After the Jobs Disappear

Javier Jaén

by JULIET B. SCHOR | NYTimes

In Somerville, Massachusetts, just across the line from Cambridge, is an institution called Artisan’s Asylum. At 40,000 square feet, it says it’s one of the largest “makerspaces,” or community craft studios, on the East Coast of the United States. A nonprofit group, it hosts craftspeople, artists and entrepreneurs, analog and digital alike. In addition to classes in traditional fields like woodworking, fiber arts and metalworking, it offers coveted rental space for creative types.

At one end of the space, tech whizzes are building Stompy, a 4,000-pound hexapod — a six-legged robot. At the other is a “bike hacking” collective that repurposes old bicycle frames. In between are the folks who invented a 3Doodler, the three-dimensional pen — it extrudes heated plastic that can be formed into just about any shape. The 3Doodler raised $2.3 million on Kickstarter (far outpacing its $30,000 goal) and is on track to be the next must-have gift item. Community fabrication spaces like Artisan’s Asylum are becoming popular across the United States and Europe.

For many, they represent an appealing vision of the future of work.

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