Studio Art major, Mathematics minor
My work:
Begins with structure
Is influenced by mathematics
Grids, concentric circles, Reimann sums
Documents time, emotion, and state of mind through a daily practice of rendering apples
Shifts back and forth between realistic representation and abstraction, photography and painting
Is didactical and experimental
Plays with collage
What...
Paintings, Drawings, Photography
Performance art (life is a performance, I delineate between one cast of characters and the rest of life's ensemble)
Why...
To explore identity and individual ways of looking. Because societies grow by bringing these topics into conversation.
How...
Creating rules of practice, then allowing each work to direct my process.
Seclusion for research, and community for discussion.
pen, charcoal, plaster, ink, sandpaper, performance
Jewett Hallway Galleries
Apple is a daily practice of drawing and painting catalyzed by my amusement with apples. An accumulation of my bites of the fruit work with the internal structure of the apple to result in a uniquely-shaped apple core. After eating comes the documentation. The final portrayal is a snapshot of taste and time: how the apple tasted, how long the core oxidized for. My mind digests the information I collect on each apple and then spits it back out on paper via my hand.
acrylic, ash, ink, tape on canvas
Jewett Gallery
My grandfather, Jim Pyke, and I have one thing in common: we were both born in China. However, whereas my grandfather was an American citizen by birth, I became an American citizen at 16 months old.
For tihs project I searched for a better understanding of the disparate parts of mine and my grandfather's lives. How is his experience growing up in China in a family of missionaries tied to my experience growing up in America?
On paper we could not be more different: Jim Pyke, White, Male | Anna Gefke, Asian, Female. Yet, the complexities of both our lives converge within me. How does these pieces fit together?