs.
At ten o’clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.
Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,
Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.
A four foot box, a foot for every year.
from The Man with the Blue Guitar
Wallace Stevens
The man bent over his guitar,
A shearsman of sorts. The day was green.
They said, “You have a blue guitar,
You do not play things as they are.”
The man replied, “Things as they are
Are changed upon the blue guitar.”
And they said then, “But play, you must,
A tune beyond us, yet ourselves,
A tune upon the blue guitar
Of things exactly as they are.”
from Howl
Allen Ginsberg
I saw the best minds of my generation destroyed by madness
starving, hysterical naked,
dragging themselves through the Negro streets at dawn looking
for an angry fix.
angelheaded hipsters burning for the ancient heavenly connection
to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking
in the supernatural darkness of cold-water flats floating across
the tops of cities contemplating jazz,
who bared their brains to Heaven under the El and saw
Mohammedan angels staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy among the
scholars of war,
who were expelled from academies for crazy & publishing
obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear, burning their
money in wastebaskets and listening to the Terror through
the wall,
who ate fire in paint hotels or drank Turpentine in Paradise
Alley, death or purgatoried their torsos night after night
with dreams, with drugs, with waking nightmares, and alcohol
who talked continuously seventy hours from park to pad to bar
to Bellevue to museum to the Brooklyn Bridge,
yacketyakking screaming vomiting whispering facts and
memories and anecdotes and eyeball kicks and shocks of
hospitals and jails and wars,
who howled on their knees in the subway and were dragged off
the roof waving genitals and manuscripts
who cut their wrists three times successively unsuccessfully,
gave up and were forced to open antique stores where
they thought they were growing old and cried . . .
.
this is just to say
William Carlos Williams
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
Writing
Jan Dean
and then i saw it
saw it all all the mess
and blood and everythink
and mam agenst the kichin dor
the flor all stiky
and the wall all wet
and red an dad besid the kichen draw
i saw it saw it all
an wrot it down an ever word of it is tru
You must take care to write in sentences,
Check your spellings and your paragraphs.
Is this finished? It is rather short.
Perhaps next time you will have more to say.
How to Write a Poem about the Sky
Leslie Marmon Silko
FOR THE STUDENTS OF THE BETHEL, MIDDLE SCHOOL, BETHEL, ALASKA—FEB. 1975
You see the sky now
colder than the frozen river
so dense and white
little birds
walk across it.
You see the sky now
but the earth
is lost in it
and there are no horizons.
It is all
a single breath.
You see the sky
but the earth is called
by the same name
the moment
the wind shifts
sun splits it open
and bluish membranes
push through slits of skin.
You see the sky
Nothing Gold Can Stay
Robert Frost
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
The English are So Nice!
D. H. Lawrence
The English are so nice
So awfully nice
They are the nicest people in the world.
And what’s more, they’re very nice about being nice
About your being nice as well!
If you’re not nice they soon make you feel it.
Americans and French and Germans and so on
They’re all very well
but they’re not really nice, you know.
They’re not nice in our sense of the word, are they now?
That’s why one doesn’t have to take them seriously.
We must be nice to them, of course,
Of course, naturally.
But it doesn’t really matter what you say to them,
They don’t really understand
You can just say anything to them:
Be nice, you know, just nice
But you must never take them seriously, they wouldn’t understand,
Just be nice, you know! oh, fairly nice,
Not too nice, of course, they take advantage
But nice enough, just nice enough
To let them feel they’re not quite as nice as they might be.
.
Oh, Oh
William Hathaway
My girl and I amble a country lane,
moo cows chomping daisies, our own
sweet saliva green with grass stems.
“Look, look,” she says at the crossing,
“the choo-choo’s light is on.” And sure
enough, right smack dab in the middle
of maple dappled summer sunlight
is the lit headlight—so funny.
An arm waves to us from the black window.
We wave gaily to the arm. “When I hear
trains at night I dream of being president,”
I say dreamily. “And me first lady,” she
says loyally. So when the last boxcars,
named after wonderful, faraway places,
and the caboose chuckle by we look
eagerly to the road ahead. And there,
poised and growling, are fifty Hell’s Angels.
Behind Grandma’s House
Gary Soto
At ten I wanted fame. I had a comb
and two Coke bottles, a tube of Bryl-cream.
I borrowed a dog, one with
Mismatched eyes and a happy tongue,
And wanted to prove I was tough
In the alley, kicking over trash cans,
A dull chime of tuna cans falling.
I hurled light bulbs like grenades
And men teachers held their heads
Fingers of blood lengthening
On the ground. I flicked rocks at cats,
Their goofy faces spurred with foxtails.
I kicked fences. I shooed pigeons.
I broke a branch from a flowering peach
And frightened ants with a stream of spit.
I said, “Chale,” “In your face,” and “No way
Daddy-O” to an imaginary priest
Until grandma came into the alley,
Her apron flapping in a breeze,
Her hair mussed, and said, “Let me help you,”
And punched me between the eyes.
this is a photograph of me
Margaret Atwood
It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;
then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(basalm or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.
In the background there is a lake,
and beyond that, some low hills.
(The photograph was taken
the day after I drowned.
I am in the lake, in the center
of the picture, just under the surface.
It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion
but if you look long enough,
eventually
you will be able to see me.)
Thirteen Ways of Looking at a Blackbird
Wallace Stevens
I
Among twenty snowy mountains
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the woman about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must by flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar limbs.
The Emperor of Ice Cream
Wallace Stevens
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month’s newspapers
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
The Sick Rose
William Blake
O Rose, thou art sick!
The invisible worm
That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy.
.
Crazy Jane Talks with the Bishop
William Butler Yeats
I met the Bishop on the road
And much said he and I.
“Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.”
“Fair and foul are near of kin,
And fair needs foul,” I cried.
“My friends are gone, but that’s a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart’s pride.
“A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.”
Inversnaid
Gerard Manley Hopkins
This darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.
A windpuff-bonnet of fawn-froth
Turns and twindles over the broth
Of a pool so pitchblack, fell-frowning,
It rounds and rounds Despair to drowning.
Degged with dew, dappled with dew
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.
What would the world be, once bereft
Of wet and wilderness? Let them be left.
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.
Not Waving but Drowning
Stevie Smith
Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.
Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.
On, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.
A Martian Sends a Postcard Home
Craig Raine
Caxtons are mechanical birds with many wings
and some are treasured for their markings—
they cause the eyes to melt
or the body to shriek without pain.
I have never seen one fly, but
sometimes they perch on the hand.
Mist is when the sky is tired of flight
and rests its soft machine on ground:
then the world is dim and bookish
like engravings under tissue paper.
Rain is when the earth is television.
It has the property of making colours darker.
Model T is a room with the lock inside—
a key is turned to free the world
for movement, so quick there is a film
to watch for anything missed.
But time is tied to the wrist
or kept in a box, ticking with impatience.
In homes, a haunted apparatus sleeps,
that snores when you pick it up.
If the ghost cries, they carry it
to their lips and soothe it to sleep
with sounds. And yet, they wake it up
deliberately, by tickling with a finger.
Only the young are allowed to suffer
openly. Adults go to a punishment room
with water but nothing to eat.
They lock the door and suffer the noises
alone. No one is exempt
and everyone’s pain has a different smell.
At night, when all the colours die,
they hide in pairs
and read about themselves—
in colour, with their eyelids shut.
Th' Expense Of Spirit In A Waste Of Shame
William Shakespeare
Th' expense of spirit in a waste of shame
Is lust in action; and till action, lust
Is perjured, murderous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust;
Enjoyed no sooner but despis‰d straight:
Past reason hunted; and no sooner had,
Past reason hated, as a swallowed bait,
On purpose laid to make the taker mad:
Mad in pursuit, and in possession so;
Had, having, and in quest to have, extreme;
A bliss in proof, and proved, a very woe;
Before, a joy proposed; behind, a dream.
All this the world well knows; yet none knows well
To shun the heaven that leads men to this hell.
"When in disgrace with fortune and men's eyes"
William Shakespeare
When in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf Heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur'd like him, like him with friends possess'd,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least:
Yet in these thoughts myself almost despising,
Haply I think on thee,--and then my state
(Like to the lark at break of day arising
From sullen earth) sings hymns at heaven's gate;
For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings.
The Flea
John Donne
Mark but this flea, and mark in this,
How little that which thou deny'st me is;
It sucked me first, and now sucks thee,
And in this flea, our two bloods mingled be;
Thou knowest that this cannot be said
A sin, nor shame, nor loss of maidenhead.
Yet this enjoys before it woo,
And pampered, swells with one blood made of two,
And this, alas, is more than we would do.
Oh stay, three lives in one flea spare,
Where we almost, yea, more than married are.
This flea is you and I, and this
Our marriage bed, and marriage temple is;
Though parents grudge, and you, we are met
And cloistered in these living walls of jet.
Though use make you apt to kill me,
Let not to that self murder added be,
And sacrilege, three sins in killing three.
Cruel and sudden, hast thou since
Purpled thy nail in blood of innocence?
Wherein could this flea guilty be
Except in that drop which it sucked from thee?
Yet thou triumph'st, and sayest that thou
Find'st not thyself, nor me, the weaker now.
'Tis true, then learn how false fears be;
Just so much honor, when thou yieldst to me,
Will waste, as this flea's death took life from thee.
On His Deceased Wife
John Milton
METHOUGHT I saw my late espoused Saint
Brought to me like Alcestis from the grave,
Whom Joves great Son to her glad Husband gave,
Rescu'd from death by force though pale and faint.
Mine as whom washt from spot of child-bed taint,
Purification in the old Law did save,
And such, as yet once more I trust to have
Full sight of her in Heaven without restraint,
Came vested all in white, pure as her mind:
Her face was vail'd, yet to my fancied sight,
Love, sweetness, goodness, in her person shin'd
So clear, as in no face with more delight.
But O as to embrace me she enclin'd
I waked, she fled, and day brought back my night.