For this project, we had to use the shot pattern and camera angles of an existing film. 

We decided to go with the Blair Witch project, which used entirely POV shots and a range of shot lengths to tell a haunting found footage story.

As research, on my own, I also looked into two other films going by the same system.

Whiplash 

The final scene of Whiplash, much like the rest of the film, is a very intimate event so all the shots are closely focused on the lead characters. The scene takes place in a concert theatre and the lighting is set so the audience is never seen, drawing further attention to the lead and his conflict. As the lead enters, the scene begins with a close up that follows him to his seat, slowing the pace of the film as he prepares for his strike. This is followed by a few short takes of varying close ups of other members of the band and the evil conductor to present their confusion of the lead returning. The intensity of these takes adds to the atmosphere of confusion and anticipation. This transitions back to a quick take on the lead as an extreme close up to show his fixation on the conduction in his plan. Following this, we get the widest and longest take of the scene as, from behind as a sort of POV from the lead, we see the conductor introduce the band in low lighting which places him as the only focus on screen. This is intentional as all the lead is thinking when to get back at the conductor for his manipulation. The fact that this take lasts longer increases anticipation and tension, waiting for the lead to enact his plan. Finally, with a heavy drum beat from the lead, the scene revolves through a variety of quick close up shots from different angles around the lead. This creates a level of confusion and rebellion with the lead character as the central focus, blocking out all other characters as he is striking out on his own. This does cut away once to present the reactions of a band mate and the conductor swing around. These two shots feel disorientated as they are closer than the first time we saw these characters at the start of the scene but from the same angles. By this point in the scene, the lead has all the control and power in this tense atmosphere of uncertainty and rebellion. Whiplash overall is a gritty hyper realistic film with a clean focus on its central characters and their conflict with little reason to present the outside world as this conflict has sucked them in making the lead fixated on revenge.