Studio Art and Computer Science major
I am a multidisciplinary visual artist working across painting, photography, sound, video, and technology. My practice is inherently time-based, drawing inspiration from dappled light, shifting shadows, and other ordinary phenomena. Quiet observations of my surroundings become gateways to the sublime. I explore the complexity of meaning through manipulated photographs, 3D models, and interventions with my writings. My work speaks to a layered yet poetic experience of the world through abstraction. I consider my practice a form of meditation—a way of reconciling with personal history and collective pain.
oil paint and photocopy transfer on panel, handbound artist books with archival inkjet and risograph prints
Jewett Gallery, Jewett Sculpture Court
In this series, Left with the Afterimage, I attempt to trace the imprints of what once was. It seeks lingering impressions that remain after something becomes invisible, much like the afterimage we see after closing our eyes. In this work, shifting light and shadow become portals to personal memory and history. The series began with a handbound book of photographs, capturing the changing light across seasons in the same arboretum. I reflect on the arboretum's history, which once held a glacier. From photos, I translate their visual clues into patterns and intersections of colors. Dappled light becomes paintings of fluid shapes and rich colors of pink, green, and blue. The visual clues abstracted from photographs become the afterimage I manipulate. The project develops with complexity as I paint over family photographs, concealing and revealing history in the making of the painting. In translating visual imagery through various processes, I explore the complexities and nuances of representing what once existed.
to see more work by Lian: lian.cargo.site and @lian_illu
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