The National Gallery of Modern Art (NGMA) is delighted to present a captivating exhibition commemorating the significant achievements of India's women printmakers from the 1960s to the present. This collection, drawn from NGMA’s esteemed repository, celebrates the enduring legacy and innovative spirit of these artists, highlighting their profound contributions to the art world and society at large.

This section of the exhibition focuses on the evolution of women’s printmaking in India. It showcases a remarkable journey of creativity and technical expertise, featuring works that push the traditional boundaries of the medium. Each piece in this collection offers a unique perspective, blending technical mastery with experimental approaches to weave a rich narrative exploring the transient nature of artistic expression.

Featured artists include Anupam Sud, Naina Dalal, Gogi Saroj Pal, Anita Chavrovaty, Bula Bhattacharya, Jaya Appaswami, Kanchan Chander, Krishna Reddy, Kavita Nair, Lalita Lajmi, Madhavi Parekh, and Leelima Sheikh. These artists have left an indelible mark on the field of art, not only through their innovative printmaking techniques—many of which were influenced by international practices—but also by addressing pressing social issues through their work.

Visitors will have the opportunity to engage with artworks that explore the fluid and evolving nature of identity, encouraging them to reflect on their own experiences and perceptions. This exhibition aims to challenge preconceived notions and stimulate dialogue about the complexities of identity in contemporary society. Ultimately, it celebrates the diverse tapestry of human identity and inspires hope for a more inclusive and empathetic future.

Complementing NGMA’s permanent collection, this exhibition also features entries from contemporary women printmakers across India, selected through an open call. An expert exhibition selection committee has chosen significant works for display in the additional section of this exhibition on the ground floor of NGMA.