Look at the RHYTHM READER GUIDE below as a reminder of how we completed our rhythm readers in music class.
Either copy and print this week's rhythm reader challenge, or simply write the answers on a sheet of paper.
Just like in school, write the beat numbers (example: 1 2 3 4) and "syllables" (example 1 e + a) under each music note.
Remember some of the basics--the top number of the time signature tells you how many beat per measure; measures are the chunks of music divided by the bar lines; when you cross a bar line, you start over at beat #1.
Keep your answers until next week to see how much you got right.
Look at the MELODY GUIDE below as a reminder of how we labeled the music notes with letters in music class.
Either copy and print this week's melody challenge, or simply write the answers on a sheet of paper.
Just like in school, write the correct letter under each music note.
Remember some of the basics--in treble clef, the lines of the music staff from bottom to top are E, G, B, D, F (remember: Every Good Boy Does Fine); in treble clef, the spaces of the music staff from bottom to top are F, A, C, E (which spells the word "face"); the musical alphabet only has 7 letters: A, B, C, D, E, F, G.
Keep your answers until next week to see how much you got right.
Our composer of the week is Philip Glass. Remember, we have been studying American composers from the twentieth century (1900’s).
You may know what "(b. 1937)" means. If not, the "b" stands for "born" and there is only one date shown; this means that this composer is still living. Glass is known as a "minimalist" composer. Like the word "minimum," his approach to music is to use the minimal amount of musical information, or to make the most out of a few ideas. That said, he had a great deal of influence on other composers of the late 1900's and his music was innovative. He has written music for instruments and voices, including operas.
Follow the links below to listen to some examples of Philip Glass’s music.
Questions to consider:
As you listen to the first piece, be patient for a while. What have you noticed? Is it exciting/uninteresting? Are there many things going on or a great deal of repeating? Remember, Glass is a "minimalist" composer.
Compare the 1st and 2nd pieces. What are the similarities that you hear?
Is Glass's music all about melodies, rhythm, harmonies, texture, repeated patterns--which one or two of these describes his music?