Robin Deirkauf was an interdisciplinary artist known for his monumental and collaborative artworks. The type of raw body-music-theatre that is normally only to be found in mouldy basement cafés. Far way from the sterile high-brow art of museums.
This isn't to say Deirkauf didn't have his own conditions and rules required
for becoming a body artist. As an instructor, these are mostly made up of going through a range of experiences.
At the end of such performances, he would comment on it. Label it with an astitute remark, usually by referring to a Greek classic. It's sharp and witty delivery is to make sure that a new experience won't drift off into the deep archival memory banks. Inactive and collecting dust.
His synthesizer-scores are derived from constructs that are made up of basic forms and primary colors. Composed in such a way that aspects of it are tilted, slightly. K.A.W.A.I. evokes the backdrop of future-noir but with that subtle notch.
Deirkauf is the genuine article. This is most certainly the case in the context of Old-New Media. In part, no doubt, because of his natural ability to take in a scene, in it's totality.