Antique furniture styles, historic, art style furnishings, social changes and furniture construction

Biedermeier stílusú antik bútor

Arcs, lines in books, letters, sentences, pieces of wood in the carpenter's hand are shaped into furniture and can serve as a utility object, whether to offer more, aesthetic experience, as the sentences are not just medical briefings, but dramas, poems and sonnets. It is easy to break down elements of a furniture style, they can be analyzed, but they lose their charm, the whole counts, where lighting is part of the overall effect.

As a non-qualified art historian, I describe my thoughts as I see when I see the furniture of different ages, styles and nations. For me, the most interesting observation, the aspiration of the creator behind the built environment and the interaction, are man-made objects having an effect on our thinking again?

Attempts by Attila József often remind me,

"Whether a pile of carved wood,

the world is lying together,

press, squeeze, unite

so each one is determined.

Just what's wrong,

which is, broken apart "

Tradition, living, everyday style, as technological knowledge, binds, but a foundation, is a new desire. I see the constant dialogue between the intellectual heritage of past times and artistic freedom in a piece of furniture.

Rebellion, our "accelerated world". We do not, only our circumstances change, technology, communication .............., so interesting to observe, eg. in the late 1700s and early 1800s, in a short period of time, how many events, intellectual aspirations, shaped the styles of the era.

General In Hungary, according to style history, the style of furniture is to be named, in chronological order: Romanian, Gothic, Renaissance, Baroque, Classicist. Each of the stylistic elements that can be observed in antique furniture can be classified in one of the above. The Anglo-Saxon countries use the same name for the style of the styles of furniture as a marker for determining the style of furniture, but rather for a certain period of time, eg XV. King Louis Style. On this page, I have categorized either the same furniture as a different viewpoint, or I use the name of a style for a marker as a marker, for example, in Biedermeier's furniture the style of classicism is decisive, but this does not exclude that the Biedermeier chairs are baroque. Further classification criteria can be made by geography, as well as the country chic loft style according to the living furnishing trends today, which, according to the classical definition, are not styles but commonly used in the everyday language.

Determining the age of a furniture can be exact, age can be given in terms of structural structure, knowledge of raw materials used, and the style of being judged arbitrary and subjective. The judgment of the relationship between the groups, the styles, the artistic trends, the trends, and the attributes of stylistic elements may reflect my thoughts on my pages.

Generally accepted, on my pages, I call antique furniture the furniture that was made in or before the art deco. Furniture that is less than one hundred years old and used in a style is a style furniture. In the pictures, an antique style may be a styling that is not antique furniture, but its basic shape, ornamental carvings, and surface machining are clearly distinctive to that style.

In Hungary, most of today's knowledge of antique furniture, Gyula Kaesz, learn how to combine furniture styles in his book. I think the need to know the furniture styles is different, for me the pleasure of discovery is their study, not the activity of our basic workmanship. Many writings about the history of furniture available on the net are clearly born after the writings of my books, but I do not see it today as worthy of everything (eg art deco, not mentioning a furniture style, because it was the symbol of American imperialism in its era of writing, Practicality based on Bauhaus's thinking - to overestimate the social order of the 50s and 60s for the socreal principles). For me, the Biedermeier is not the final chapter of furniture styles, I think, at the beginning of the 20th century, avant-garde art movements have created styles that transform our taste for the whole of the century to the present. The aforementioned art deco, bauhaus, and minimal styles, having studied their history, have as many characteristics as Biedermeier, and are avoided by their effects.

In the first place we find changes in our society and our mental endeavors in the development of the style of furniture, in the case of thonet furniture, it can be observed that the products of a technology innovation could have the effect of later works of art by the stylistic elements of the secession and the lines of the bauhaus. We are also practically everyday objects of use