In 1000, 1100, 1200, and 1300, China was the most advanced place in the world. Marco Polo (1254-1324) recognized this when he got to China in the late 13th century after traveling through much of Asia. In what is now Europe, this was the period now referred to as the “high” Middle Ages, which fostered the Crusades and witnessed the rise of Venice, the mercantile center that was Marco Polo’s home.
A magnificent picture scroll painted by a Chinese artist in the 12th century provides us with a look at society and urban life in China during this time. For several centuries the Chinese economy had grown spectacularly. During the Song (Sung) Dynasty (960-1276), technology was highly advanced in fields as diverse as agriculture, iron-working, and printing. Indeed, scholars today talk of a Song economic revolution.
The population grew rapidly during this time, and more and more people lived in cities. The Song system of government was also advanced for its time. The upper-levels of the government were staffed by highly educated scholar-officials selected through competitive written examinations.
Yet, despite its political and economic strengths, Song China was not able to dominate its neighbors militarily. Central to its engagement with the outside world were efforts to maintain peace with its powerful northern neighbors and extend its trading networks.
Many ways of living and acting that Westerners now see as most thoroughly “Chinese,” or even characteristically East Asian, did not appear before the Song. The Chinese, we know, are rice eaters and tea drinkers; but most Chinese in the Tang and before at wheat and millet and drank wine, in that respect looking perhaps more “Western” than “Eastern”; rice and tea became dominant food and drink in the Song.
China’s population, we know, is huge, and tends to “explode”; its first explosion occurred in the Song. The Chinese, we know, are “Confucians”; but the kind of Confucianism that served as government orthodoxy throughout late-imperial times was a Song reinvention. Chinese women, we may know, bound their feet; but they did not bind them until the Song. Even the “Chinese” roof with its turned-up corners is by origin a Song Chinese roof.
The Song period saw the full flowering of one of the most distinctive features of Chinese civilization — the scholar-official class certified through highly competitive civil service examinations. Most scholars came from the landholding class, but they acquired prestige from their learning and political clout by serving in office. In a society in which most people were illiterate, scholar-officials stood out by virtue of their reading and writing skills. Their Confucian education encouraged them to aspire for government service, but also to speak up when they thought others were pursuing the wrong course, making them courageous critics of power.
Since the Sui Dynasty (581-617), it had been possible to become a government official by passing a series of written examinations. It was only in the Song, however, that the examination system came to be considered the normal ladder to success.
From the point of view of the early Song emperors, the purpose of the civil service examinations was to draw men with literary educations into the government to counter the dominance of military men. So long as the system identified men who would make good officials, it did not matter much if some talented people were missed.
From the point of view of those taking the examinations, however, fairness was crucial. They wanted to be assured that everyone was given an equal chance and the examiners did not favor those they knew. To increase their confidence in the objectivity of the examiners, the Song government decided to replace candidates’ names with numbers and had clerks recopy each exam so that the handwriting could not be recognized.
Scholars in and out of the government regularly debated what should be asked on the examinations, but everyone agreed that one element should be command of Confucian texts. Candidates were usually asked to discuss policy issues, but the examinations tested general education more than knowledge of government laws and regulations. Candidates even had to write poetry in specified forms. To prepare for the examinations, men would memorize the Confucian classics in order to be able to recognize even the most obscure passages.
In Song times exam success came to carry such prestige that the number of men entering each competition grew steadily, from fewer than 30,000 early in the dynasty, to about 400,000 by the dynasty’s end. Because the number of available posts did not change, a candidate’s chances of passing plummeted, reaching as low as one in 333 in some prefectures. Men often took the examinations several times, and were on average a little over 30 when they succeeded. The great majority of those who devoted years to preparing for the exams, however, never became officials.
The life of the educated man involved more than study for the civil service examinations and service in office. Many took to refined pursuits such as collecting antiques or old books and practicing the arts — especially poetry writing, calligraphy, and painting (“the three perfections”). For many individuals these interests overshadowed any philosophical, political, or economic concerns; others found in them occasional outlets for creative activity and aesthetic pleasure.
In the Song period the engagement of the elite with the arts led to extraordinary achievement in calligraphy and painting, especially landscape painting. But even more people were involved as connoisseurs. A large share of the informal social life of upper-class men was centered on these refined pastimes, as they gathered to compose or criticize poetry, to view each other’s treasures, or to patronize young talents.
There was a vigorous revival of Confucianism in the Song period. Confucian teachings were central to the civil service examination system, the identity of the scholar-official class, the family system, and political discourse.
Confucianism had naturally changed over the centuries since the time of Confucius (ca. 500 BCE). Confucius’s own teachings, recorded by his followers in the Analects, were still a central element, as were the texts that came to be called the Confucian classics, which included early poetry, historical records, moral and ritual injunctions, and a divination manual. But the issues stressed by Confucian teachers changed as Confucianism became closely associated with the state from about 100 BCE on, and as it had to face competition from Buddhism, from the second century CE onward. Confucian teachers responded to the challenge of Buddhist metaphysics by developing their own account of the natural and human world.
In Confucian teaching, the family is the most basic unit of society. Everyone should respect and obey his or her parents and put the interests of the family before personal interests. This attitude of “filial piety” extended also to ancestors. It was considered essential that everyone marry, so that family lines would continue and male heirs make offerings of food and drink to their deceased ancestors.
If one peers into the mystery, the thai chi [taiji, supreme polarity] seems a chaotic and disorderly wilderness lacking all signs of an arranger…, yet the Li (fundamental pattern) of motion and rest, and of Yin and Yang, is fully contained within it.
(Zhu Xi, Neo-Confucian philosopher)
Girls left their families when they married. So long as they gave birth to sons, they would eventually gain a respected place in their family of marriage, and would be treated as ancestors by their sons and sons’ sons. Mothers and grandmothers had important and respected places in their families. The Song is often seen as a time when the status of women declined. Compared to Tang times, women were less active in politics and less commonly seen on the streets. Song Confucian teachers argued against widows remarrying, and footbinding began in Song times. On the other hand, women’s rights to property were relatively secure in Song times, and older women were often very powerful within their families.
Li Qingzhao (1084-ca. 1151) is a famous Chinese poet who wrote during the Song. She wrote poetry in a new form that had become popular at the time, with irregular lines that were inspired by musical lyrics.
Children were highly valued in the Chinese family system. They were what made possible the continuation of the family. Although they were expected to learn to be filial, they were also indulged. Toy peddlers were sometimes depicted by painters surrounded by excited children.