Daily Calendar | TGJ2O Info | Graphic Design | Animation | Audio/Video Recording and Editing | Summative Project | Google Classroom
Production is the process of shooting your video. In the "real world", the costs of equipment, technicians, actors and sets can make this incredibly expensive. In your student productions, TIME and OPPORTUNITY are the "expense" - it's important not to waste either!
Check the Battery, Format SD Card & Check Date
Check the Camera Settings
Set aspect ration/footage quality
Make a choice - footage MUST be consistent throughout your project, once you choose you will not be able to mix footage types.
Set White balance, ISO
Check mic batteries/levels
Use a Tripod whenever possible
Use a "Steadicam" or "Dolly" for traveling camera shots
Use Handheld only if necessary
The advantage of using LED background replacement technology with studio settings
Use your storyboards to remind yourself what it is you want the shot to look like
Ensure sound settings are correct.
Provide about 5 seconds of LEAD IN and leave 5 seconds of LEAD OUT before calling "action"
Basic Photography
Fill the Frame
Keep the Background Simple
Arrange proper Lighting
Don't shoot with a light source in frame
Think of what mood you want and have a light source that reflects that style
You can edit OUT camera sound and replace it with voice-overs or captions
The mic should be the shotgun, lavaliere, boom-pole or zoom
bring in footage either by plugging the camera in, or copying footage off of SD cards
Taking pictures needs to have that same attention given to the angle and distance from your subject to clearly capture the detail and mood that you want your audience to experience.
The angle from which you take your picture or video will have an impact on how your audience sees and reacts to it. This is very important in setting the mood in a shot.
A low camera angle is created by placing the camera below the normal eye level. With the camera looking up at the subject, this angle gives the viewer a feeling of inferiority or even fear.
For a high camera angle, the camera is placed well above the normal eye level. Viewers are looking down on the subject and feel as if they are in control.
An eye level angle is obtained by shooting at eye level with the subject. This allows the viewer to feel like they are part of the action as this would be the way they would normally view things.
Sometimes you want to create a dynamic view where there appears to be energy, drama or action. This can be achieved by turning the camera to a 45 degree angle creating a dutch tilt.
In the extreme wide shot, the view is so far from the subject that s/he isn't even visible. The point of this shot is to show the subject's surroundings.
The EWS is often used as an "establishing shot" - the first shot of a new scene, designed to show the audience where the action is taking place.
It is also useful in scenes where the action is very spread out. For example, in a war movie an extreme wide shot can show the scale of the action.
The EWS is also known as an extra long shot or extreme long shot (acronym XLS)
In the wide shot, the subject takes up the full frame. In this case, the boy's feet are almost at the bottom of frame and his head is almost at the top. Obviously the subject doesn't take up the whole width and height of the frame, since this is as close as we can get without losing any part of him. The small amount of room above and below the subject can be thought of as safety room — you don't want to be cutting the top of the head off. It would also look uncomfortable if his feet and head were exactly at the top and bottom of frame.
As with many shot types, the wide shot means different things to different people. However the wide shot seems to suffer more from varying interpretations than other types. Many people take the WS to mean something much wider than our example, i.e. what we would call a very wide shot.
The mid shot shows some part of the subject in more detail, whilst still showing enough for the audience to feel as if they were looking at the whole subject. In fact, this is an approximation of how you would see a person "in the flesh" if you were having a casual conversation. You wouldn't be paying any attention to their lower body, so that part of the picture is unnecessary.
The MS is appropriate when the subject is speaking without too much emotion or intense concentration. It also works well when the intent is to deliver information, which is why it is frequently used by television news presenters. You will often see a story begin with a MS of the reporter (providing information), followed by closer shots of interview subjects (providing reactions and emotion).
As well as being a comfortable, emotionally neutral shot, the mid shot allows room for hand gestures and a bit of movement.
In the closeup shot, a certain feature or part of the subject takes up most of the frame. A close up of a person usually means a close up of their face (unless specified otherwise).
Close-ups are obviously useful for showing detail and can also be used as a cut-in.
A close-up of a person emphasizes their emotional state. Whereas a mid-shot or wide-shot is more appropriate for delivering facts and general information, a close-up exaggerates facial expressions which convey emotion. The viewer is drawn into the subject's personal space and shares their feelings.
A variation is the choker shot which is typically framed on the subject's face from above the eyebrows to below the mouth.
The ECU (also known as XCU) gets right in and shows extreme detail.
You would normally need a specific reason to get this close. It is too close to show general reactions or emotion except in very dramatic scenes.
This shot shows a view from the subject's perspective. It is usually edited in such a way that it is obvious whose POV it is
Often edited as:
wide shot
POV
OSS
POV
Dolly
The camera is mounted on a cart which travels along tracks for a very smooth movement. Also known as a tracking shot or trucking shot if the movement side-to-side horizontally.
Follow
The camera physically follows the subject at a more or less constant distance.
Pan
Horizontal movement, left and right.
Tilt
Vertical movement of the camera angle, i.e. pointing the camera up and down (as opposed to moving the whole camera up and down).
Track/Truck
Roughly synonymous with the dolly shot, but often defined more specifically as movement which stays a constant distance from the action, especially side-to-side movement.
Zoom
Technically this isn't a camera move, but a change in the lens focal length with gives the illusion of moving the camera closer or further away (unless it's a dolly zoom)
You are to select a scene from a movie of your choosing. Target 20 seconds of footage. This 20 second selection should feature 4 shot types or camera movements. You are to recreate as best you can that exact selection (minus special effects). Use this storyboard for planning purposes. You will NOT be evaluated on acting or set/costumes simply just the THE SHOTS TYPES AND MOVEMENTS and the EDITING to ensure the length of the shots is as exact as you can make it to the original.
Each member in the group can share the footage, but each in turn is to edit the final product. The storyboard (one for the group is fine) should be submitted. Using best practices for camera operation, take your shots and compile them back into the 20 second replica. To do this you need to read all aspects of the production submenu. Ensure your cameras are shooting at 720p resolution.
To grab your clip from youtube to compare against the one you film a) get the URL (the share address) of the video. b) copy/paste it into some sort of mp4 stripping website (google search for youtube to mp4 downloader). Or use the trick of removing the UBE from the word youtube in the URL (e.g. https://yout.com/video/OrLz6McW55w/) and use YOUT.com
Then choose video(mp4 - and if it's YOUT check on the box that lists H.264). Careful with any these website that you don't install malicious software on your computer by clicking on various popups.
Launch premiere. Change your Workspace to Editing. (Alt+Shift+6). Down in the bottom left bring in your footage using the Import Media button in the project pane.
Double click a clip of your footage, this opens your clip in the SOURCE monitor (top left). Select the region you want to keep by pressing I (for in) and O (for out). See the image at left. Then drag your clip from the source monitor to the timeline. It will lay itself down in V1 (video layer 1)
ONLY ONCE YOUR FIRST VIDEO CLIP IS IN THE TIMELINE drag the footage from youtube into video layer 2
To resize and move the clips so they line up:
1) Choose your clip you want to adjust, go into EFFECTS CONTROL, open MOTION and adjust X/Y and SCALE
In Premiere Pro (at right) click on EXPORT up top.
Choose H.264 (probably chosen by default), then choose an output name (and location).
Lastly, click on EXPORT at the bottom of the window.
Link to blank storyboards