《浮人》 Wanderer

祖靈透過夢境的網路雲端，留了一個訊息：Simaq ata？nel sani’！Ima su ar？ Isaq asu？

「浮人」是具體的想像，亦是心境的迴盪，Simaq ata？nel sani’！Ima su ar？ Isaq asu？（你是誰？我在這！是誰？你在哪？臺灣原住民族語：布農族巒社群、泰雅族萬大群） 像是自我低聲地反覆呢喃…有如一直無法被更新的矛盾系統。共存在同一塊島嶼，感受著土地上的瞬息萬變，當外部的空間與內在的價值無法同時俱進，我們試圖尋找第三空間的可能性來探討被拉扯、被剷根、被迫遷、被放置的隱形刻印。空氣凝結的則是一種混沌、不安、搖擺的彌留狀態，呼喚你卻忘記你，承認我卻阻止我，不清楚也理不見自己的身影，藏匿在社會灰色的間隙中，游移漂浮在這世間上，無法定位，但腳與土與山與土般，親暱。在當機的系統體制中，我們該如何重新想像未來？

“Simaq ata? nel sani’! Ima su ar? Isaq asu?” An online message left by the souls of ancestors in the Cloud storage.

The Wanderer could be a tangible imagination or either the echo in the mindset. “Simaq ata? nel sani’! Ima su ar? Isaq asu?”, which mumbles “Who are you? I’m here! Who? Where are you?” in the indigenous languages of Takebanuad of the Bunun and Tsugeus of the Atayal, is a non refreshable contradicting system. As residents on the island sensing the changes in the land, we pursue a third dimension to digest contradictions, elimination, displacement, replacement when external and internal values unbalance. The dying obscurity, insecurity, and suspense are confined in the air, crying out to you to forget you and acknowledging you to repress you, so that we lose, hide, wander in vague gaps and dislocate. The land, the mountain, and the land are intimate with the foot, but how do we picture the future, while the dying obscurity, insecurity, and suspense crash under the organized system.

團隊名單 Credit

新媒碩 林安琪 Ciwas Tahos

建文所 簡志霖 Vava Isingkaunan

指導老師

張懿文 CHANG I-Wen