STUDY PROGRAMME
Media Design and Multimedia Arts
AFAM CODE
ABTEC43
DISCIPLINARY AREA
Audio visual languages and techniques
DISCIPLINARY FIELD
Linear audiovisuals
CREDITS
6
APPROACH
Theoretical/project based
This course covers different expressive languages used in linear audio-visual products, as well as their related methodological tools as they are essential to the critical analysis and further implementation in the projects the students will develop over the subsequent months. The course provides the cognitive knowledge for the analysis of audio-visual texts starting from the basics of semiotic reading and psychoanalysis of cinema. Also, the main techniques of audio-visual filming will be covered.
The programme grants 6 credits, divided as follows:
LINEAR AUDIOVISUALS: 3 CFA
CAMERA OPERATION TECHNIQUES: 4 CFA
Successful students will be able to:
Identify and classify the different kinds of linear audiovisual documents
Perform a critical analysis of how the constituting elements contribute to fruition and communication
Design a linear audio-visual product connecting all the components that act in the creative and productive process
Film simple movie scenes
Realise a basic lighting of a set
LINEAR AUDIOVISUALS:
Relations between the audience and the author
Immersivity, mimesis, enunciation, diegesis
Space and time
Minimum units and their film enunciation
Realism in cinema
Post-cinema
Introduction to film analysis
CAMERA OPERATION TECHNIQUES:
Audio-visual language codes
Character creation
Photography
Lighting
Camera movements
This is a theoretical/project based course.
Students will take part in the following activities, which may vary depending on the development of different projects:
Classroom lectures
Use of tutorials, videos or other media tools
Exercises and revisions
Workshops
Individual or group projects
Individual or group study and research
Assessment tools may include:
Graded exercises
Completion of a project
Oral exam
Further details about the exams will be provided by the professors.
The final grade will result from the weighted average of the programme modules.
MANDATORY:
Monaco, J. (2009) How to read a film (4th Edition), Oxford University Press.
RECOMMENDED:
Field, S. (2005) Screenplay: The Foundations of Screenwriting, Delta.
McKee, R. (1999) Story: Substance, Structure, Style and the Principles of Screenwriting, Methuen Publishing.
Vogler, C. (2007) The Writer’s Journey: Mythic Structure for Writers, Michael Wiese Productions.
Many of the recommended sources, together with additional material, are also available online on MyNaba, in the Library section.
Books and resources might be requested or suggested by the professors.
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