姓 名：陳靝沅 TAN, Tian Yuan
最高學歷：美國哈佛大學東亞語言與文化系博士
現 職：英國牛津大學亞洲及中東研究學系講座教授
Management Committee Member, The Oxford Research Centre in the Humanities
Shaw Professor of Chinese, University of Oxford 2019 – present
Professorial Fellow, University College, Oxford 2019 – present
Trustee and Member of the Governing Body, University College in the University of Oxford 2019 - present
✿專長學門
宮廷戲曲、明代戲曲、中國文學與跨文化
✿經歷
2016~2019 Professor of Chinese Studies, SOAS University of London
2015~2018 Associate Dean (Research), Faculty of Languages and Cultures, SOAS
2013~2017 Reader in Chinese Studies, SOAS~2016
2015~2017 Associate Head, Department of China and Inner Asia, SOAS
2012~2013 Chair, Centre of Chinese Studies, SOAS
2011~2013 Senior Lecturer in Traditional Chinese Literature and Culture, SOAS
2006~2011 Lecturer in Traditional Chinese Literature and Culture, SOAS
2001~2006 Teaching Fellow, Harvard University
✿學術及獲獎
NUSS Visiting Professorship 2023 22 Feb–Apr23
Master of Arts by resolution; University of Oxford 2 2019
Visiting Senior Research Fellow, Department of Chinese Studies, National University of Singapore2 2018-2019
High-end Foreign Expert Award (Humanities and Social Sciences), selected by the Chinese National Recruitment Program (PRC Government) 2015-2017
Guest Research Fellow, Academy for International Communication of Chinese Culture, Beijing Normal University. 2015-
✿學術歷程
GRANTS
2019-2025 European Research Council (ERC) Consolidator Grant (Principal Investigator, “Linking the Textual Worlds of Chinese Court Theater, ca. 1600-1800” (TEXTCOURT)
2018-2023 Chiang Ching-kuo Foundation Research Grant (Co-Director, “Textual Forms and the Construction of Knowledge in Late Ming Qu Anthologies”, in collaboration with Prof. Shih-pe Wang, National Taiwan University)
2016 SOAS China Institute – Prof Gungwu Wang Research Grant
2014-2016 International Project Network Grant II (Tang Xianzu Research Association, PRC)
2014-2015 Chiang Ching-kuo Foundation Conference Grant ("Brave New Theatres: 1616 in China and England")
2012-2015 British Academy Grant for Research Project (“Entertaining the Emperor: Elite Playwrights and Court Theatre in Eighteenth-Century China”)
2013 SOAS Strategic Initiatives Fund
2012, 2013 SOAS Faculty Strategic Research Funding
2012 Harvard-Yenching Institute Publication Grant (for An Anthology of Critical Studies on Tang Xianzu in Western Scholarship, Scholarship, with Prof. Xu Yongming, Zhejiang University)
2011-2013 PRC Ministry of Education Research Project Grant (Co-investigator, “Western Scholarship on Chinese Classical Drama”)
2011-2016 International Project Network Grant (Tang Xianzu Research
Books:
A. Monographs
1. Passion, Romance, and Qing: The World of Emotions and States of Mind in Peony Pavilion. 3 Volumes. Leiden: Brill, 2014. Vol 1: x, 522 pp; Vol. 2: iv, 502 pp; Vol. 3: iv, 524 pp. (Co-authored with Paolo Santangelo)
Reviews: Colin Mackerras, Journal of the American Oriental Society 137.1 (2017); Judith T. Zeitlin, Ming Studies 78 (2018)
2. Kang Hai sanqu ji jiaojian 康海散曲集校箋 (A Critical Edition of Kang Hai's Songs with Introduction, Notes, and Two Essays). Hangzhou: Zhejiang guji chubanshe, 2011. xxvi, 260pp. (Single-authored; PI of British Academy funded project, 2008-2010)
Awarded Two Book Prizes: The Second Prize of the “2011 National Excellent Classic Books Award” (September 2012) in PRC and the Second Prize of the XVth “Excellent Classic Books of East China Region” Award (October 2012)
3. Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China. Cambridge, MA: Harvard University Asia Center, 2010. xiv, 293pp. (Single-authored)
Ø Electronic Edition, 2020: https://brill.com/view/title/58569
Ø Chinese Edition, 2021 (translated by Zhou Rui 周睿): Xiaoyao yu sandan: shiliu shiji beifang bianguan shidafu jiqi qujia changyu逍遙與散誕——十六世紀北方貶官士大夫及其曲家場域. Guilin: Guangxi shifan daxue chubanshe, 2021.
Reviews (selected): On-cho Ng, The American Historical Review, 116.4 (2011); Catherine Swatek, Asian Theatre Journal, 29.1 (2012); Patricia Sieber, Harvard Journal of Asiatic Studies, 72.1 (2012); Ihor Pidhainy, Ming Studies 67 (2013)
B. Edited Books
1. 1616: Shakespeare and Tang Xianzu's China. London: Bloomsbury Arden Shakespeare, 2016. xxii, 326pp. (Lead Editor and PI of CCKF funded project (2014-15), with Paul Edmondson and Shih-pe Wang)
Reviews (selected): Sun Mei, Comparative Literature in China, 105.4 (2016); Shiamin Kwa, Bulletin of the School of Oriental and African Studies, 80.1(2017); Stephen Owen, Renaissance Quarterly 70.2 (2017)
2. Yingyu shijie de Tang Xianzu yanjiu lunzhu xuanyi 英語世界的湯顯祖研究論著選譯 (An Anthology of Critical Studies on Tang Xianzu in Western Scholarship). Hangzhou: Zhejiang guji chubanshe, 2013. xiv, 362pp. (Co-editor, with Xu Yongming; funded by Harvard-Yenching Institute and PRC International Project Network Grant)
Review: Wang Fengxia, Xiju zhijia No.2 (2014)
3. Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema. Leiden: Brill, 2009. xii, 468pp. (Co-editor, with Maghiel van Crevel and Michel Hockx)
Reviews: Jie Guo, MCLC Resource Center Publication (October 2010); Peter Harris, New Zealand Journal of Asian Studies 12.2 (2010); Liana Chen, Journal of Chinese Philosophy, 39.2 (2012)
Edited Journal Issues
Guest editor (with Ming Tak Ted Hui), Special Issue: "Conceptualising Chinese Court Literary Cultures" 中國宮廷文學文化：概念與闡釋, Nanyang Journal of Chinese Literature and Culture (NJCLC)《南洋中華文學與文化學報》, No.4 (May 2023), 226pp.
Journal Articles:
"Reworking Songs Past and Present: Literary Forms and Traditions in Chinese Court Drama," Special Issue: "Conceptualising Chinese Court Literary Cultures," Nanyang Journal of Chinese Literature and Culture (NJCLC), No.4 (May 2023): 1-6.
"Introduction" (co-authored with Ming Tak Ted Hui), Special Issue: "Conceptualising Chinese Court Literary Cultures," Nanyang Journal of Chinese Literature and Culture (NJCLC), No.4 (May 2023): 1-6.
“TEXTCOURT: Developing a Digital Approach to Chinese Court Drama” (co-authored with Ewan Macdonald and Ming Tak Ted Hui), Journal of Digital Archives and Digital Humanities, No.10 (2022): 1-31. https://doi.org/10.6853/DADH.202210_(10).0001
“Oumei hanxue mailuo zhong de Ming Qing shiwen" 歐美漢學脈絡中的明清詩文 (Ming and Qing dynasty Poetry and Prose in the History of Western Sinological Research), Zhongguo shehui kexue bao 中國社會科學報 (Chinese Social Sciences Today), Issue 2546 (07 Dec 2022): 10.
“Ming Qing gongting yanju de wenben shijie” 明清宮廷演劇的文本世界 (Textual Worlds of Court Theater in Late Imperial China), Bulletin of the Department of Chinese Literature, National Chengchi University《政大中文學報》, No. 37 (2022): 5-52. DOI: 10.30407/BDCL.202206_(37).0001
“Yuan Dynasty Poetry” (co-authored with Ming Tak Ted Hui), in Oxford Bibliographies in Chinese Studies. Ed. Tim Wright. New York: Oxford University Press, 2022. DOI: 10.1093/obo/9780199920082-0194
"In Praise of This Prosperous and Harmonious Empire: Sanqu, Ming Anthologies, and the Imperial Court," Journal of Chinese Literature and Culture, Volume 8, Issue 1 (April 2021): 139-162.
“Springtime Passion and Literary Tradition in Peony Pavilion”, International Communication of Chinese Culture, Volume 3, Issue 1 (2016): 57-65.
“Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing,” T’oung Pao 96 (2010): 125-164.
“The Transmission of Sanqu Songs, Writers’ Reputation, and Literati Network in the Mid Ming: Local and Translocal Considerations,” Ming Qing Studies (2010): 193-215.
“A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu,” (Part 2) (in Chinese), with revisions by Sun Chongtao, Studies in Culture & Art (Wenhua yishu yanjiu), Volume 2, No. 5 (2009): 145-175.
“A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu,” (Part 1) (in Chinese), with revisions by Sun Chongtao, Studies in Culture & Art (Wenhua yishu yanjiu), Volume 2, No.4 (2009): 117-134.
“Contending with Displacement: Two Forms of Retirement in Wang Jiusi’s Songs and Drama,” (in Chinese), Journal of Theater Studies (Xiju yanjiu), 3 (2009): 49-74.
“The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China,” Asia Major, Third Series, Volume 20, Part 1 (2007): 105-131.
“The New Discovery of Kang Hai’s (1475-1541) Sanqu Collection and Its Significances,” (in Chinese), Zhongguo wenzhe yanjiu tongxun (Taipei: Academia Sinica), Volume 16, No.2 (2006): 75-91.
“Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage,” Ming Studies, Number 49 (Spring 2004): 82-111.
Chinese translation: “駕頭雜劇”在明朝之禁演及舞台上的帝王形象 (translated by Xu Qiaoyue 徐巧越), to be included in an edited book on translation of works by sinologists, Zhejiang University Press, forthcoming.
Chapters in Books:
“Song of Dragon Well Tea” (co-translated with Pingyu Sun), in Wilt L. Idema, Wai-yee Li, and Stephen H. West,, eds. A Topsy-Turvy World, Short Plays and Farces from the Ming and Qing Dynasties (New York: Columbia University Press, in press)
"Jidi jijing zhi yingluan xiqu wenxue: Longjing chage jianjiao"「即地即景」之迎鑾戲曲文學——《龍井茶歌》箋校, in Guoli Taiwan xiqu xueyuan ed. 2021 Xiqu guoji xueshu yantaohui ji zhuhe Zeng Yongyi yuanshi bazhi rongqing 2021戲曲國際學術研討會 暨祝賀曾永義院士八秩榮慶 (Taipei: Guoli Taiwan xiqu xueyuan, 2023), pp. 318-329.
"Yinyan: Oumei hanxue mailuo zhong de Ming Qing shiwen" 引言：歐美漢學脈絡中的明清詩文 (Foreword: Ming and Qing dynasty Poetry and Prose in the History of Western Sinological Research), in Ye Ye 葉曄 and Yan Zinan 顏子楠, eds. Xihai yizhu: Oumei Ming Qing shiwen lunji 西海遺珠：歐美明清詩文論集 (Beijing: Beijing daxue chubanshe, 2022), pp.1-6.
“Song of Dragon Well Tea and Other Court Plays: Stage Directions, Spectacle, and Panegyrics”, in Patricia Sieber and Regina Llamas, eds. How to Read Chinese Drama. Columbia: Columbia University Press, 2022, Chapter 13, pp.309-324.
“Ming Qing gongting juben zhi bianzhuan ji zuozhe wenti chutan” 明清宮廷剧本之編撰及作者問題初探 (A Preliminary Study of the Compilation and Authorship of Drama in Ming and Qing Imperial Courts), in Ming Qing gongtingshi xueshu yantaohui lunwenji, Vol. 2 (2017). Beijing: Gugong chubanshe, pp 435-447.
“Jiang Shiquan juzuo zhong de xi yu qu” 蔣士銓劇作中的“戲”與“曲”(Performance and Poetry in Jiang Shiquan’s Dramatic Works), in Tsung-Cheng Lin and Zhang Bowei, eds., Cong chuantong dao xiandai de Zhongguo shixue 從傳統到現代的中國詩學 (From Tradition to Modernity: Poetic Transition from 18th to Early 20th Century China). Shanghai: Shanghai guji chubanshe, 2017, pp.30-47.
“Traditions and Transitions in Eighteenth-Century Qu Poetry: The Case of Jiang Shiquan (1725-1785)”, in Tiziana Lippiello, Chen Yuehong and Maddalena Barenghi, eds., Linking Ancient and Contemporary: Continuities and Discontinuities in Chinese Literature. Venice: Edizioni Ca'Foscari, 2016, pp.229-245. (Sinica Venetiana series)
“Introduction.,” in Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang, eds., 1616: Shakespeare and Tang Xianzu's China. London: Bloomsbury Arden Shakespeare, pp. 1-4.
“Sixty Plays from the Ming Palace, 1615-18”, in Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang, eds., 1616: Shakespeare and Tang Xianzu's China. London: Bloomsbury Arden Shakespeare, 2016, pp. 96-107.
“Shared Words and Worlds of Love in Peony Pavilion,” in Tian Yuan Tan and Paolo Santangelo, eds. Passion, Romance, and Qing: The World of Emotions and States of Mind in Peony Pavilion (3 vols.). Leiden, Boston: Brill, 2014, pp. 1454-1481.
“Tang Xianzu and Shakespeare: Two Theatrical Cultures in Global Perspective,” (in English and Chinese) in Tang Xianzu-Shashibiya wenhua gaofeng luntan ji Tang Xianzu he Wan Ming wenhua xueshu yantaohui lunwen ji, ed. Society of Chinese Theatre Studies (Tang Xianzu Branch) and Suichang Association of Social Sciences. Hangzhou: Zhejiang University Press, 2012, 24-29.
“Reflections on the Study of Court Theatre in Late Imperial China” (in Chinese), in Ming Qing gongtingshi xueshu yantaohui lunwenji (Volume 1), ed. Palace Museum. Beijing: Jijincheng chubanshe, 2011, pp.467-477.
“Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with His Banter about Lyrics,” in Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema, ed. Maghiel van Crevel, Tian Yuan Tan, and Michel Hockx. Leiden: Brill, 2009, pp.139-152.
“A Study of Kang Hai’s Composition of Southern Songs in His Later Years, Along with a Discussion on the Tune Title Langtaosha,” (in Chinese) Mingdai wenxue lunji, ed. Chen Qingyuan. Fuzhou: Haixia wenyi chubanshe, 2009, pp.1065-1076.
“The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions,” Chapter 9 in Long Live the Emperor: Uses of the Ming Founder across Six Centuries of East Asian History, ed. Sarah Schneewind. Ming Studies Research Series, Number 4. Minneapolis: Society for Ming Studies, 2008, pp.149-169.
“The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances,” (in Chinese) in Zhongguo Xiju: Cong Chuantong dao Xiandai (Chinese Drama: From Traditional to Modern Forms), ed. Dong Jian and Rong Guangrun. Beijing: Zhonghua shuju, 2006, pp.179-196.
“A Study of a ‘New’ Huaben Story in Jingshi tongyan: ‘Ye Fashi Fushi Zhenyao’ (Exorcist Ye Subdues the Demon with a Charmed Rock),” (in Chinese) in Mingdai xiaoshuo mianmianguan: Mingdai xiaoshuo guoji xueshu yantaohui lunwenji (Aspects of Ming Dynasty Fiction: Proceedings of the International Conference on Ming Fiction), ed. Kow Mei Kao and Huang Lin. Shanghai: Xuelin chubanshe, 2002, pp.354-371.
Book Reviews
Review of Sophie Volpp, Worldly Stage: Theatricality in Seventeenth-Century China, in Harvard Journal of Asiatic Studies, 72.2 (2012): 430-437.
Review of Stephen H. West and Wilt L. Idema eds. and trans., Monks, Bandits, Lovers, and Immortals: Eleven Early Chinese Plays, in Journal of the Royal Asiatic Society, Third Series, 21:3 (2011), 400-402.
Review of Daniel Bryant, The Great Recreation: Ho Ching-ming (1483-1521) and His World, in Bulletin of the School of Oriental and African Studies 72:3 (2009), 581-582.
Review of Qingyun Wu trans., A Dream of Glory (Fanhua meng): A Chuanqi Play by Wang Yun, in Bulletin of the School of Oriental and African Studies 72:3 (2009), 582-584.
Review of Zong-qi Cai ed., How to Read Chinese Poetry: A Guided Anthology, in Monumenta Serica 56 (2008): 519-521.
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