Black & White Photographs
Brett Weston
Biography
Brett Weston was born in Los Angeles, California, in 1911. He was educated by his father, a former photographer, Edward Weston; his father took him out of school when he was thirteen-years-old to be his apprentice in Mexico City. Being surrounded by other revolutionary photographers of the day, where Brett's inspiration came from; he too began taking his own photographs with his father's small Graflex camera. He tends to take photos of nature and architecture. Brett's early exposure to photography helped impact his sense of form, composition, and design. He believes black and white photos give objects an, "obscured appearance." Brett also believed non-photographic artists impacted his work more. Such as Georgia O’Keeffe, a former painter.
Brownstone in the Fifties
New York, 1947
Lake Patzcuaro
Mexico, 1973
Boats and Harbor
Netherlands, 1960
Rooftops and Mountains
San Francisco, California, 1938
Wynn Bullock
Biography
Wynn Bullock was born in Chicago, Illinois, in 1902, but was raised in South Pasadena, California. His education took place at Columbia University and the University of West Virginia but he graduated from Art Center School in Los Angelos. Wynn moved to New York to pursue his singing career/dream; but once he discovered the work of Man Ray and Lazlo Moholy-Nagy, he immediately had an inspiration and wanted to also start taking photographs. He believed he could be more creatively engaged with the world with photography. Later on, his career took a huge turning point when Wynn met Edward Weston, Brett Weston's father. Wynn was inspired by the power and beauty of Edward's prints. Wynn did try color photography, but was aggravated with the limitations; so he returned to black and white photography.
Monterey Bay Seascape
1940s
Let There Be Light
1954
Foggy Forest
1969
Rocks
1969
Compare & Contrast
One major comparison inspiration-wise of the two photographers is that both their major inspirations were by the same person, Edward Weston. Brett tends to differ his photos between architecture and nature, while Wynn focuses mostly on nature. Obviously, both their photographs are in black and white, but Brett's photos are better quality than Wynn's photos. Another comparison is in most of their photos they have the same angle/viewpoint. In the two specific photographs attached below, you see Brett's photo is taken in the city while Wynn's photo is taken on what looks like a beach. Wynn's photographs seem to be more "foggy" while Brett's tend to be crisper.
Rooftops and Mountains
San Francisco, California, 1938
Let There Be Light
1954
Critique
I really like how in Brett Weston's photos he differs from architecture and nature photographs. I like how his edits come out very crisp and clear rather than having that almost "foggy" look on his photographs. It's almost as his photographs were originally taken in black and white rather than edited to be. His photographs look like they would be placed in a magazine.
As I looked at more of Wynn Bullock's photographs, I realized I wasn't the biggest fan. I like the subjects he uses, but I'm not a fan of his editing because of how unfocused and "foggy" they look. Some of his photographs even look like paintings if you look at them in the right way. You would think Wynn's photographs would be more similar to Brett's since both their inspirations are the same person, but really, only the subjects are similar.