Capturing Compisitions

Leading Line Repetition & Grouping

This picture I set the figure on a wood board leading into some plants.

For this picture, I set small army photos around in like a "Army Scene."

Rule Of thirds Formal Balance

For this picture, I set the one figure on the one side, also wanted it to seem like he was firing at some enemies.

For this picture, I set down two army figures as of sort of a "chill Look." Just keeping a look out.

Angle Up Low Horizon Line

This was pretty simple, I set up the figure on a wood pole, and set the camera down.

I set up the figure like he was being shot, and it also made a good photo for the low horizon line.

Angle Down High Horizon Line

Pretty simple as well, It was just all about how to should position my camera to the army figures.

Same as low horizon line, I just squared down a little bit before snapping the shot.

Far Distance Low Key Lighting

I sat the figure by a rusty pole, and went far away, while still trying to maintain a steady focus.

I went to a shady spot to capture the low key lighting, and while editing I lowered the brightness a touch.

Close Distance High Key Lighting

This photo was pretty simple, I zoomed my camera in close to capture a close distant picture.

For this photo, I set the army figures on a bench with the sun behind it, this created a great High Lighting situation.

Sharp focus Silhouette Lighting

When it took the photo I tried to make it as focused as possible, while editing I raised the sharpness to create that sharp look.

When I took the photo, it was kind of bright. While editing I lowered the brightness to make it a silhouette.

Soft focus Selective focus

It was pretty simple, I held my figure and mad the focus more blurry on the army guy.

I shifted the focus to one of the guys, while blurring out the other, it made for a great Selective Focus type photograph.