November 25, 2025
Image from: dailygrind.com
It’s more than just a musical genre—it’s a declaration of war against inequality. Meet Riot Grrrl, the 1990s feminist movement whose name intentionally growls and spits, using the triple 'R' to reclaim a derogatory term. This movement was an inspiration in the punk scene; artists who expressed anger, rage, and frustration weren't just acceptable emotions for men to sing about, but powerful tools for women and LGBTQIA+ artists to ignite social change.
‘Riot grrrl’ songs often address issues such as assault, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, anti-fascist beliefs, and female empowerment. Bands most associated with the movement by media include ‘Bikini Kill,’ ‘Bratmobile,’ ‘Destroy Boys,’ ‘Heavens to Betsy,’ ‘Excuse 17,’ ‘Slant 6,’ ‘Jack Off Jill, ’ and ‘Skinned Teen’. There are also ‘queercore’ groups such as ‘Team Dresch’ and ‘Pansy Division’.
The word ‘girl’ was intentionally used to focus on childhood, a time when children have the strongest self-esteem and self-belief. ‘Riot grrrl’ then took a growling ‘R’, replacing the ‘I’ in the word as a way to take back the derogatory use of the term. Both double and triple ‘R’ spellings are acceptable.
I think it's important for the movement to be relevant today because its expression of individualism, anger, and self-made media (zines) offers a powerful counterpoint to mainstream, often over-produced, music that frequently lacks these raw, political elements. Women involved in local underground music scenes from the early 90s to late 2000s and going, also took advantage of this progressing movement to express their feminist beliefs and desires by creating ‘zines’.
Image from: wikipedia.org
Journalism in ‘zines’ has a long legacy in the punk scene, for self-published feminist writing allowed women to circulate ideas that would not otherwise be published. A primary reason the movement began was that women in the music scene felt that they had no space to promote their opinions due to the male-dominated nature of punk culture at the time. Most punk women at the time felt they often had little to no voice in their local scenes. To quote Liz Naylor, who would become the manager of English riot grrrl band Huggy Bear:
“ In a symbolic sense, women were cutting and destroying the established image of femininity, aggressively tearing it down.”
Image from: torpedojournal.com
by Jaydyn L. Lottmann
November 24, 2025
The Jay's News Nest